Issues of gender, religion, and landscape in the works of Shakespeare and Spenser are examined through the lens of colonialism and national identity in this literary critical analysis. This period in early modern English literature is marked by a redefinition of what it means to be British, and close readings of the texts reveal Spenser's developing (and ambivalent) sense of Irishness and Shakespeare's alleged Catholic recusancy. The relationship between biographical details and imaginative writing reveal the conflicting issues of literary reputation and identity that make discussions of nationalism so complex. Pastoralism versus ruralism and internal insurrection versus foreign invasion are among the themes discussed.

By analyzing appropriations of fairies, old wives, and mummers, this project explores the conflicted entanglements of early moderns leaving, or attempting to leave, a once-shared common culture behind.

Shakespeare, Spencer and the Matter of Britain examines the work of two of the most important English Renaissance authors in terms of the cultural, social and political contexts of early modern Britain. Andrew Hadfield demonstrates that the poetry of Edmund Spenser and the plays of William Shakespeare demand to be read in terms of an expanding Elizabethan and Jacobean culture in which a dominant English identity had to come to terms with the Irish, Scots and Welsh who were now also subjects of the crown.

First published in 1971. This collection of essays discusses some of the central works and areas of literature in the Renaissance period of cultural history. Contents include: Spenser and the Allegorists; The Faerie Queene, I and V; The Cave of Mammon; The Banquet of Sense; John Donne; The Patience of Shakespeare; Survival fo the Classic; Shakespeare's Learning; The Mature Comedies; The Final Plays.

Ireland is increasingly recognized as a crucial element in early modern British literary and political history. Christopher Highley's book explores the most serious crisis the Elizabethan regime faced: its attempts to subdue and colonize the native Irish. Through a range of literary representations from Shakespeare and Spenser, and contemporaries like John Hooker, John Derricke, George Peele and Thomas Churchyard he shows how these writers produced a complex discourse about Ireland that cannot be reduced to a simple ethnic opposition. This book challenges traditional views about the impact of Spenser's experience in Ireland on his cultural identity, while also arguing that the interaction between English and Ireland is a powerful and provocative subtext in the work of Shakespeare and his fellow dramatists. Highley argues that the confrontation between an English imperial presence and a Gaelic 'other' was a profound factor in the definition of an English poetic self.

A reference book for scholarship on Edmund Spenser offering a detailed, literary guide to his life, works and influence. Over 700 entries by 422 contributors, an index and extensive bibliography.

This collection of writings brings together Northrop Frye's large body of work on Shakespeare and other Renaissance writers (with the exception of Milton, who is featured in other volumes), and includes major articles, introductions, public lectures, and four previously published books. Spanning forty years of Frye's career as a university professor and literary critic, these insightful analyses not only reveal the author's formidable intellect but also offer the reader a transformative experience of creative imagination. With extensive annotation and an in-depth critical introduction, the volume demonstrates Frye's wide-ranging knowledge of Renaissance culture and its pivotal significance in his work, his impact on Renaissance criticism and the Stratford Shakespeare Festival, and his continuing importance as a literary theorist. Troni V. Grande is an associate professor in the Department of English at the University of Regina. Garry Sherbert is an associate professor in the Department of English at the University of Regina.

This volume, with a foreword by Dennis Kennedy, addresses a range of attitudes to Shakespeare's English history plays in Britain and abroad from the early seventeenth century to the present day. It concentrates on the play texts as well as productions, translations and adaptations of them. The essays explore the multiple points of intersection between the English history they recount and the experience of British and other national cultures, establishing the plays as genres not only relevant to the political and cultural history of Britain but also to the history of nearly every nation worldwide. The plays have had a rich international reception tradition but critics and theatre historians abroad, those practising 'foreign' Shakespeare, have tended to ignore these plays in favour of the comedies and tragedies. By presenting the British and foreign Shakespeare traditions side by side, this volume seeks to promote a more finely integrated world Shakespeare.

This groundbreaking work, first published in 2005, reveals exactly how Shakespeare was influenced by contemporary strands in political thought that were critical of the English crown and constitution. Shakespeare has often been seen as a conservative political thinker characterised by an over-riding fear of the 'mob'. Hadfield argues instead that Shakespeare's writing emerged out of an intellectual milieu fascinated by republican ideas. From the 1590s onwards, he explored republican themes in his poetry and plays: political assassination, elected government, alternative constitutions, and, perhaps most importantly of all, the problem of power without responsibility. Beginning with Shakespeare's apocalyptic representation of civil war in the Henry VI plays, Hadfield provides a series of powerful new readings of Shakespeare and his time. For anyone interested in Shakespeare and Renaissance culture, this book is required reading.

Winner of the Baillie Gifford Prize, and shortlisted for the Baillie Gifford 'Winner of Winners' award in 2023 How did Shakespeare go from being a talented poet and playwright to become one of the greatest writers who ever lived? In this one exhilarating year we follow what he reads and writes, what he saw and who he worked with as he invests in the new Globe theatre and creates four of his most famous plays - Henry V, Julius Caesar, As You Like It, and, most remarkably, Hamlet. This book brings the news, intrigue and flavour of the times together with wonderful detail about how Shakespeare worked as an actor, businessman and playwright, to create an exceptionally immediate and gripping account of an inspiring moment in history.