"A boisterous debut … the authors are as funny as one would expect … this is a hoot.” ―Publishers Weekly “Will entice fans of Key & Peele … a fun and funny primer on the art form.” ―Booklist Authors Keegan-Michael Key and Elle Key build on the popularity of their 2022 Webby Award–winning podcast and delve deeper into the world of sketch, helped along with new essays created expressly for the book by comedy greats. The History of Sketch Comedy will appeal to all kinds of comedy fans as well as fans of Keegan-Michael Key, whether they know him from his Emmy and Peabody-winning work on Key & Peele; his roles in Fargo, The Prom, Schmigadoon!, The Bubble, and the upcoming Wonka; voiceover work in The Lion King; or as President Barack Obama's anger translator, Luther. With epic personal tangents and hilarious asides, the Keys take you on an illuminating journey through all facets of comedy from the stock characters of commedia del arte in the 16th century, to the rise of vaudeville and burlesque, the golden age of television comedy, the influence of the most well-known comedy schools, and the ascension of comedy films and TV specials—all the way through to a look at the future of sketch on social media platforms. Along the way, we hear tales of Keegan's childhood, his comedy influences, and the vicissitudes of his career path. As the New York Times said in its review of their podcast, "this comedy nerd history is filtered through memoir, with Key relating stories of his budding fandom, training and rise from improv comic to television sketch artist." Part memoir, part masterclass, and hilariously embellished with priceless commentary, The History of Sketch Comedy highlights the essential building blocks of sketch comedy while interweaving Keegan's personal career journey and the influence of his comedy heroes. The text is complemented by original art by Elle Key and exclusive essays compiled from conversations with influential performers, sketch writers, and uber comedy fans including Mel Brooks, Julia Louis-Dreyfus, Mike Myers, Chris Rock, John Oliver, Tracy Morgan, Carol Burnett, Jim Carrey, Jordan Peele, and many more. This book is as entertaining as it is enlightening—a must-read for fans of comedy and all who aspire to comic greatness. EXPANDING THE HIT PODCAST: With content from the #1 trending, NAACP-award-nominated and Webby-Award-winning Audible podcast, and featuring new-for-the-book material as well as never-before-heard stories and essays, this book will be a hit for newcomers and avid listeners of the podcast alike. MASTER OF THE MEDIUM: Keegan-Michael Key is a bona fide maestro of comedy, with the chops, experience, and love for the history of the medium that make him the perfect expert on all things sketch. As co-writer Elle Key likes to say, "If Keegan-Michael Key was a guest lecturer at NYU teaching a course called 'The History of Sketch Comedy,' it would be a very popular class." EXCLUSIVE ESSAYS: Keegan and Elle interviewed over a dozen comedy legends exclusively for this book, and got their takes on topics ranging from the influence of Saturday Night Live, to women in comedy, to the mathematics of sketch. Hear, in their own words, from Mel Brooks, Mike Myers, Jordan Peele, Julia-Louis Dreyfus, John Oliver, Tracy Morgan, Stephen Colbert, Carol Burnett, Chris Rock, Bob Odenkirk, Mike Birbiglia, Matt Lucas, Ken Jeong, Christopher Guest, Gary Oldman, Kevin Nealon, Laraine Newman, and Jim Carrey. GIFTABLE VOLUME OF COMEDY GOLD: Original illustrations and personal photographs throughout make this unique comedy book as visually entertaining as it is enlightening. The perfect gift for comedy fans of all ages as well as anyone aspiring to write, perform, or produce comedic art. Perfect for: Comedy lovers of all kinds Fans of Key & Peele Fans of improv, sketch, stand-up, and shows like SNL, MadTV, Monty Python, and Mr. Show Gift giving or self-purchase for established and aspiring comedians Readers of such bestsellers as Bossypants, Yes Please, Is Everyone Hanging Out Without Me?, Born Standing Up, and Comedy Comedy Comedy Drama

Children with strong social-emotional skills are better able to cope with everyday challenges and benefit academically, professionally, and socially. But the benefits that can be derived from these skills can only be seen if children are given the opportunity to develop them. This accessible guide helps teach children to participate in social-emotional learning. Offering fun group activities including social skill-based improv games, participant written plays, and basic plays that can be transformed using the creative minds of children themselves. To increase participant comfort levels with these activities, the book allows for a graduated exposure of techniques, starting with improv trust building and joint focus games, and progressing to improvisation and writing sketches. Featuring additional downloadable content, including worksheets and lesson plans for classroom use, this is the perfect companion for educators and therapists.

A history of sketch comedy on American television and analysis of what it says about American culture and society. In Sketch Comedy: Identity, Reflexivity, and American Television, Nick Marx examines some of the genre’s most memorable?and controversial?moments from the early days of television to the contemporary line-up. Through explorations of sketches from well-known shows such as Saturday Night Live, The State, Inside Amy Schumer, Key & Peele, and more, Marx argues that the genre has served as a battleground for the struggle between comedians who are pushing the limits of what is possible on television and network executives who are more mindful of the financial bottom line. Whether creating new catchphrases or transgressing cultural taboos, sketch comedies give voice to marginalized performers and audiences, providing comedians and viewers opportunities to test their own ideas about their place in society, while simultaneously echoing mainstream cultural trends. The result, Marx suggests, is a hilarious and flexible form of identity play unlike anything else in American popular culture and media. “An excellent study of a long-neglected area in television/media studies and is part of a larger turn toward the centrality of comedy in post-war U.S. culture.” —Jeffrey Sconce, Northwestern University “A stalwart of television . . . sketch comedy finally gets the in-depth critical attention it deserves . . . Marx shows how sketch comedy has fit (and been constrained by) TV’s industrial contexts, from live variety shows in its earliest days to movement across media in the era of multiple platforms. These case studies not only chart sketch comedy’s past, they provide the theoretical and analytical tools to consider its future.” —Ethan Thompson, Texas A&M University Corpus Christi

