The essays in Shadows in the City of Light explore the significance of Paris in the writing of five influential French writers—Sarah Kofman, Patrick Modiano, George Perec, Henri Raczymow, and Irene Nemirovsky—whose novels and memoirs capture and probe the absences of deported Paris Jews. These writers move their readers through wartime and postwar cityscapes of Paris, walking them through streets and arrondissments where Jews once resided, looking for traces of the disappeared. The city functions as more than a backdrop or setting. Its streets and buildings and monuments remind us of the exhilarating promise of the French Revolution and what it meant for Jews dreaming of equality. But the dynamic space of Paris also reminds us of the Holocaust and its aftermath. The shadowed paths traced by these writers raise complicated questions about ambivalence, absence, memory, secularity, and citizenship. In their writing, the urban landscape itself bears witness to the absent Jews, and what happened to them. For the writers treated in this volume, neither their Frenchness nor their Jewishness is a fixed point. Focusing on Paris's dual role as both a cultural hub and a powerful symbol of hope and conflict in Jewish memory, the contributors address intersections and departures among these writers. Their complexity of thought, artistry, and depth of vision shape a new understanding of the impact of the Holocaust on Jewish and French identity, on literature and literary forms, and on the development of Jewish secular culture in Western Europe.

The monstrous Rust Warriors are back! In a land struggling to cope with the onset of the fatal bone flu, street-nick Tom and Kat - the leader of the Tattooed Men - must find a way to despatch both threats. Meanwhile, the Soul Thief is still at large, and still killing...

A top historian offers a new history of Paris’s Belle Époque, the luminous age of the Eiffel Tower and the Sacré-Cœur Basilica, but also of social unrest and violent clashes over what it meant to be French From the wrought ironwork of the Eiffel Tower to the flourishing art nouveau movement, the Belle Époque is remembered as a golden age for Parisian culture. Beneath the veneer of elegance, however, fin de siècle Paris was a city at war with itself. In City of Light, City of Shadows, Mike Rapport uncovers a Paris riven by social anxieties and plagued by overlapping epidemics of poverty, political extremism, and anti-Semitism. As the Sacré-Cœur and Eiffel Tower rose into the skies, redefining architecture and the Paris skyline, Paris’s slums were plagued by disease and gang violence. The era, now remembered as a high point of French art and culture, was also an age of intense political violence, including anarchist bombings, organized right-wing mobs, and assassinations. Weaving together these stories of splendor and suffering with the fabric of the city itself, the book offers a brilliant account of Paris’s Belle Époque—revealing the darkness that suffused the City of Light.

The climate is tense in 1870s Europe as mistrust and suspicion rule the day. When the wife of Baron Harsanyi--a well-connected military attache--is found murdered, it is only the first in a series of evil acts committed by a shadowy enemy bent on destroying the baron. As nations ready for war, the baron must uncover the truth as he and his two adult children are launched straight into the maelstrom that will engulf the continent.

14-year-old California girl Mackenzie, known as Mac, goes on a school trip to Paris where finds herself in league with a crew of crazy cabbies and their friends. She encounters sinister, shadowy characters who live in the Paris underground, a philosopher gendarme, a gypsy who can dance people into dream states, and gargoyles that come to life.

Lighting and shadows are used within a range of art forms to create aesthetic effects. Piotr Sadowski's study of light and shadow in Weimar cinema and contemporaneous visual arts is underpinned by the evolutionary semiotic theories of indexicality and iconicity. These theories explain the unique communicative and emotive power of light and shadow when used in contemporary indexical media including the shadow theatre, silhouette portraits, camera obscura, photography and film. In particular, Sadowski highlights the aesthetic and emotional significance of shadows. The 'cast shadow', as an indexical sign, maintains a physical connection with its near-present referent, such as a hidden person, stimulating a viewer's imagination and provoking responses including anxiety or curiosity. The 'cinematic shadow' plays a stylistic role, by enhancing image texture, depth of field, and tonal contrast of cinematic moments. Such enhancements are especially important in monochromatic films, and Sadowski interweaves the book with accounts of seminal Weimar cinema moments. Sadowski's book is distinctive for combining historical materials and theoretical approaches to develop a deeper understanding of Weimar cinema and other contemporary art forms. The Semiotics of Light and Shadows is an ideal resource for both scholars and students working in linguistics, semiotics, film, media, and visual arts.

"The Harmony of Whispers" is a poetic journey through the delicate and profound moments of life, where words serve as both the vessel and the destination. This collection of poems invites readers to explore the intricate symphony of emotions, from the quiet serenity of solitude to the grand crescendo of love's embrace. With each verse, it seeks to capture the essence of the human experience, allowing readers to find their own resonance within the gentle cadence of whispers.This book offers a lyrical exploration of the harmonious interplay between the ordinary and the extraordinary, revealing the beauty that lies within life's subtlest melodies. "The Harmony of Whispers" is a poetic reflection that both soothes and inspires, inviting readers to listen closely to the whispers that shape our existence.

Otherland... Surrounded by secrecy, it is home to the wildest dreams and darkest nightmares. Incredible amounts of money have been lavished on it. The best minds of two generations have labored to build it. And somehow, bit by bit, it is claiming the Earth's most valuable resource--its children.

The Jewish American-Danish lawyer, Jon Baeksgaard, and his Israeli born fiancee Eve, who works in a real-estate firm on the 86th Floor of the South-Tower of the World Trade Center are amongst the 9/11victims caught in the conflagration. He tries to rescue her from the building, and the events following a murder case he is conducting for the defence of a Moslem client bring him and the co-workers of his small East village office into the midst of a tense political situation. The natural fear and anger in the wake of 9/11 give rise to prejudice and the threat of compounding injustice arising through the public outrage committed against New York city. The love between Jon and Eve is of central to the story, which eventually leads the reader to Jerusalem and Hebron.

Reproduction of the original: The City Of Domes by John D. Barry