In an act of extraordinary generosity, the collector and philanthropist Simon Sainsbury (1930-2006) left one of the most significant bequests of art to public collections of the post-war years. Tate and The National Gallery are the joint beneficiaries of this extraordinary collection of paintings. This book illustrates these works.

Between the postwar years and the 1980s in Britain, and in particular in London, a number of figurative painters simultaneously reinvented the way in which life is represented in art. Focusing on the depiction of the human figure, these artists rendered the frailty and vitality of the human condition. Offering a fresh account of developments that have since characterized postwar British painting, this catalogue focuses on Michael Andrews, Frank Auerbach, Francis Bacon, Lucian Freud, R. B. Kitaj, and Leon Kossoff— artists who worked in close proximity as they were developing new forms of realism. If for many years their efforts seemed to clash with dominant tendencies, reassessment in recent decades has afforded their work a central position in a richer and more complex understanding of postwar British art and culture. Rigorous and gorgeously illustrated, the essays reflect on the parallel yet diverse trajectories of these artists, their friendships and mutual admiration, and the divergence of their practice from the discourse of high modernism. The authors seek to dispel the notion of their work as a uniquely British endeavor by highlighting the artists’ international outlook and ongoing dialogue with contemporary European and American painters as well as masters from previous generations. This book is published to coincide with an exhibition at the J. Paul Getty Museum from July 26 through November 13, 2016.

In Canada, it can be easy to consider landscape painting as cliché, an art form whose time has passed. David Alexander's vibrant, large-scale works show the wonder and possibility that remain undiminished in paintings of the natural environment and breathe new life into the landscape tradition. Gathering together six essays on Alexander, this book provides insight into Alexander's inspiration, creative drive, and the unique engagement with nature that has led him to seek out and paint remote locales across Canada and as far away as Greenland, Iceland, New Mexico, and Argentina. Award-winning writer Sharon Butala contributes an extended meditation on her first encounter with the artist and his work. An interview with Robert Enright reveals Alexander's engagement with tradition, and texts by the late Gilbert Bouchard, Ihor Holubizky, Aðalsteinn Ingólfsson, and Liz Wylie, present a variety of insights into understanding and appreciating his art. A detailed chronology of Alexander's career is included. Reproductions of his major works appear throughout and the essays are illustrated with preliminary paintings and working sketches, conveying insight into his creative process. A valuable discovery for those interested in nature and its artistic renderings, Alexander's art is about conveying an immersion in the landscape. This book allows a similar presence within his lushly painted landscapes, imparting an intimate understanding of his art.

Richly illustrated, this book tells the story of the founding and growth of one of the world's greatest collections of western European painting, dating from 1250 to 1900.

30 October 1991 - 12 January 1992: variations on a theme the painting of Gerhard Richter by Sean Rainbird: retrospective ahead by Stefan Germer: revolution and restoration conflicts in the making of modern Germany by Neal Ascherson: Gerhard Richter notes 1966-1990: biog.: bibliog.: 144pp. 83 illus. + 52 in col.

Accompanied exhibition held at the Tate Gallery, 11/3 - 17/5 1992.