In a work of surprising range and authority, Deborah Forbes refocuses critical discussion of both Romantic and modern poetry. Sincerity's Shadow is a versatile conceptual toolkit for reading poetry. Ever since Wordsworth redefined poetry as "the spontaneous overflow of powerful feelings," poets in English have sought to represent a "sincere" self-consciousness through their work. Forbes's generative insight is that this project can only succeed by staging its own failures. Self-representation never achieves final sincerity, but rather produces an array of "sincerity effects" that give form to poetry's exploration of self. In essays comparing poets as seemingly different in context and temperament as Wordsworth and Adrienne Rich, Lord Byron and Anne Sexton, John Keats and Elizabeth Bishop, Forbes reveals unexpected convergences of poetic strategy. A lively and convincing dialectic is sustained through detailed readings of individual poems. By preserving the possible claims of sincerity longer than postmodern criticism has tended to, while understanding sincerity in the strictest sense possible, Forbes establishes a new vantage on the purposes of poetry. Table of Contents: Introduction 1. The Personal Universal Sincerity as Integrity in the Poetry of Wordsworth and Rich 2. Before and After Sincerity as Form in the Poetry of Wordsworth, Lowell, Rich, and Plath 3. Sincerity and the Staged Confession The Monologues of Browning, Eliot, Berryman, and Plath 4. The Drama of Breakdown and the Breakdown of Drama The Charismatic Poetry of Byron and Sexton 5. Agnostic Sincerity The Poet as Observer in the Work of Keats, Bishop, and Merrill Conclusion Notes Index From the Conclusion "In spite of modern experiments in communal authorship, writing poetry remains one of the most individual of acts, and yet, because it provides the ground upon which the paradoxes of self-consciousness can move most freely, one of the acts most skeptical about the authority of any individual claim to self-understanding. . . . In undertaking its experiments, poetry may separate itself from certain contexts (economic, political, historical), but is itself as local and concrete as these contexts, an experience as well as a meditation on our experiences. In its particularity, its flexibility, its sensual and sonic complexity, its consideration of the extra-rational experiences of pleasure and desire, and above all in the ways in which it speaks with both more and less authority, more and less presence than an actual human voice, poetry offers us the experience of the unknown at the core of proposed self-knowledge. This is lyric poetry's enduring -- though not sole -- claim on us."

Examines the career of one of Stalin's closest associates and most influential economic managers in order to investigate larger issues of Soviet politics of the period such as the extent of Stalin's power over the Politburo, how much policy was made by his advisors, and whether there was any overt or covert opposition to him in the inner circle of power. Offers an alternative to the contrasting speculations that his mysterious death in 1937 was murder to prevent his imminent challenge of Stalin, or suicide when he realized he could not prevent the state terror. First published by Rossiia Molodaia in 1993 as Stalin i Ordzhonikidze: Kinflikty v Politburo v 30-e gody. Paper edition (unseen), $21.95. Annotation copyright by Book News, Inc., Portland, OR

The Collected Works of Chögyam Trungpa brings together in eight volumes the writings of one of the first and most influential and inspirational Tibetan teachers to present Buddhism in the West. Organized by theme, the collection includes full-length books as well as articles, seminar transcripts, poems, plays, and interviews, many of which have never before been available in book form. From memoirs of his escape from Chinese-occupied Tibet to insightful discussions of psychology, mind, and meditation; from original verse and calligraphy to the esoteric lore of tantric Buddhism—the impressive range of Trungpa's vision, talents, and teachings is showcased in this landmark series. Volume Five focuses on the lineages of great teachers who have transmitted the Tibetan Buddhist teachings and on the practice of devotion to the spiritual teacher. It includes inspirational commentaries by Chögyam Trungpa on the lives of famous masters such as Padmasambhava, Naropa, Milarepa, Marpa, and Tilopa, as well as an excerpt from The Sadhana of Mahamudra, a tantric text that Chögyam Trungpa received as terma in 1968. Among the selected writings are "Explanation of the Vajra Guru Mantra," an article never before published, which deals with the mantra that invokes Guru Rinpoche; seminar talks available in book form for the first time; and previously unpublished articles on Milarepa.