Siege is the conclusion to Rhiannon Frater's As the World Dies trilogy, which should appeal to fans of The Walking Dead. Both The First Days and Fighting to Survive won the Dead Letter Award from Mail Order Zombie. The First Days was named one of the Best Zombie Books of the Decade by the Harrisburg Book Examiner. The zombie illness has shattered civilization. The survivors who have found tenuous safety in Texas defend their fort against the walking dead and living bandits. Katie has made peace with the death of her wife and is pregnant and married to Travis, who has been elected Mayor. Jenni, her stepson, Jason; and Juan—Travis's righthand man—are a happy family, though Jenni suffers from PTSD. Both women are deadly zombie killers. In Siege, the people of Ashley Oaks are stunned to discover that the vice president of the United States is alive and commanding the remnants of the US military. What's left of the US government has plans for this group of determined survivors. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

n the third volume of the AS THE WORLD DIES UNTOLD TALES experience three terrifying tales of those who are forced to face the unrelenting and hungry walking dead. Returning to Texas after celebrating his divorce in Vegas, Rune, a biker cursed with the ability to see ghosts, discovers that the world is being taken over by the hungry undead. Soon he realizes he will have to depend on all his abilities to survive not only the ravenous zombies, but the dangerous men lurking on the back roads of Texas. Senator Paige Brightman abandoned the Madison Mall and its inhabitants to the hungry hordes, but her journey did not end there...

This collection of forty new essays, written by the leading scholars in adaptation studies and distinguished contributors from outside the field, is the most comprehensive volume on adaptation ever published. Written to appeal alike to specialists in adaptation, scholars in allied fields, and general readers, it hearkens back to the foundations of adaptation studies a century and more ago, surveys its ferment of activity over the past twenty years, and looks forward to the future. It considers the very different problems in adapting the classics, from the Bible to Frankenstein to Philip Roth, and the commons, from online mashups and remixes to adult movies. It surveys a dizzying range of adaptations around the world, from Latin American telenovelas to Czech cinema, from Hong Kong comics to Classics Illustrated, from Bollywood to zombies, and explores the ways media as different as radio, opera, popular song, and videogames have handled adaptation. Going still further, it examines the relations between adaptation and such intertextual practices as translation, illustration, prequels, sequels, remakes, intermediality, and transmediality. The volume's contributors consider the similarities and differences between adaptation and history, adaptation and performance, adaptation and revision, and textual and biological adaptation, casting an appreciative but critical eye on the theory and practice of adaptation scholars--and, occasionally, each other. The Oxford Handbook of Adaptation Studies offers specific suggestions for how to read, teach, create, and write about adaptations in order to prepare for a world in which adaptation, already ubiquitous, is likely to become ever more important.