Since 2000, this traveling journalist/poet/musician and writer went to Cuba in search of the music of the Caribbean Islands. He took lessons from a Cuban master. His encounters with musicians, Afro-Cuban percussionists and rappers, brought him close to the “real” Cuba. His love for Cuban music and percussion instruments comes to life this book. The book also includes never before published photographs of Che Guevara.

"A journey into the past reveals the terrifying truth that destroyed a family. A California farm wife leaves her husband and children to search for the truth about family members caught up in the turmoil of the Castro revolution. She encounters much more than she expected, as her family's tragedy becomes her own personal drama, cast in a modern mystery play of good versus evil, angels versus demons." "An account of the imprisonment of her great uncle Gabriel, once a Castro supporter, swept away by the so-called "Secret War" against the Cuban peasants early in the revolution, sets the mood for this lyrical novel told in the Latin American style of magical realism. The magic, but all too real paradox, is a Cuba where the splendor of natural beauty coexists with moral evil."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Available in English for the first time, Cuban Music from A to Z is an encyclopedic guide to one of the world’s richest and most influential musical cultures. It is the most extensive compendium of information about the singers, composers, bands, instruments, and dances of Cuba ever assembled. With more than 1,300 entries and 150 illustrations, this volume is an essential reference guide to the music of the island that brought the world the danzón, the son, the mambo, the conga, and the cha-cha-chá. The life’s work of Cuban historian and musician Helio Orovio, Cuban Music from A to Z presents the people, genres, and history of Cuban music. Arranged alphabetically and cross-referenced, the entries span from Abakuá music and dance to Eddy Zervigón, a Cuban bandleader based in New York City. They reveal an extraordinary fusion of musical elements, evident in the unique blend of African and Spanish traditions of the son musical genre and in the integration of jazz and rumba in the timba style developed by bands like Afrocuba, Chucho Valdés’s Irakeke, José Luis Cortés’s ng La Banda, and the Buena Vista Social Club. Folk and classical music, little-known composers and international superstars, drums and string instruments, symphonies and theaters—it’s all here.

The NPR reporter offers an “engaging and enlightening” window into late-90s Cuba, “from the cafes in Havana to the mysterious lairs of Santiago de Cuba” (Kirkus Reviews). For NPR commentator Andrei Codrescu, reporting from Cuba on the eve of Pope John Paul II’s 1998 visit was an opportunity to understand the realities of life in a country that has long been the subject of stereotypes and misconceptions. Following the collapse of the Soviet Union, Cuba was the last place to witness a “laboratory of pre-post-communism,” as it toed the line between its socialist past and its uncertain future. On the streets of Havana and the beaches of Santiago de Cuba, Codrescu met people from all walks of life—from prostitutes and fortunetellers to bureaucrats and writers—eager to share their stories. Uncensored and compassionate, his interviews reveal a world where destruction and beauty, poverty and pride exist side by side. Traveling with photographer David Graham, whose powerful images illustrate the energy pulsing through everyday life in Cuba, Codrescu captures the humanity of a nation that is lost when it’s reduced to a political symbol. With the United States resuming relations with Cuba for the first time in decades, Ay, Cuba! is more relevant now than ever before.

With this masterful work, Louis A. Pĩrez Jr. transforms the way we view Cuba and its relationship with the United States. On Becoming Cuban is a sweeping cultural history of the sustained encounter between the peoples of the two countries and of t

From healing, fertility, and religious rituals, through theatrical entertainment, to death ceremonies and ancestor worship, the updated and revised second edition of World Dance Cultures introduces an extraordinary variety of dance forms and their cultures, which are practiced around the world. This highly illustrated textbook draws on wide-ranging historical documentation and first-hand accounts taking in India, Bali, Java, Cambodia, China, Japan, Hawai‘i, New Zealand, Papua New Guinea, Africa, Türkiye, Spain, Native America, South America, and the Caribbean, with this second edition adding new chapters on the Pacific Islands, Southern Africa, France, and Cuba. Each chapter covers a certain region’s distinctive dances, pinpoints key issues and trends from the form’s development to its modern iteration, and offers a wealth of study features including: • Spotlights zooming in on key details of a dance form’s cultural, historical, and religious contexts • Explorations—first-hand descriptions by famous dancers and ethnographers, excerpts from anthropological fieldwork, or historical writings on the form • Think About—provocations to encourage critical analysis of dance forms and the ways in which they’re understood • Discussion Questions—starting points for group work, classroom seminars, or individual study. Offering a comprehensive overview of each dance form covered with over 100 full color photos, World Dance Cultures is an essential introductory resource for students and instructors alike.

In his first full collection of poetry, Virgil Suarez speaks with intimacy and urgency of a life lived as an outsider, a life filled with the dislocation and alienation born of exile. The poems in You Come Singing are written with great pathos and passion, often anger, but always with the good-natured humor of a troubadour and the keen eye of a fool for life, for love. These are high-octane, feverishly energized poems that cut to the bone and heart of memory and recollection, which for the poet stand as a testament to the preservation of family, friendship, and a solitary quest for human dignity.

This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Valdes, Arsenio Rodriguez, Benny More, and Perez Prado. It offers a behind-the-scenes examination of music from a Cuban point of view, unearthing surprising, provocative connections and making the case that Cuba was fundamental to the evolution of music in the New World. The ways in which the music of black slaves transformed 16th-century Europe, how the "claves" appeared, and how Cuban music influenced ragtime, jazz, and rhythm and blues are revealed. Music lovers will follow this journey from Andalucia, the Congo, the Calabar, Dahomey, and Yorubaland via Cuba to Mexico, Puerto Rico, Saint-Domingue, New Orleans, New York, and Miami. The music is placed in a historical context that considers the complexities of the slave trade; Cuba's relationship to the United States; its revolutionary political traditions; the music of Santeria, Palo, Abakua, and Vodu; and much more.

With this masterful work, Louis A. Perez Jr. transforms the way we view Cuba and its relationship with the United States. On Becoming Cuban is a sweeping cultural history of the sustained encounter between the peoples of the two countries and of the ways that this encounter helped shape Cubans' identity, nationality, and sense of modernity from the early 1850s until the revolution of 1959. Using an enormous range of Cuban and U.S. sources--from archival records and oral interviews to popular magazines, novels, and motion pictures--Perez reveals a powerful web of everyday, bilateral connections between the United States and Cuba and shows how U.S. cultural forms had a critical influence on the development of Cubans' sense of themselves as a people and as a nation. He also articulates the cultural context for the revolution that erupted in Cuba in 1959. In the middle of the twentieth century, Perez argues, when economic hard times and political crises combined to make Cubans painfully aware that their American-influenced expectations of prosperity and modernity would not be realized, the stage was set for revolution.

Moncada is one of the first words young Cuban biologist Felipe Triana learned as he was growing up. He was taught to say the word, and he was told that it was not just for him, but for every Cuban. Felipe, like many of the other young Cubans, has known nothing but the fifty-year-old revolution which still controls their lives but offers them less and less. An unconventional diplomatic story, Moncada follows the lives of Felipe and six other ordinary Cubans in the week leading up to the major revolutionary festival of Moncada thats celebrated on July 26. As the day of the festivities draws near, Felipe examines the course of his life in this country. From the economy, to the living conditions, baseball, popular Cuban culture, and the history of the revolution, Moncada presents the essence of present-day Cuba through the eyes of those living there. It gives flavor to a country whose people are deprived of expressing themselves.