Sir John Vanbrugh is celebrated today as one of England's finest country house architects. His masterpieces include palatial private homes such as Castle Howard and Blenheim Palace, greatly admired by any enthusiast of English Baroque architecture. However, his work extended far beyond such projects, and included a remarkable variety of temples, belvederes, pyramids and many other features which he designed for the gardens and parks of the estates at which he worked. The originality of such work has shown that Vanbrugh played a crucial role in the development of the eighteenth-century English garden, and this unique and fascinating book uses the fruits of new research to assess just what contribution this great man made to our heritage.

The second volume of The Oxford History of British & Irish Catholicism traces the fortunes of Catholic communities in England, Wales, Scotland, and Ireland across a period of great uncertainty and change. From the outset of the Civil Wars in 1641 to the Jacobite rising of 1745, Catholics in the three kingdoms were varied in their responses to tumultuous events and tantalising opportunities. The competing forces of dynamism and conservatism within these communities saw them constantly seeking to re-situate or re-imagine themselves as their relationship to the state, to Protestantism, to continental Europe, as well as the wider world beyond, changed and evolved. Consciously transnational, the volume moves away from insular conceptualisations of Catholicism and instead stresses connections with the European continent and beyond. Early chapters give broad overviews of the experience of Catholics in the period, tracking key events and important developments from 1641 to 1745. Chapters then address specific aspects of Catholicism, including empire and overseas missions, missionary activity, devotion, spirituality, trade, material culture, music, and architecture, among others, revealing a complex, rich and varied history of Catholicism in the period.

Nicholas Hawksmoor (1662–1736) is one of English history’s greatest architects, outshone only by Christopher Wren, under whom he served as an apprentice. A major figure in his own time, he was involved in nearly all the grandest architectural projects of his age, and he is best known for his London churches, six of which still stand today. Hawksmoor wasn’t always appreciated, however: for decades after his death, he was seen as at best a second-rate talent. From the Shadows tells the story of the resurrection of his reputation, showing how over the years his work was ignored, abused, and altered—and, finally, recovered and celebrated. It is a story of the triumph of talent and of the power of appreciative admirers like T. S. Eliot, James Stirling, Robert Venturi, and Peter Ackroyd, all of whom played a role in the twentieth-century recovery of Hawksmoor’s reputation.

Between 1715 and 1750, a group of politicans and poets, farmers and businessmen, heiresses and landowners began to experiment with the phenomenon that was to become the English landscape garden. Arguably the greatest British art form ever invented, these gardens were built to charm and delight, to shock and inspire all who visited. That these gardens - including Castle Howard, Stowe, Painshill and Rousham - are still so popular with visitors today is a testament to the innovation and passion of this extraordinary group of eccentrics and visionaries. The Arcadian Friends takes a highly engaging perspective on the politics and culture of England during the Enlightenment. At the same time it will be required reading for the legions of fans of the great gardens of England. Tim Richardson introduces us to a period of poltical and personal intrigue, where fantastic biblical landscapes competed for space with temples to sexual freedom; and where the installation of a water feature was a political act. The Arcadian Friends tells the story of a collection of fascinating characters whose influence changed the landscape of Britain for ever.

The story of how the country house, historically a site of violent disruption, came to symbolize English stability during the eighteenth century. Country houses are quintessentially English, not only architecturally but also in that they embody national values of continuity and insularity. The English country house, however, has more often been the site of violent disruption than continuous peace. So how is it that the country how came to represent an uncomplicated, nostalgic vision of English history? This book explores the evolution of the country house, beginning with the Reformation and Civil War, and shows how the political events of the eighteenth century, which culminated in the reaction against the French Revolution, led to country houses being recast as symbols of England’s political stability.

This volume contains original research into aspects of garden history in Hertfordshire.

The country houses designed by Sir John Vanbrugh (1664-1726) are some of the most original and memorable works of architecture in Britain. He was rightly judged 'The Shakespeare of architects' by Sir John Soane, and was the designer of Castle Howard in Yorkshire, and Blenheim Palace in Oxfordshire, two of the great iconic houses of their age. He also designed or remodelled a string of amazing country houses, sometimes described as 'enchanted castles' such as Seaton Delaval Hall in Northumberland and Grimsthorpe Castle in Lincolnshire. Vanbrugh's life was even more remarkable than his houses. The son of a merchant of Dutch extraction, his grandfather left Haarlem to avoid religious persecution as a protestant; his mother was related to many of the great landed families of the day, including the Earl of Abingdon and the Duke of Devonshire. He began his career as a merchant, travelled to India in the service of the East India Company, served as an army officer, was arrested, as a civilian in France and imprisoned on suspicion of being a spy, worked as both playwright and theatrical impresario, writing and producing successful comedies such as The Relapse and then, in 1699 he turned his lively mind to architecture. This new book, brings together 200 of the finest photographs of his country houses, taken for Country Life magazine over the last 100 years, and is introduced by a short biography covering his remarkable life and character and his important relationship with his assistant, Nicholas Hawksmoor. The breathtaking colour and duotone images that illustrate the book are accompanied with well-researched and readable accounts of his great houses and their landscapes. Jeremy Musson is an architectural historian, writer and broadcaster who worked for Country Life for 12 years, first as architectural writer and then as architectural editor; he has also worked as a curator for the National Trust and presented a popular BBC 2 series The Curious House Guest and is author of The English Manor House and How to Read a Country House.

This is the first full-length study on the connections between English architecture and intellectual change between 1660 and 1730. As new ideas developed in post-Restoration England across the realms of politics, culture, academia and morality, so too did architectural expression of these ideas. Power and Virtue articulately engages English architecture with notions of power and virtue in terms of empirical knowledge on the one hand and humanism and virtuosi on the other. Aimed at an academic readership in history and theory of architecture and the history of English architecture, this unique study will also interest those studying the ideas of material culture.

The eighteenth century was a time of profound upheaval when economic and political control of southern India passed from native kings to the East India Company. Hand-in-hand with the resultant conflicts and skirmishes, a process of cultural sharing was gaining ground which went on to manifest itself in the form of a flourishing imperial cultural in the nineteenth century.

Jeremy Black sets the politics of eighteenth century Britain into the fascinating context of social, economic, cultural, religious and scientific developments. The second edition of this successful text by a leading authority in the field has now been updated and expanded to incorporate the latest research and scholarship.