Far too often, life’s challenges and questions cause people to fight feelings of doubt and despair, as they search endlessly for hope. In Singing in the Dark, Ginny Owens introduces the reader to powerful ways of drawing closer to God and how the elements of music, prayer, and lament offer rich, vibrant, and joyful communion with Him, especially on the darkest days. Ginny has gained a unique life perspective, as she has lived without sight since age three. She brings rich, biblical teaching that will encourage readers and compel them to dig deep into the beautiful songs, prayers, and poetry of Scripture—the same words through which the people of the Bible flourished in impossible circumstances. Singing in the Dark includes reflection and journaling prompts at the end of each chapter.

As crews explore a new mystical planet, they also discover unknown secrets that the planet holds. Come into the world of unknown as mysteries unfold and are solved. Or are they?

Few historical images are more powerful than those of wartime London. Having survived a constant barrage of German bombs, the city is remembered as an island of courage and defiance. These wartime images are still in use today to support a wide variety of political viewpoints. But how well do such descriptions match the memories of those who survived the blitz? Jean Freedman interviewed more than fifty people who remember London during the war, focusing on under-represented groups, including women, Jews, and working-class citizens. In addition she examined original propaganda, secret government documents, wartime diaries, and postwar memoirs. Of particular significance to Freedman were the contemporary music, theater, film, speeches, and radio drama used by the British government to shape public opinion and impart political messages. Such bits of everyday life are mentioned in virtually every civilian's experience of wartime London but their interpretations of them often clashed with their government's intentions. By exploring the differences between wartime documentation and postwar memory, oral and written artifacts, and the voices of the powerful and the obscure, Freedman illuminates the complex interactions between myth and history. She concludes that there are as many interpretations of what really happened during Britain's finest hour as there are people who remember it.

The second novel featuring FBI agent Georgina O'Neil finds her faced with her most challenging and disturbing case yetGenna Dark, a singer on the verge of stardom, goes missing. Her mother and grandmother, both country and western stars, were kidnapped and murdered 20 years apart as they were about to hit the big time. Is there a connection or is this the work of a copycat? Is Genna Dark about to follow the family tradition? FBI agent Georgina O'Neil and ex-detective Leroy La Portiere find themselves embroiled in the investigation to find Genna Dark, when a sudden and catastrophic illness leaves Georgina on the outside of the FBI, fighting for her life while struggling to save the singer and hold on to everything dear in her life.

"Janice Daugharty is a natural-born writer." - Pat Conroy She held him prisoner. He set her free. A moonshiner's downtrodden wife. A federal agent in search of illegal stills. A love neither expected. A situation about to explode. When her cruel husband, Hamp, kidnaps Mac, an FBI agent working undercover as a whiskey revenuer, Merdie Lee is given the job of caring for him. Against all common sense, Mac and Merdie Lee, a midwife and aspiring country-western singer, fall in love. Mac becomes determined to rescue her from her dangerous, abusive situation. Tensions boil out of control after a blackmailing sheriff pushes Hamp over the edge. No one may come out of the pine woods of South Georgia alive. "Filled with tension and drama."--Publishers Weekly "Nothing is as it first appears in this odd but engaging love story."--Library Journal "Sensuous, swift, full of sparkling twists, [Daugharty's] is a voice so rich that a single page can be thrilling."--The New York Times Book Review Janice Daugharty's 1997 novel, EARL IN THE YELLOW SHIRT, (HarperCollins), was nominated for a Pulitzer Prize. She is the author of seven acclaimed novels and two short story collections. She serves as writer-in-residence at Abraham Baldwin Agricultural College, in Tifton, Georgia. Visit the author at www.janicedaugharty.com

* WINNER OF THE 2024 GLCA NEW WRITERS AWARD FOR CREATIVE NONFICTION * A crucial book that calls for community, solidarity, and joy, even in—especially in—these dark days In his debut work of nonfiction, award-winning poet Roger Reeves finds new meaning in silence, protest, fugitivity, freedom, and ecstasy. Braiding memoir, theory, and criticism, Reeves juxtaposes the images of an opera singer breaking the state-mandated silence curfew by singing out into the streets of Santiago, Chile, and a father teaching his daughter to laugh out loud at the planes dropping bombs on them in Aleppo, Syria. He describes the history of the hush harbor—places where enslaved people could steal away to find silence and court ecstasy, to the side of their impossible conditions. In other essays, Reeves highlights a chapter in Toni Morrison’s Beloved to locate common purpose between Black and Indigenous peoples; he visits the realities of enslaved people on McLeod Plantation, where some of the descendants of those formerly enslaved lived into the 1990s; and he explores his own family history, his learning to read closely through the Pentecostal church tradition, and his passing on of reading as a pleasure, freedom, and solace to his daughter, who is frightened the police will gun them down. Together, these groundbreaking essays build a profound vision for how to see and experience the world in our present moment, and how to strive toward an alternative existence in intentional community underground. “The peace we fight and search for,” Reeves writes, “begins and ends with being still.”

An inexplicable message flashed onto the screen of his Apple II computer at 3 a.m. heralds the beginning of a startling quest for frustrated author Herman Orff. Taking up the offer of a cure for writer's block leads him 'to those places in your head that you can't get to on your own' - and plunges him into a semi-dreamland inhabited by a bizarre combination of characters from myth and reality: the talking head of Orpheus; a lost love; the young girl of Vermeer's famous portrait - and a frequency of Medusas.

Nautilus Book Award Gold Winner A psychotherapist offers “crucial” guidance on how to “alter fundamentally our fearful relationship to deep feelings,” from depression and anxiety to grief and fear (Los Angeles Times) We are all touched at some point by the dark emotions of grief, fear, or despair. In an age of global threat, these emotions have become widespread and overwhelming. While conventional wisdom warns us of the harmful effects of “negative” emotions, this revolutionary book offers a more hopeful view: there is a redemptive power in our worst feelings. Seasoned psychotherapist Miriam Greenspan argues that it’s the avoidance and denial of the dark emotions that results in the escalating psychological disorders of our time: depression, anxiety, addiction, psychic numbing, and irrational violence. And she shows us how to trust the wisdom of the dark emotions to guide, heal, and transform our lives and our world. Drawing on inspiring stories from her psychotherapy practice and personal life, and including a complete set of emotional exercises, Greenspan teaches the art of emotional alchemy by which grief turns to gratitude, fear opens the door to joy, and despair becomes the ground of a more resilient faith in life. “This remarkable book has taught me a whole new way of thinking.” —Harold Kushner, author of When Bad Things Happen to Good People “A beautiful piece of work destined to become a perennial classic.” —Martha Beck, author of The Joy Diet