Astute, funny, literate, politically and culturally aware; in this analysis of The Simpsons, Chris Turner, a provocative new writer, dissects the world's favourite TV show - its genesis, past, characters and influence. Bart, Homer and Marge have entered the lexicon of iconic, global characters. Bart has the highest recognition factor amongst kids in the UK & US, way above that of Harry Potter. The British voted it their favourite TV programme ever. The Archbishop of Canterbury called it 'one of the most subtle pieces of propaganda around in the cause of sense, humility and virtue.' Yet The Simpsons is thoroughly subversive and irreverent. Bringing the savvy insight to The Simpsons that has been brought to publishing on global politics, the internet and the fast-food industry, Chris Turner looks at how teh programme is created and the unique two-way relationship of inspiration and influence it has with the real world. From Marge and moral values to Lisa and the environment, from Homer and consumerism to Citizen Burns and corporate villainy - this is the first book to be written that is as intelligent, subversive, wide-ranging and funny as the show itself.

A shrewd synthesizer, gifted popularizer, and inspiring founder of the Christian and Missionary Alliance movement, A.B. Simpson (1843-1919) was enmeshed in the most crucial threads of evangelical Christianity at the turn of the twentieth century. Daryn Henry presents Simpson's life and ministry as a vivid, fascinating, and paradigmatic study in evangelical religious culture, during a time when the conservative wing of the movement has often been overlooked. Simpson's ministry, Henry explains, fused the classic evangelical emphasis on revivalist conversion with the intensification of that sensibility in the quest for the deeper Christian life of holiness. Recovering the practice of divine healing, Simpson emphasized a dynamically empowered and supernaturally animated Christianity that would spill over into nascent Pentecostalism. His encouragement of cross-cultural missions was part of a trend that unleashed the dramatic rise of world Christianity across the Global South. All the while, his Biblical literalism, antagonism to modernist theology, campaigns against evolution, and views on premillennialism, Biblical prophecy, and the role of Israel in the end times made Simpson a precursor of the fundamentalist melees of subsequent decades. From his upbringing in rural Canada and confessional Scottish Presbyterianism, Simpson journeyed into the heart of American evangelicalism revolving around his base in New York City. Against most previous writing on Simpson, Henry's biography presents both continuities and discontinuities in the development of modern interdenominational evangelicalism out of the denominational evangelicalism of the nineteenth century.

A volume of enlightening essays on how TV shows, movies, and music can change hearts and minds. Amid all its frenetic humor, the long-running animated hit The Simpsons has often questioned what is culturally acceptable, wading into controversial subjects like gay rights, the war on terror, religion, and animal rights. This subtle form of political analysis is effective in changing opinions and attitudes on a large scale. Homer Simpson Marches on Washington explores the transformative power that enables popular culture to influence political agendas, frame the consciousness of audiences, and create profound shifts in values and ideals. To investigate the full spectrum of popular culture in a democratic society, editors Timothy M. Dale and Joseph J. Foy gather a top-notch team of scholars who use television shows such as Star Trek, The X-Files, All in the Family, The View, The Daily Show, and The Colbert Report, as well as movies and popular music, to investigate contemporary issues in American popular culture.

What pop culture from The Hobbit to The Office reveals about modern politics—from the authors of Homer Simpson Marches on Washington: “Fun and engaging.” —William Irwin, author of Black Sabbath and Philosophy It’s said that the poet Homer educated ancient Greece. Joseph J. Foy and Timothy M. Dale have assembled a team of notable scholars who argue, quite persuasively, that Homer Simpson and his ilk are educating America and offering insights into the social order and the human condition. Following Homer Simpson Goes to Washington (winner of the John G. Cawelti Award for Best Textbook or Primer on American and Popular Culture) and Homer Simpson Marches on Washington, this exceptional volume reveals how books like J. R. R. Tolkien’s The Hobbit and J. K. Rowling’s Harry Potter, movies like Avatar and Star Wars, and television shows like The Office and Firefly define Americans’ perceptions of society. The authors expand the discussion to explore the ways in which political theories play out in popular culture. Homer Simpson Ponders Politics includes a foreword by fantasy author Margaret Weis (coauthor/creator of the Dragonlance novels and game world) and is divided according to eras and themes in political thought: The first section explores civic virtue, applying the work of Plato and Aristotle to modern media. Part 2 draws on the philosophy of Hobbes, Locke, Rousseau, and Smith as a framework for understanding the role of the state. Part 3 explores the work of theorists such as Kant and Marx, and the final section investigates the ways in which movies and newer forms of electronic media either support or challenge the underlying assumptions of the democratic order. The result is an engaging read for students as well as anyone interested in popular culture.

The O. J. Simpson step-by-step murder investigation. Lets talk about the search warrant. On Monday, Judge Ito returned from a short rest and fishing trip. Now it was time to start the pretrial hearing in the Simpson and Goldman murder case.

The Stoney Indians called him Nashan-esen meaning "wolverine-go-quick" because of his speed in travelling on snowshoes over the rugged landscape of the Canadian Rockies. This book is the story of Jimmy Simpson's 80-year epic as one of the most important guides, outfitters, lodge operators, hunters, naturalists and artists in the Canadian Rockies. The story takes him from blazing the trails in the valley bottoms to ascending some of the highest peaks in the range, from leading scientists, mountaineers, big-game hunters and world-famous artists through some of the most unimaginable scenery on earth to entertaining thousands of visitors at his famous lodge at Bow Lake with his tales -- both true and tall -- of the pioneer days.

The modern landscape of American entertainment is filled with commentary on the state of the union. Viewers turn to The Daily Show instead of Fox or CNN, satirical films such as Wag the Dog, cartoons like The Simpsons, or controversial action dramas similar to 24 in order to learn more about current events in the United States. Popular culture is educating America more than the nightly news, aiding viewers in their quest to understand the American political system. In Homer Simpson Goes to Washington: American Politics through Popular Culture, Joseph J. Foy and other contributing scholars offer diverse political perspectives through the framework of popular culture. From the classic film Mr. Smith Goes to Washington to the cutting-edge television program Chappelle's Show, a wide spectrum of entertainment media is used to explain the complexities of U.S. politics and how audiences engage with them. Popular culture and politics have never been so intertwined in the American consciousness as they are today. As political knowledge becomes increasingly fragmented, Homer Simpson Goes to Washington explains how popular culture can actually help connect people to their government.

This book draws on the life of Presbyterian minister and diarist Archibald Simpson (1734–1795) to examine the history of evangelical Protestantism in South Carolina and the British Atlantic during the last half of the eighteenth century. Although he grew up in the evangelical heartland of Scotland in the wake of the great mid-century revivals, Simpson spurned revivalism and devoted himself instead to the grinding work of the parish ministry. At age nineteen he immigrated to South Carolina, where he spent the next eighteen years serving slaveholding Reformed congregations in the lowcountry plantation district. Here powerful planters held sway over slaves, families, churches, and communities, and Simpson was constantly embattled as he sought to impose an evangelical order on his parishes. In refusing to put the gospel in the pockets of planters who scorned it—and who were accustomed to controlling their parish churches—he earned their enmity. As a result, every relationship was freighted with deceit and danger, and every practice—sermons, funerals, baptisms, pastoral visits, death narratives, sickness, courtship, friendship, domestic concerns—was contested and politicized. In this context, the cause of the gospel made little headway in Simpson’s corner of the world. Despite the great midcentury revivals, the steady stream of religious dissenters who poured into the province, and all the noise they made about slave conversions, Simpson’s story suggests that there was no evangelical movement in colonial South Carolina, just a tired and frustrating evangelical slog.