The original story upon which the film Shadows in the Garden is based ... and 7 other tales. A vignette of dream shimmers briefly in my mind. I remember I was crouched in a dark yard, this yard—staring at that same clothesline. I was cold, so cold, and frightened, and I didn't know why. It was far too dark to see anything clearly. I could tell only that there was something hung from the line. Approaching it, I saw how it swung back and forth in the night-wind heavily. It wasn't until I was close enough almost to touch it that I realized what it was. It was the pale woman's head …

The late Victorians had an insatiable appetite for the macabre and sensational: stories of murder and suspense, ghosts, the supernatural and the inexplicable were the stuff of life to them. The two writers in this volume well represent the last decade of the nineteenth century, and are of interest in themselves as well as for their contribution to the chilling of the Victorian spine. Mrs. Alfred Baldwin attempted as a child to contact her dead sister through a seance, and took to writing when stricken by a mysterious illness six weeks after marriage. She was also the mother of the Prime Minister, Stanley Baldwin. Lettice Galbraith is herself no less mysterious than the stories she wrote. She appeared on the literary scene in 1893, published a novel and two collections of stories in that year, a further story ("The Blue Room") in 1897, and then nothing more. Readers of 'The Empty Picture Frame', 'The Case of Sir Nigel Otterburne', 'The Trainer's Ghost' and 'The Seance Room' will recognise the Victorian spirit at its finest.

"Love and Other Stories" is a collection of brief stories written by way of Anton Pavlovich Chekhov, one of the most celebrated Russian writers of the past due nineteenth and early 20th centuries. The stories show off Chekhov's mastery of the fast tale form and his eager perception into the human circumstance. The series encompasses quite a number topic, delving into the complexities of love, relationships, and the everyday lives of regular human beings. Chekhov's tales are characterized via a profound know-how of human nature, capturing moments of joy, sorrow, and introspection with superb sensitivity. In "Love and Other Stories," Chekhov explores the nuances of romantic relationships, regularly highlighting the subtleties and intricacies of human feelings. The character's grapple with the challenges of affection, navigating the delicate balance between ardour and practicality. Chekhov's narrative style is marked by using a mix of realism and irony, reflecting the social and cultural milieu of past due 19th-century Russia. The tales are poignant and thought-provoking, providing readers a glimpse into the complexities of the human psyche. "Love and Other Stories" stands as a undying collection that maintains to resonate with readers, showcasing Chekhov's potential to seize the depth of human experience in concise and evocative narratives. The tales continue to be a testament to Chekhov's enduring legacy as a grasp storyteller.

In a land of wind and willows, two canoeists encounter some other-worldly wind turbines. From The Sentinels: Dunn: He said that he was taking the way of the wind and the sky, and that he was going in—to Them—by which I presume he meant going into the tower and scaling the ladder. And he said other things: That our thoughts made patterns in their world—left ‘prints,’ as it were—as did theirs in ours; and that that was how they’d found us, by listening to our thoughts, zeroing in on our patterns. And he said that Bobby was merely a bundle of sensory organs wrapped in a skin of decaying matter and so wasn’t important, wasn’t needed. That only they mattered—they, the beings attached to and inhabiting the turbines. And that … that … Detective Shaw: What, Mrs. Dunn? Say it. Dunn: But … don’t you see? It doesn’t matter what he said, because it wasn’t him speaking, not really. Bobby would never have described a human being as just a bundle of sensory organs; he truly believed, with every fiber of his being, that we were more than that—more than just the sum of our parts—it was what inspired him to become a doctor in the first place. And knowing what I knew, knowing what kind of man he was, I pressed him, telling him that Bobby did matter—that he mattered to his patients and that he mattered to me—more than I would ever be able to describe. And then I approached him and embraced him and told him I loved him—feeling, for the briefest of moments, the spirals beginning to close on his back—and he smiled, his eyes returning to normal, after which he said, or started to say, “I love …” (room tone) Detective Shaw: (inaudible) He—he told you he loved you? Dunn: No. He … his eyes rolled back … and then his face, it … it simply imploded. In a spiral. Like someone had flushed a toilet full of blood and brains.

Reproduction of the original: The Chorus Girl and Other Stories by Anton Chekhov

Love and Other Stories is the thirteenth and final volume of the Tales of Chekhov, by Russian author Anton Chekhov. A collection of short stories including: Love; Lights; A Story Without An End; Mari D’elle; A Living Chattel; The Doctor; Too Early!; The Cossack; Aborigines; An Inquiry; Martyrs; The Lion And The Sun; A Daughter Of Albion; Choristers; Nerves; A Work Of Art; A Joke; A Country Cottage; A Blunder; Fat And Thin; The Death Of A Government Clerk; A Pink Stocking; and, At A Summer Villa.

ONE day when she was younger and better-looking, and when her voice was stronger, Nikolay Petrovitch Kolpakov, her adorer, was sitting in the outer room in her summer villa. It was intolerably hot and stifling. Kolpakov, who had just dined and drunk a whole bottle of inferior port, felt ill-humoured and out of sorts. Both were bored and waiting for the heat of the day to be over in order to go for a walk. All at once there was a sudden ring at the door. Kolpakov, who was sitting with his coat off, in his slippers, jumped up and looked inquiringly at Pasha.

"The Black Monk" is a poignant quick story by Anton Pavlovich Chekhov. This narrative explores the delicate balance between fact and imagination, delving into the mental complexities of human thoughts. The tale revolves around Andrey Vasilievich Kovrin, a talented and bold scholar who isolates himself in a geographical region to focus on his work. As Kovrin becomes more and more absorbed in his studies, he starts to enjoy bright hallucinations and dreams related to a mysterious black monk. This enigmatic figure serves as a manifestation of Kovrin's heightened highbrow and creative aspirations. As the road between reality and imagination blurs, Kovrin's intellectual kingdom unravels. The tale unfolds as a mental drama, examining the satisfactory line between genius and madness. Chekhov skillfully explores themes of creativity, the pursuit of understanding, and the dangers of unchecked ambition. "The Black Monk" is well known for its nuanced portrayal of the human psyche and its exploration of the thin boundary between inspiration and intellectual instability. Chekhov's storytelling prowess shines through as he crafts a narrative that invites readers to reflect on the difficult interaction of dreams, truth, and the toll of intellectual pursuit on the fragile material of the mind.

Fairy tales. Prince Charming fights evil, wins the princess, lives happily ever after. Three sons, three wishes, witches, dragons, a quest, and happily ever after. These stories are part of our cultural fabric. The stories change in retellings to reflect contemporary culture, such as Princess Charming, or heroes and heroines as people of color. In this collection, queer characters take center stage in stories that grew out of questions: What if the prince falls in love with Cinderella's gay stepbrother? What if Rumpelstiltskin doesn't really want the Queen's child but rather the King himself? What if Beauty and the Beast are two men? These stories explore metaphors of magic and the magical, this time, with a gay perspective. What price must be paid for happily ever after? Duty or love? Is love worth great sacrifice? Once upon a time ...