As early as the 1780s, African Americans told stories that enabled them to survive and even thrive in the midst of unspeakable assault. Tracing previously unexplored narratives from the late eighteenth century to the 1920s, Laurie Maffly-Kipp brings to light an extraordinary trove of sweeping race histories that African Americans wove together out of racial and religious concerns. Asserting a role in God's plan, black Protestants sought to root their people in both sacred and secular time. A remarkable array of chroniclers—men and women, clergy, journalists, shoemakers, teachers, southerners and northerners—shared a belief that narrating a usable past offered hope, pride, and the promise of a better future. Combining Christian faith, American patriotism, and racial lineage to create a coherent sense of community, they linked past to present, Africa to America, and the Bible to classical literature. From collected shards of memory and emerging intellectual tools, African Americans fashioned stories that helped to restore meaning and purpose to their lives in the face of relentless oppression. In a pioneering work of research and discovery, Maffly-Kipp shows how blacks overcame the accusation that they had no history worth remembering. African American communal histories imagined a rich collective past in order to establish the claim to a rightful and respected place in the American present. Through the transformative power of storytelling, these men and women led their people—and indeed, all Americans—into a more profound understanding of their interconnectedness and their prospects for a common future.

Enslaved Africans brought their music and religion with them to America. They adapted their spiritual worldview into the existing Christian framework for survival. The God of the oppressor was transformed into the God of liberation and justice. Salvation became the conduit for survival. Sacred song was embedded with African spirituality and African American theology to create a religious experience from the seventeenth century to the twentieth century that sustained African American people and became established forms of praise and worship. The Civil Rights movement changed the religious reality of African American people. Sacred song in the twenty- first century has many challenges. Will the legacy and heritage of sacred song survive?

"Enter the religious landscape of California's industrial agriculture in the 1940s. Anthropologist Walter Goldschmidt's early 1940s reconnaissance tour of the social scene in the little town of Wasco offers us a composite picture of religious institutions in a typical industrial-ag town in the state. Anthropologists and sociologists of the time pointed to the proliferation of Pentecostal churches as evidence of industrial farming's undesirable social outcomes. In particular, they noted the enthusiastic and emotional expressions of Pentecostal services and how the recently dispossessed Dust Bowl or "Okie" migrants flocked into these churches. By the 1940s, Dorothea Lange's photograph of the Okie "Migrant Mother" capturing the pathos of white plight had surfaced and caught the national spotlight. California, many noted, had a migration problem, as many "undesirables" flooded into the state. Women such as the one captured in Lange's photograph "Revival Mother" standing and worshipping with eyes closed and raised hands in a makeshift garage church typified the poverty of Pentecostals described by the university researchers"--

An analysis of the development of historical consciousness in antebellum America, using the debate over slavery as a case study.

"Making Black History focuses on the engine behind the early black history movement in the Jim Crow era, Carter G. Woodson and his Association for the Study of Negro Life and History"--

Assessing the grand American evangelical missionary venture to convert the world, this international group of leading scholars reveals how theological imperatives have intersected with worldly imaginaries from the nineteenth century to the present. Countering the stubborn notion that conservative Protestant groups have steadfastly maintained their distance from governmental and economic affairs, these experts show how believers' ambitious investments in missionizing and humanitarianism have connected with worldly matters of empire, the Cold War, foreign policy, and neoliberalism. They show, too, how evangelicals' international activism redefined the content and the boundaries of the movement itself. As evangelical voices from Africa, Asia, and Latin America became more vocal and assertive, U.S. evangelicals took on more pluralistic, multidirectional identities not only abroad but also back home. Applying this international perspective to the history of American evangelicalism radically changes how we understand the development and influence of evangelicalism, and of globalizing religion more broadly. In addition to a critical introduction and essays by editors John Corrigan, Melani McAlister, and Axel R. Schafer are essays by Lydia Boyd, Emily Conroy-Krutz, Christina Cecelia Davidson, Helen Jin Kim, David C. Kirkpatrick, Candace Lukasik, Sarah Miller-Davenport, Dana L. Robert, Tom Smith, Lauren F. Turek, and Gene Zubovich.

"Bivins explores the relationship between American religion and American music, and the places where religion and jazz have overlapped" --Dust jacket flap.

Soulful jazz singer Billie Holiday is remembered today for her unique sound, troubled personal history, and a catalogue that includes such resonant songs as “Strange Fruit” and “God Bless the Child.” Holiday and her music were also strongly shaped by religion, often in surprising ways. Religion Around Billie Holiday examines the spiritual and religious forces that left their mark on the performer during her short but influential life. Mixing elements of biography with the history of race and American music, Tracy Fessenden explores the multiple religious influences on Holiday’s life and sound, including her time spent as a child in a Baltimore convent, the echoes of black Southern churches in the blues she encountered in brothels, the secular riffs on ancestral faith in the poetry of the Harlem Renaissance, and the Jewish songwriting culture of Tin Pan Alley. Fessenden looks at the vernacular devotions scholars call lived religion—the Catholicism of the streets, the Jewishness of the stage, the Pentecostalism of the roadhouse or the concert arena—alongside more formal religious articulations in institutions, doctrine, and ritual performance. Insightful and compelling, Fessenden’s study brings unexpected materials and archival voices to bear on the shaping of Billie Holiday’s exquisite craft and indelible persona. Religion Around Billie Holiday illuminates the power and durability of religion in the making of an American musical icon.

Conventional wisdom holds that tradition and history meant little to nineteenth-century American Protestants, who relied on common sense and "the Bible alone." The Old Faith in a New Nation challenges this portrayal by recovering evangelical engagement with the Christian past. Even when they appeared to be most scornful toward tradition, most optimistic and forward-looking, and most confident in their grasp of the Bible, evangelicals found themselves returning, time and again, to Christian history. They studied religious historiography, reinterpreted the history of the church, and argued over its implications for the present. Between the Revolution and the Civil War, American Protestants were deeply interested in the meaning of the Christian past. Paul J. Gutacker draws from hundreds of print sources-sermons, books, speeches, legal arguments, political petitions, and more-to show how ordinary educated Americans remembered and used Christian history. While claiming to rely on the Bible alone, antebellum Protestants frequently turned to the Christian past on questions of import: how should the government relate to religion? Could Catholic immigrants become true Americans? What opportunities and rights should be available to women? To African Americans? Protestants across denominations answered these questions not only with the Bible but also with history. By recovering the ways in which American evangelicals remembered and used Christian history, The Old Faith in a New Nation shows how religious memory shaped the nation and interrogates the meaning of "biblicism."

Mormon studies is one of the fastest-growing subfields in religious studies. For this volume, Terryl Givens and Philip Barlow, two leading scholars of Mormonism, have brought together 45 of the top scholars in the field to construct a collection of essays that offers a comprehensive overview of scholarship on Mormons. The book begins with a section on Mormon history, perhaps the most well-developed area of Mormon studies. Chapters in this section deal with questions ranging from how Mormon history is studied in the university to the role women have played throughout Mormon history. Other sections examine revelation and scripture, church structure and practice, theology, society, and culture. The final two sections look at Mormonism in a larger context. The authors examine Mormon expansion across the globe-focusing on Mormonism in Latin America, the Pacific, Europe, and Asia-in addition to the interaction between Mormonism and other social systems, such as law, politics, and other faiths. Bringing together an unprecedented body of scholarship in the field of Mormon studies,The Oxford Handbook of Mormonism will be an invaluable resource for those within the field, as well as for people studying the broader, ever-changing American religious landscape.