As before, the second edition of this widely-used survey is in two main parts. The first analyses the major themes of seventeenth-century European history on a continent-wide basis. The second part moves on to outline political, diplomatic and military events in the various states and nations of the time. For the second edition all the chapters have been rewritten to take account of recent scholarship. Moreover, many new topics are discussed: the family; crime; the impact of printing; climate; population and social mobility; Islam in seventeenth-century Europe. Throughout, the book emphasises current lines of research and controversy to illustrate that the history of the period is a process of enquiry and argument rather than incontrovertible fact.

"In this book, Professor Begin and his fellow authors provide an account of the main aspects of seventeenth century Europe - from economy and society to politics, war, and intellectual life. Finally, the book dwells on the ways in which contact with a wider world beyond Europe impinged on the consciousness of Europeans in this 'age of curiosity'. This account, written by leading specialists in the field, will challenge those who are familiar with the period to think again about established views, and awaken the interest of those unfamiliar with it."--BOOK JACKET.

One of the great paradoxes of post-medieval Europe, is why instead of bringing peace to a disorganised and violent world, modernity instead produced a seemingly endless string of conflicts and social upheavals. Why was it that the foundation and institutionalisation of secured peace and the rule of law seemed to go hand-in-hand with the proliferation of war and the violation of individual and collective rights? In order to try to better understand such profound questions, this volume explores the history and theories of political thought of international relations in the seventeenth century, a period in which many of the defining features and boundaries of modern Europe where fixed and codified. With the discovery of the New World, and the fundamental impact of the Reformation, the complexity of international relations increased considerably. Reactions to these upheavals resulted in a range of responses intended to address the contradictions and conflicts of the anarchical society of states. Alongside the emergence of "modern" international law, the equation of international relations with the state of nature, and the development of the "balance of power", diplomatic procedures and commercial customs arose which shaped the emerging (and current) international system of states. Employing a multidisciplinary approach to address these issues, this volume brings together political scientists, philosophers, historians of political thought, jurists and scholars of international relations. What emerges is a certain tension between the different strands of research which allows for a fruitful new synthesis. In this respect the assembled essays in this volume offer a sophisticated and fresh account of the interactions of law, conflict and the nation state in an early-modern European context.

This volume presents the most noteworthy concepts, artists, and cultural centers of the seventeenth century through a close examination of many of its greatest paintings, sculptures, and buildings. The Baroque, rooted in classicism but with a new emphasis on emotionalism and naturalism, was the leading style of the seventeenth century. The movement exhibited both stylistic complexity and great diversity in its subject matter, from large religious works and history paintings to portraits, landscapes, and scenes of everyday life. Masters of the era included Caravaggio, whose innovations in the dramatic uses of light and shadow influenced many of the century's artists, notably Rembrandt; the sculptor, painter, and architect Bernini, with his combination of technical brilliance and expressiveness; and other familiar names such as Rubens, Poussin, Velázquez, and Vermeer. This was the era of absolute monarchs, including Spain's Habsburgs and Louis XIII and XIV of France, whose artistic patronage helped furnish their opulent palaces. But a new era of commercialism, in which artists increasingly catered to affluent collectors of the professional and merchant classes, also flourished.