Shaman and Kushtaka, both struck terror in the hearts of the Tlingit and Haida, for both possessed frightening supernatural powers. Among the Natives of the Pacific Northwest Coast, the shaman was honored as a person who could heal the body and spirit as well as see into the future. In his struggles to protect his people, he fought the kushtaka an evil spirit being who was half human and half land hotter for the souls of dying persons. Theirs was a battle between the forces of good and evil, and today it remains a cornerstone in Tlingit and Haida mythology. Mary Giraudo Beck provides a powerful mix of history, legend, and adventure to dramatize the values and traditions of Tlingit and Haida societies. The heroic and wondrous incidents in these stories transcend time and culture and, as tales of myth and magic, provide compelling reading for young and old alike.

A fascinating survey of the entire history of tall tales, folklore, and mythology in the United States from earliest times to the present, including stories and myths from the modern era that have become an essential part of contemporary popular culture. Folklore has been a part of American culture for as long as humans have inhabited North America, and increasingly formed an intrinsic part of American culture as diverse peoples from Europe, Africa, Asia, and Oceania arrived. In modern times, folklore and tall tales experienced a rejuvenation with the emergence of urban legends and the growing popularity of science fiction and conspiracy theories, with mass media such as comic books, television, and films contributing to the retelling of old myths. This multi-volume encyclopedia will teach readers the central myths and legends that have formed American culture since its earliest years of settlement. Its entries provide a fascinating glimpse into the collective American imagination over the past 400 years through the stories that have shaped it. Organized alphabetically, the coverage includes Native American creation myths, "tall tales" like George Washington chopping down his father's cherry tree and the adventures of "King of the Wild Frontier" Davy Crockett, through to today's "urban myths." Each entry explains the myth or legend and its importance and provides detailed information about the people and events involved. Each entry also includes a short bibliography that will direct students or interested general readers toward other sources for further investigation. Special attention is paid to African American folklore, Asian American folklore, and the folklore of other traditions that are often overlooked or marginalized in other studies of the topic.

Popular Hopi kachina dolls and awesome totem poles are but two of the aspects of the sophisticated, seldom-examined network of mythologies explored in this fascinating volume. This revealing work introduces readers to the mythologies of Native Americans from the United States to the Arctic Circle—a rich, complex, and diverse body of lore, which remains less widely known than mythologies of other peoples and places. In thematic chapters and encyclopedia-style entries, Handbook of Native American Mythology examines the characters and deities, rituals, sacred locations and objects, concepts, and stories that define and distinguish mythological cultures of various indigenous peoples. By tracing the traditions as far back as possible and following their evolution from generation to generation, Handbook of Native American Mythology offers a unique perspective on Native American history, culture, and values. It also shows how central these traditions are to contemporary Native American life, including the continuing struggle for land rights, economic parity, and repatriation of cultural property.

Hunts and Home Fires an account of fifty years of life spent on the last frontier. It is a reflection on the spirit of small town Alaska and of a people used to bringing home wild foods for the table. It is about youth and coming of age, about individual industry, hard work, family, and life in general. Hunting and fishing stories are the backbone, mixed with how-to information, humor, and a bit of history. There are essays regarding an interesting mix of subjects through a fifty year journey.

This collection of accessible essays relates the stories of individual goddesses from around the world, exploring their roles in the cultures from which they came, their histories and status today, and the controversies surrounding them. Goddesses in World Culture brings readers the fascinating stories of close to 100 of the world's goddesses, ranging from the immediately recognizable to the obscure. These figures, many of whom derive from ancient cultures and civilizations, serve as points of departure for examining questions that go well beyond the role of women in religion and spirituality to include social organization, environmental awareness, historical developments, and psychological archetypes. Each volume of this groundbreaking set is composed of 20–25 previously unpublished articles written by expert contributors from diverse disciplines. Volume one covers Asia and Africa, volume two covers the Eastern Mediterranean and Europe, and volume three covers Australia and the Americas. Goddesses from cultures often overlooked in texts on religion, such as those of the Australian Aborigines, Korea, Nepal, and the Caribbean, are included here. In addition, the work offers new translations of ancient texts, introduces little-known folklore, and suggests new approaches to contemporary religious practices.

In The Fishermen's Frontier, David Arnold examines the economic, social, cultural, and political context in which salmon have been harvested in southeast Alaska over the past 250 years. He starts with the aboriginal fishery, in which Native fishers lived in close connection with salmon ecosystems and developed rituals and lifeways that reflected their intimacy. The transformation of the salmon fishery in southeastern Alaska from an aboriginal resource to an industrial commodity has been fraught with historical ironies. Tribal peoples -- usually considered egalitarian and communal in nature -- managed their fisheries with a strict notion of property rights, while Euro-Americans -- so vested in the notion of property and ownership -- established a common-property fishery when they arrived in the late nineteenth century. In the twentieth century, federal conservation officials tried to rationalize the fishery by "improving" upon nature and promoting economic efficiency, but their uncritical embrace of scientific planning and their disregard for local knowledge degraded salmon habitat and encouraged a backlash from small-boat fishermen, who clung to their "irrational" ways. Meanwhile, Indian and white commercial fishermen engaged in identical labors, but established vastly different work cultures and identities based on competing notions of work and nature. Arnold concludes with a sobering analysis of the threats to present-day fishing cultures by forces beyond their control. However, the salmon fishery in southeastern Alaska is still very much alive, entangling salmon, fishermen, industrialists, scientists, and consumers in a living web of biological and human activity that has continued for thousands of years.

Aspects Of Oral Communication (Research In Text Theory).

Easy to use and easy to read, Understanding Northwest Coast Art is an essential source for understanding and visually identifying the underlying themes and subjects of Northwest Coast Native art. The first section of this book features an alphabetical list of words relating to Northwest Coast art, with definitions, descriptions and explanations and synopses of the major myths associated with them. As an aid to identification and understanding, many of the crests, beings and symbols are illustrated in the 60 black-and-white reproductions of contemporary works of art. The second section offers descriptions of the art styles and types of decorated objects created by the various Northwest Coast cultural groups.

In the first part of this book, the authors introduce us to the Tlingit culture, history, land, and traditional art forms. The second part is a collection of 22 tales, from creation myths and religious stories to stories that teach familial values. A bibliography, an index, color photographs, and illustrations by traditional Tlingit artist Ts'anak are included. A great resource for the multicultural classroom or for a unit on American Indians.