At the uppermost edge of the northern kingdoms, towers shrouded in mist, lies Southmarch Castle. For hundreds of years it has remained hidden from the affairs of empire. Now its isolation can protect it no more. Southmarch is under siege; from both its neighbours, without, and the more insidious enemies who would destroy it from within. Even further to the north, within the ancient walls of Qul-na-Qar, in a land of silence and gloom, the Twilight People gather to hear Ynnir, the blind king, pronounce the dark fate of human kind. In the south, the Autarch, the god-king who has already conquered an entire continent, now looks to extend his domain once more. It is upon Southmarch that the armies advance, and to its people that darkness will speed.

The doctorial thesis argues that the term Subcreation with its revised and broadened definition, in part differing from J.R.R. Tolkien's original term sub-creation, may be used for the discussion of the making of fictional worlds in literary discourse. The successful conception of a fictional world depends on the reader's willing suspension of disbelief. This depends both on the author and his skilled composition of the world and all its aspects, as well as on the reader's acceptance of this invented fictional world. The author needs to create a narrative with an inner consistency, which is crucial to achieving the effect of the reader's immersion in the fictional world. The fundamental aspects that an author needs to realize to achieve successful Subcreation have been structured into and analysed in four categories: Language and Linguistic Variation, Physiopoeia, Anthropoeia and Mythopoeia. Furthermore, this thesis shows that, as contemporary examples of fantastic literature, both Tad Williams's and Terry Pratchett's fictional worlds are successfully created through the realization of these aspects of Subcreation. Apart from commenting on the success of the subcreative process, this thesis also remarks upon the cultural influences both authors include in their writings. While both may be considered Anglophone in a general categorization, Pratchett's Discworld retains a feeling of 'Britishness' that is not to be found in Williams's Otherland. The thesis proposes several approaches to Subcreation that may be studied subsequently. So, for example, it may be possible to determine the success of an author's Subcreation by collecting empirical data. Apart from literary works this field of studies may also include other media.

The long-awaited prequel to The Dragonbone Chair. Among the immortal Sithi of Osten Ard, none are more beloved and admired than the two sons of the ruling family, steady Hakatri and his proud and fiery younger brother Ineluki - Ineluki, who will one day become the undead Storm King. But when Ineluki makes a bold, terrible oath that he will destroy Hidohebhi, a terrifying monster, he drags Hatraki into a disaster that threatens not just their family but all the Sithi - and perhaps all of humankind as well . . . Set a thousand years before The Dragonbone Chair, the story is told by Pamon Kes, Hatraki's faithful servant. A member of the enslaved Changeling race, he must face the terrible black dragon at his master's side, and see his own life changed forever by Ineluki's selfish promise. PRAISE FOR TAD WILLIAMS 'One of my favourite fantasy series' George R. R. Martin 'Ground-breaking' Patrick Rothfuss 'An essential part of any science fiction and fantasy library' Christopher Paolini

In a kingdom ravaged by the beasts and terrors of an ancient war, the only hope against them is the army of mixed-blood beings known as the King's Legion: dragoons, shadowmarch, sorcerers, titans... and the Princes of the Blood, nigh-invincible warriors of fearsome magic and strength, their only weakness a need for pure human blood. When his brother runs away, Raffé agrees to undergo the Blooding, but he is a pale imitation of his strong, capable brother. No one expects him to survive and become a Prince, merely to die to save the rest of his family and preserve honor. But runaways and weaklings are the least of the kingdom's concerns when an ancient evil returns with new tricks, and their only hope lies with knowledge long lost and a fierce bond forged in darkness...

The extraordinary debut novel that launched Tad Williams' career, TAILCHASER'S SONG is an epic of high fantasy and grand adventure, where gods walk amongst their people and where even very small creatures can change the world. Weaving through the tall grasses of this world is Tailchaser, a young ginger tomcat with a good heart and a restless spirit. When his friend Hushpad vanishes, Tailchaser sets out to find her. His journey will take him further than he ever thought possible - from the court of the Firstwalkers, through the cities of M'an, and into the hellish depths of the earth itself, where an unimaginable horror awaits.

A masterpiece of the imagination, THE WAR OF THE FLOWERS is a truly epic novel which once again pushes the boundaries of fantasy fiction into new and unexplored territory. In the great city, in the dimly lit office of an impossibly tall building, two creatures meet. Gold changes hand, and the master of the House of Hellebore gives an order: 'War is coming. The child must die.' In our own world, a young man discovers a manuscript written by his great uncle. It seems to be a novel - a strange fairy tale of fantastic creatures and magical realms. But it is written as a diary ... as if the events were real ... as if his uncle had journeyed to another world. For the young man, the fantasy is about to become reality.

The world was nearly destroyed, but now knows hope again. At the end of Memory, Sorrow, and Thorn, Ineluki the Storm King, an undead spirit of horrifying, demonic power, came within moments of stopping Time itself and obliterating humankind. He was defeated by a coalition of mortal men and women joined by his own deathless descendants, the Sithi. In the wake of the Storm King's fall, Ineluki's loyal minions, the Norns, retreat north to Nakkiga, an ancient citadel which holds a priceless artefact known as The Heart of What Was Lost. They are pursued by the army of Duke Isgrimnur who is determined to wipe out the Norns for all time. The two armies will soon clash in a battle so strange and deadly, so wracked with dark enchantment, that it threatens to destroy not just one side but quite possibly all.

Bestselling author Tad Williams broke new ground in 1996 with his wonderfully imaginative novel CITY OF GOLDEN SHADOW. The place is an incredibly complex and detailed virtual reality, home to the wildest dreams and darkest nightmares of its users and creators. The conspiracy threatens to sacrifice our Earth for the promise of this far more exclusive place. And, somehow, Otherland is claiming the Earth's most valuable source, its children.Then came RIVER OF BLUE FIRE: OTHERLAND BOOK 2, which firmly established the series as a landmark in imaginative fiction, challenging and thrilling even more readers. Now, in MOUNTAIN OF BLACK GLASS: OTHERLAND BOOK 3, Tad Williams demonstrates ever greater virtuosity, entering ever more deeply into the conspiracy and the rich world of Otherland.

New York Times-bestselling Tad Williams’ ground-breaking epic fantasy saga of Osten Ard begins an exciting new cycle! • Volume One of The Last King of Osten Ard The Dragonbone Chair, the first volume of Memory, Sorrow, and Thorn, was published in hardcover in October, 1988, launching the series that was to become one of the seminal works of modern epic fantasy. Many of today’s top-selling fantasy authors, from Patrick Rothfuss to George R. R. Martin to Christopher Paolini credit Tad with being the inspiration for their own series. Now, twenty-four years after the conclusion of Memory, Sorrow, and Thorn, Tad returns to his beloved universe and characters with The Witchwood Crown, the first novel in the long-awaited sequel trilogy, The Last King of Osten Ard. More than thirty years have passed since the events of the earlier novels, and the world has reached a critical turning point once again. The realm is threatened by divisive forces, even as old allies are lost, and others are lured down darker paths. Perhaps most terrifying of all, the Norns—the long-vanquished elvish foe—are stirring once again, preparing to reclaim the mortal-ruled lands that once were theirs....