Six Minor Prophets Through the Centuries is the work of highly respected biblical scholars, Richard Coggins and Jin H. Han. The volume explores the rich and complex reception history of the last six Minor Prophets in Jewish and Christian exegesis, theology, worship, and arts. This text is the work of two highly respected biblical scholars It explores the rich and complex reception history of the last six Minor Prophets in Jewish and Christian theology and exegesis

In this commentary, Thomas Renz reads Nahum, Habakkuk, and Zephaniah as three carefully crafted writings of enduring relevance, each of which makes a vital contribution to the biblical canon. Discussing the historical settings, Renz takes up both long-standing issues, such as the relationship of Zephaniah to Josiah’s reforms, and the socioeconomic conditions of the time suggested by recent archaeological research. The place of these writings within the Book of the Twelve is given fresh consideration, including the question of what one should make of the alleged redaction history of Nahum and Habakkuk. The author’s careful translation of the text comes with detailed textual notes, illuminating some of the Bible’s most outstanding poetry (Nahum) and one of the biblical chapters that is among the most difficult to translate (Habakkuk 3). The thorough verse-by-verse commentary is followed by stimulating theological reflection, opening up avenues for teaching and preaching from these prophetic writings. No matter their previous familiarity with these and other Minor Prophets, scholars, pastors, and lay readers alike will find needed guidance in working through these difficult but important books of the Bible.

For many today Johann Sebastian Bach and Wolfgang Amadeus Mozart stand as towering representatives of European music of the eighteenth century, composers whose works reflect intellectual, religious, and aesthetic trends of the period. Research on their compositions continues in many ways to shape our broader understanding of eighteenth-century musical thought and its contexts. This collection of essays by leading authorities in the field offers a variety of new perspectives on the two composers, as well as some of their important contemporaries, Haydn in particular. Addressing topics as diverse as the historiography of eighteenth-century music, concepts of time and musical form, the idea of the musical work and its relation to publishing practices, compositional process, and performance practice, these essays together constitute a major contribution to eighteenth-century studies. This book had its origin in a conference that took place at the Music Department of Harvard University on September 23-25, 2005, to honor Professor Christoph Wolff, Adams University Professor at Harvard University.