"The most admirable contribution from this poet, who is romantic, post modernist and existentialist at one time, is his intense love poems. Punathil Kunjabdulla Kendra Sahitya Academy Winner

The Roman poet Ovid (43BC-17AD) gives an ironic and parodic twist to love poetry in his highly original and entertaining explorations of sexual desire and its consequences. In his Amores (Loves, or Love Affairs) he partly celebrates, partly burlesques, the self-dramatising misery and 'slavery to love' that characterise the poet-lover of Roman erotic elegy. The Ars Amatoria (Art of Love) is a mock didactic poem, a self- help manual that teaches its readers how to achieve and retain erotic conquests. Offering methods to control what is definitively uncontrollable - namely, erotic desire - Ovid pursues all the ironies and paradoxes of his theme in this dazzling work. In Remedia Amoris (Cures for Love) the poet conceives desire as a disease curable by therapeutic advice. This translation of John Dryden (1631-1700) and his contemporaries in a style matchlessly suited to the originals.

One of the many aspects of Alexander Pushkin's immense contribution to Russian language and literature, and perhaps the one he is most popular for, is his mastery of the love poem, a genre which he perfected like few others before or after him.This volume contains a selection of his most famous and enduring verse explorations of love, such as 'I Loved You', 'Night' and 'I Well Recall a Wondrous Meeting', pieces which are crowning achievements of the European canon and still have the same timeless emotional resonance today.

A dozen poems on love by a New Jersey obstetrician (1883-1963) who often wrote them on office prescription pads. In the title poem, first published when he was 72, he wrote: "What power has love but forgiveness? / In other words / by its intervention / what has been done / can be undone."

When Pedro Salinas’s 1933 collection of love poems, La voz a ti debida, was introduced to American audiences in Willis Barnstone’s 1975 English translation, it was widely regarded as the greatest sequence of love poems written by a man or a woman, in any language, in the twentieth century. Now, seventy-five years after its publication, the reputation of the poems and its multifaceted writer remains untarnished. A portrait of their era, the poems, from a writer in exile from his native civil war–torn Spain, now reemerge in our time. In this new, facing-page bilingual edition, Barnstone has added thirty-six poems written in the form of letters from Salinas to his great love, Katherine Whitmore. Discovered years later, these poems were written during and after the composition of La voz and, though disguised as prose, have all the rhythms and sounds of lineated lyric poetry. Taken together, the poems and letters are a history, a dramatic monologue, and a crushing and inevitable ending to the story of a man consumed by his love and his art. Bolstered by an elegant foreword by Salinas’s contemporary, the poet Jorge Guillén, and a masterly afterword by the Salinas scholar, Enric Bou, that considers the poet and his legacy for twenty-first century world poetry, Love Poems by Pedro Salinas will be cause for celebration throughout the world of verse and beyond.

Arabic and Hebrew Love Poems in al-Andalus investigates a largely overlooked subset of Muslim and Jewish love poetry in medieval Spain: hetero- and homo-erotic love poems written by Muslim and Jewish religious scholars, in which the lover and his sensual experience of the beloved are compared to scriptural characters and storylines. This book examines the ways in which the scriptural referents fit in with, or differ from, the traditional Andalusian poetic conventions. The study then proceeds to compare the scriptural stories and characters as presented in the poems with their scriptural and exegetical sources. This new intertextual analysis reveals that the Jewish and Muslim scholar-poets utilized their sacred literature in their poems of desire as more than poetic ornamentation; in employing Qur’ānic heroes in their secular verses, the Muslim poets presented a justification of profane love and sanctification of erotic human passions. In the Hebrew lust poems, which utilize biblical heroes, we can detect subtle, subversive, and surprisingly placed interpretations of biblical accounts. Moving beyond the concern with literary history to challenge the traditional boundaries between secular and religious poetry, this book provides a new, multidisciplinary, approach to existing materials and will be of interest to students, scholars and researchers of Islamic and Jewish Studies as well as to those with an interest in Hebrew and Arabic poetry of Islamic Spain.

"Following a three-part structure that had been established by Paul herself in early notes towards a selected poems, Bernadette Hall gives us 76 luminous poems, most of which have never been published before. The poems track through from the 1970s, a scouring time for Paul with the disintegration of her marriage to the artist Jeffrey Harris, and the death of their infant daughter Imogen, to the late 1990s, a time of celebration and fulfilment. Through her own words we are given a unique insight into Paul's passionate engagement with life and love, with family, friends and community."--Jacket.

…just remember that I’m not telling you to get emotional and judge the world. When words like “fuck off” come into play, people start imagining a very “no-bullshit” headspace, testosterone running high and a rebel soul. No. This isn’t about being the grumpy party pooper, shitting on everyone’s parade. My effort through this book is to clean up as much shit as I can. Or at the very least, encourage you to clean your conscience.

A magnificent selection of fifty poems to celebrate three-term US Poet Laureate Joy Harjo’s fifty years as a poet. Over a long, influential career in poetry, Joy Harjo has been praised for her “warm, oracular voice” (John Freeman, Boston Globe) that speaks “from a deep and timeless source of compassion for all” (Craig Morgan Teicher, NPR). Her poems are musical, intimate, political, and wise, intertwining ancestral memory and tribal histories with resilience and love. In this gemlike volume, Harjo selects her best poems from across fifty years, beginning with her early discoveries of her own voice and ending with moving reflections on our contemporary moment. Generous notes on each poem offer insight into Harjo’s inimitable poetics as she takes inspiration from Navajo horse songs and jazz, reckons with home and loss, and listens to the natural messengers of the earth. As evidenced in this transcendent collection, Joy Harjo’s “poetry is light and elixir, the very best prescription for us in wounded times” (Sandra Cisneros, Millions).