Presents literary criticism on the works of short-story writers of all nations, cultures, and time periods. Critical essays are selected from leading sources, including published journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers.

Explores the connections between Onetti, a foundational figure of the 1960s "Boom" in Latin American literature, and other relevant writers and texts from Latin America and beyond.

A three-time National Book Award for Fiction winner, Saul Bellow (1915-2005) is one of the most highly regarded American authors to emerge since World War II. His 60-year career produced 14 novels and novellas, two volumes of nonfiction, short story collections, plays and a book of collected letters. His 1953 breakthrough novel The Adventures of Augie March was followed by Seize the Day (1956), Herzog (1964) and Mr. Sammler's Planet (1970). His Humboldt's Gift won a Pulitzer Prize in 1976 and contributed to his receiving the Nobel Prize for Literature that year. This literary companion provides more than 200 entries about his works, literary characters, events and persons in his life. Also included are an introduction and overview of Bellow's life, statements made by him during interviews, suggestions for writing and further study and an extensive bibliography.

Presents literary criticism on the works of short-story writers of all nations, cultures, and time periods. Critical essays are selected from leading sources, including published journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers.

Comparative Criticism is an annual journal of comparative literature and cultural studies that has gained an international reputation since its inception in 1979. It contains major articles on literary theory and criticism; on a wide range of comparative topics; and on interdisciplinary debates. It includes translations of literary, scholarly and critical works; substantial reviews of important books in the field; and bibliographies on specialist themes for the year, on individual writers, and on comparative literary studies in Britain and Ireland.

Presents alphabetized profiles of approximately seven hundred authors commonly studied in high school and college English courses, describing their lives and careers, listing their works, and providing mailing addresses.

Focusing on key works of late nineteenth- and early twentieth-century American literary realism, Phillip Barrish traces the emergence of new ways of gaining intellectual prestige - that is, new ways of gaining cultural recognition as unusually intelligent, sensitive or even wise. Through extended readings of works by Henry James, William Dean Howells, Abraham Cahan and Edith Wharton, Barrish emphasises the differences between literary realist modes of intellectual and cultural authority and those associated with the rise of the social sciences. In doing so, he greatly refines our understanding of the complex relationship between realist writing and masculinity. Barrish further argues that understanding the dynamics of intellectual status in realist literature provides new analytic purchase on intellectual prestige in recent critical theory. Here he focuses on such figures as Lionel Trilling, Paul de Man, John Guillory and Judith Butler.

This new study addresses the provocative essays of Karen Blixen (Isak Dinesen), an iconic figure in Scandinavia and the Anglo-American world. Celebrated for her literary tales, Karen Blixen’s essays offer sagacious reflections on three significant challenges of the twentieth century: feminism, Nazism, and colonialism. Karen Blixen (1885–1962) contributed to topical debates in Denmark, particularly during the 1950s when her distinct voice on Danish radio became familiar to a nation of listeners. Some of her lectures, radio addresses, and newspaper chronicles were later published as essays and now constitute a distinct genre within her work. In this study, Blixen’s most important essays are critically examined for the first time. The book demonstrates that a "creative dialectic" informs these essays, an interplay of complementary opposites that Blixen sees as fundamental to human life and artistic creativity. Whether exploring questions of gender and the status of the feminist movement, or the reign of National Socialism in Hitler’s Germany, or colonial race relations under British rule in East Africa, Blixen’s observations are insightful, witty, and surprisingly progressive for an author notable for aristocratic sensibilities. Blixen’s essays are also framed by a "dialectic method," which develops an idea by drawing on opposing viewpoints in order to arrive at an original vantage point. The Creative Dialectic of Karen Blixen's Essays builds on archival research, historical study, literary criticism and theory, as well as bilingual readings of Blixen’s renowned literary work. For the first time in an English translation, Karen Blixen’s essay “Blacks and Whites in Africa” (1938), by award-winning translator Tiina Nunnally, appears in this publication.

While the short story has existed in various forms for centuries, it has particularly flourished during the last hundred years, and especially in recent decades. Though many outstanding novels have been written in the 20th century, most of these writers have also published short fiction. And in many cases, their short stories exhibit a greater degree of coherence and integrity than their longer works. The rise of creative writing programs in the 1960s helped fuel the growth of the short story and brought academic attention to it. So, too, the emergence of multiculturalism encouraged authors of diverse backgrounds to write about their cultures. This reference is a guide to the contemporary English-language short story. Included are alphabetically arranged entries for roughly 50 English-language short story writers from around the world, such as Chinua Achebe, John Barth, Jamaica Kincaid, Salman Rushdie, and Amy Tan. More than half the American writers profiled are from historically marginalized groups, such as Jewish-Americans, African-Americans, and Asian-Americans. Most of these authors have been active since 1960, and they reflect a wide range of experiences and perspectives in their works. Each entry is written by an expert contributor and includes biographical material, a brief review of existing criticism, a lengthier analysis of specific works, and a selected bibliography of primary and secondary sources. The volume begins with a detailed introduction to the short story genre and concludes with an annotated bibliography of major works on short story theory.