“A guidebook to the world of professional humoring . . . Randazzo pulls off the rare trick of being funny while discussing comedy.” —Michael Ian Black, The New York Times Book Review It takes guts to be a comedian, and it takes smarts to make a living off it. In this insider’s guide, former Onion editor Joe Randazzo delivers a funny and insightful blueprint for those looking to turn their sense of humor into a vocation, and solicits advice and stories from the likes of Judd Apatow, Jack Handey, Weird Al Yankovic, Rob Delaney, Joan Rivers, Tim & Eric, Nick Kroll, Lisa Hanawalt, and more. Explaining how it works and how to break in, Joe provides tips and guidance, outlines successful career paths, and gives readers the knowledge and inspiration to launch a career in comedy with confidence. “Covers an impressive range of comedy formats including standup, improv, sketch, TV, writing, directing, animation, and YouTube . . . includes tons of little details (reviews of websites that accept submissions, tips on how to create funny characters), any one of which might be the thing to jumpstart a comedian’s success.” —Publishers Weekly

The Encyclopedia of Humor: A Social History explores the concept of humor in history and modern society in the United States and internationally. This work’s scope encompasses the humor of children, adults, and even nonhuman primates throughout the ages, from crude jokes and simple slapstick to sophisticated word play and ironic parody and satire. As an academic social history, it includes the perspectives of a wide range of disciplines, including sociology, child development, social psychology, life style history, communication, and entertainment media. Readers will develop an understanding of the importance of humor as it has developed globally throughout history and appreciate its effects on child and adult development, especially in the areas of health, creativity, social development, and imagination. This two-volume set is available in both print and electronic formats. Features & Benefits: The General Editor also serves as Editor-in-Chief of HUMOR: International Journal of Humor Research for The International Society for Humor Studies. The book’s 335 articles are organized in A-to-Z fashion in two volumes (approximately 1,000 pages). This work is enhanced by an introduction by the General Editor, a Foreword, a list of the articles and contributors, and a Reader’s Guide that groups related entries thematically. A Chronology of Humor, a Resource Guide, and a detailed Index are included. Each entry concludes with References/Further Readings and cross references to related entries. The Index, Reader’s Guide themes, and cross references between and among related entries combine to provide robust search-and-browse features in the electronic version. This two-volume, A-to-Z set provides a general, non-technical resource for students and researchers in such diverse fields as communication and media studies, sociology and anthropology, social and cognitive psychology, history, literature and linguistics, and popular culture and folklore.

Comedy has always been one of the most high-profile, glamorous and potentially lucrative markets for scriptwriters, but it is also perceived as one of the hardest. In the fourth edition of this highly regarded handbook, John Byrne breaks down the basics of writing comedy into simple steps and shows you how to make the most of your own comedy writing talent and - just as importantly - your ability to market that talent. Here is a wealth of practical advice both on how to get your career off the ground and how to keep developing it. Whether you are writing comedy routines, sketches or sitcoms, and aiming your work at the page, the stage or the ever-expanding world of broadcasting, you will find something in this book to encourage, inform and inspire you. As with any art form, the basics of good comedy never go out of fashion. While the easy steps in this book are illustrated with examples of work by classic comedians old and new, you will also find useful advice on developing and adapting your work for the twenty-first century market, whether your aim is to promote your work online or simply to keep your gags fresh and topical in a world where the news changes by the minute and gets flashed around the world in seconds.

What makes something funny? This book shows how humor can be analyzed without killing the joke. Alex Clayton argues that the brevity of a sketch or skit and its typical rejection of narrative development make it comedy-concentrate, providing a rich field for exploring how humor works. Focusing on a dozen or so skits and scenes, Clayton shows precisely how sketch comedy appeals to the funny bone and engages our philosophical imagination. He suggests that since humor is about persuading an audience to laugh, it can be understood as a form of rhetoric. Through vivid, highly readable analyses of individual sketches, Clayton illustrates that Aristotle's three forms of appeal—logos, the appeal to reason; ethos, the appeal to communality; and pathos, the appeal to emotion—can form the basis for illuminating the inner workings of humor. Drawing on both popular and lesser-known examples from the United States, United Kingdom, and elsewhere—Monty Python's Flying Circus, Key and Peele, Saturday Night Live, Airplane!, and Smack the Pony—Clayton reveals the techniques and resonances of humor.

This two-volume set surveys the profound impact of political humor and satire on American culture and politics over the years, paying special attention to the explosion of political humor in today's wide-ranging and turbulent media environment. Historically, there has been a tendency to regard political satire and humor as a sideshow to the wider world of American politics—entertaining and sometimes insightful, but ultimately only of modest interest to students and others surveying the trajectory of American politics and culture. This set documents just how mistaken that assumption is. By examining political humor and satire throughout US history, these volumes not only illustrate how expressions of political satire and humor reflect changes in American attitudes about presidents, parties, and issues but also how satirists, comedians, cartoonists, and filmmakers have helped to shape popular attitudes about landmark historical events, major American institutions and movements, and the nation's political leaders and cultural giants. Finally, this work examines how today's brand of political humor may be more influential than ever before in shaping American attitudes about the nation in which we live.