In February 1822 the writer and adventurer Edward John Trelawny arrived in Pisa to make the acquaintance of his heroes Shelley and Byron, leaving a broken marriage and an exotic seafaring career behind him. He became a close companion to them and their circle, and this collection of his reminiscences is one of the most fresh and intriguing documents of the Romantic age. It records his initial meeting with a cynical and flippant Byron, his impressions of a youthful, otherworldly Shelley and, most memorably, the poet's death at sea and the subsequent burning of his body on the sand. Trelawny's Records combine vigorous prose, vivid description and mythmaking to create one of the most memorable portraits of an age. Rosemary Ashton's new introduction explores the mysterious life and quixotic character of Trelawny, and this edition includes all the author's later revisions. Edward John Trelawny (1792-1881) was one of the most curious figures of the English Romantic Movement, and spent his long life travelling extensively as a naval officer, biographer and adventurer. After a brief education, Trelawny was assigned as a volunteer in the Royal Navy by the age of thirteen, and led an unaccomplished naval career until his resignation at nineteen. He met Shelley and Byron in Italy in 1822, where he became fascinated, almost hypnotized, by the two poets. His Records of Shelley, Byron and the Author, written after both their deaths, is the end-product of this strange obsession. An incorrigible romancer, Trelawny had three marriages - the second of which was to Tersitza, sister of the Greek warlord Odysseus Androutsos, whose cause he had joined and whose mountain fortress he looked after when Odysseus was arrested. He died after a fall at the age of eighty-eight, in England, and his ashes were buried in Rome in a plot adjacent to Shelley's grave. Rosemary Ashton was educated at the universities of Aberdeen, Heidelberg and Cambridge. She taught English literature at University College London from 1974 to 2012, and is Emeritus Quain Professor of English Language and Literature and an Honorary Fellow of UCL. She has published critical biographies of Samuel Taylor Coleridge, Thomas and Jane Carlyle, George Eliot, and George Henry Lewes, two books on Anglo-German literary and cultural relations in the nineteenth century, The German Idea: Four English Writers and the Reception of German Thought 1800-1860 (1980) and Little Germany: Exile and Asylum in Victorian England (1986), and two books about Victorian radicalism, 142 Strand: A Radical Address in Victorian London (2006) and Victorian Bloomsbury (2012). David Wright (1920-1994) was born in Johannesburg and came to England aged fourteen to attend the Northampton School for the Deaf. His first poem was published shortly after graduating from Oriel College, Oxford, and he published poetry throughout his life, including Moral Stories (1954), Monologue of a Deaf Man (1958), Metrical Observations (1980) and Elegies (1990). He was both a remarkable poet and a remarkable editor, responsible for, among others, the Penguin Classics edition of Edward Thomas's Selected Poems and Prose, The Penguin Book of English Romantic Verse and, with John Heath-Stubbs, The Oxford Book of Twentieth-Century Verse. He was also the author of a number of books on Portugal, a biography of Roy Campbell and a memoir, Deafness: A Personal Account.

"Romanticism - and Byron" is a book in two parts. In the first part, Dr Cochran examines "Romanticism" and shows that it is a word meaning anything, and therefore nothing. It is an academic construct created by academics, and has no basis in the writings of the early nineteenth century. Its continued use, argues Dr Cochran, is a modern marketing phenomenon solely. In the second part, Dr Cochran examines the life and work of Byron in the non-"romantic" context of his contemporaries. He shows how Byron's antithetical nature created problems when he was forced into compromising situations with friends who were close to parts of his mind, yet irreconcilable with one another. This "mobility", argues Cochran, was often an embarrassment for Byron's social life, but of great benefit to his creativity. This part of the book features chapters on Shelley, Scott, Blake, Keats, Coleridge and Wordsworth, and is notable for the amount of original archive documentation with which Cochran illustrates his theme.

This fresh perspective on Byron's relationship with Greece throws new light on its importance both for Byron and for Greece.

In this masterful portrait of the poet who dazzled an era and prefigured the modern age of celebrity, noted biographer Benita Eisler offers a fuller and more complex vision than we have yet been afforded of George Gordon, Lord Byron. Eisler reexamines his poetic achievement in the context of his extraordinary life: the shameful and traumatic childhood; the swashbuckling adventures in the East; the instant stardom achieved with the publication ofChilde Harold's Pilgrimage; his passionate and destructive love affairs, including an incestuous liaison with his half-sister; and finally his tragic death in the cause of Greek independence. This magnificent record of a towering figure is sure to become the new standard biography of Byron.

Byron s life and work have fascinated readers around the world for two hundred years, but it is the complex interaction between his art and his politics, beliefs and sexuality that has attracted so many modern critics and students. In three sections devoted to the historical, textual and literary contexts of Byron s life and times, these specially commissioned essays by a range of eminent Byron scholars provide a compelling picture of the diversity of Byron s writings. The essays cover topics such as Byron s interest in the East, his relationship to the publishing world, his attitudes to gender, his use of Shakespeare and eighteenth-century literature, and his acute fit in a post-modernist world. This Companion provides an invaluable resource for students and scholars, including a chronology and a guide to further reading.

All of Byron's major poems, together with his forays into prose fiction, are considered in this volume.