This book demonstrates the links between emancipation and the redefinition of honour among all classes of people on the island of Pemba.

The first historical account of the dramatic growth of Christianity in Western Tanzania during the twentieth century and of the role of former slaves in this process. Examining the intersection of post-slavery and evangelism, this book shows the ways that former slaves from a variety of linguistic and cultural backgrounds came together to create new communities in the Christian missions of western Tanzania. It shows how converts adapted to Christianity and, at the same time, shaped it through their translations of the Bible and other religious texts into the Kinyamwezi language, integrating concepts from their own cultures and experiences of slavery. Working as teachers, pastors, and catechists, former slaves and their descendants laid the basis for the growth of African Christianity in the region, and the book pays particular attention to women's agency in creating spaces for negotiating kinship ties and mutual relations with the wider communities. It also delves into the range of missionary sources to show the experience of lay Christians who opposed religious authority in Catholic and Moravian missions, examining the division caused by catechists' demands for equality of status, recognition, and appropriate pay in the context of ujamaa and the turmoil brought about by the revival movement. Through narratives of religious experience from multiple missions and village outstations, the book shows how former slaves created a Kinyamwezi-speaking Christian culture, taking inspiration both from European missionaries and neighbouring African villagers, and became part of evolving rural communities in the inter-war period, enabling their descendants to achieve a significant degree of social mobility.

The multiauthored book accompanying the World on the Horizon exhibition organized by Krannert Art Museum is the first interdisciplinary study of Swahili visual arts and their historically deep and enduring connections to eastern and central Africa, the port towns of the western Indian Ocean, Europe, and the United States. At once exhibition catalogue and scholarly inquiry, the publication features eighteen essays in a mix of formats - personal reflections, object biographies, as well as more in-depth critical treatments - and includes never before published images of works from the National Museums of Kenya and Bait Al Zubair Museum in Oman. By approaching the east African coast as a vibrant arena of global cultural convergence, these essays offer compelling new perspectives on the situated yet mobile and deeply networked social lives of Swahili objects. Moving between the broader structural relations of political economic change to more intimate narratives through which such change is experienced, the essays throw light on the ways in which the material fabric of the arts structure Swahili people's sense of self and community in an ever-changing world of oceanic and terrestrial movement.

Covering the history of human slavery in Asia, Europe, Africa, the Americas, and the United States, this volume has entries for individuals and such topics as the details of living conditions, resistance and rebellion, law and emancipation, and theory and politics.

Volume one of a two volume set featuring alphabetically arranged entries that cover a wide range of topics related to the antislavery movement and abolitionist activities in the eighteenth and nineteenth centuries, highlighting people and events that played a key role in ending slavery in the United States.

Traces and lists emancipation laws from ancient times up to and including 1990. Contains a country-by-country chronology of anti-slavery and emancipation acts.

The history of the Islamic faith in Africa spans 14 centuries. This book provides a detailed mapping of the cultural, political, geographic and religious past of Islam in a single volume. Intended as a reference and textbook, it does not assume prior knowledge of the subject.