Countering the widespread misconception that slavery existed only on plantations, and that urban areas were immune from its impacts, Slavery in the City is the first volume to deal exclusively with the impact of North American slavery on urban design and city life during the antebellum period. This groundbreaking collection of essays brings together studies from diverse disciplines, including architectural history, historical archaeology, geography, and American studies. The contributors analyze urban sites and landscapes that are likewise varied, from the back lots of nineteenth-century Charleston townhouses to movements of enslaved workers through the streets of a small Tennessee town. These essays not only highlight the diversity of the slave experience in the antebellum city and town but also clearly articulate the common experience of conflict inherent in relationships based on power, resistance, and adaptation. Slavery in the City makes significant contributions to our understanding of American slavery and offers an essential guide to any study of slavery and the built environment.

Rio de Janeiro in the first half of the nineteenth century had the largest population of urban slaves in the Americas—primary contributors to the atmosphere and vitality of the city. Although most urban historians have ignored these inhabitants of Rio, Mary Karasch's generously illustrated study provides a comprehensive description and analysis of the city's rich Afro-Cariocan culture, including its folklore, its songs, and accounts of its oral history. Professor Karasch's investigation of the origins of Rio's slaves demonstrates the importance of the "Central Africaness" of the slave population to an understanding of its culture. Challenging the thesis of the comparative mildness of the Brazilian slave system, other chapters discuss the marketing of Africans in the Valongo, the principal slave market, and the causes of early slave mortality, including the single greatest killer, tuberculosis. Also examined in detail are adaptation and resistance to slavery, occupations and roles of slaves in an urban economy, and art, religion, and associational life. Mary C. Karasch is Associate Professor of History at Oakland University in Rochester, Michigan. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The proclamation by the United Nations General Assembly of the International Year to Commemorate the Struggle against Slavery and its Abolition during 2004 marked the culmination of recent efforts to re-engage with slavery’s past and create an intellectual, social, political and ethical climate conducive to a sustained and meaningful dialogue among cultures and civilisations. The past decade witnessed an upsurge of national and international exhibitions and conferences on the impact of slavery and the overwhelming and enduring cultural miscegenation and the demographic, socio-political and spiritual hybridisation that the phenomenon consciously or unconsciously initiated; the celebration of efforts by Abolitionists to publicise the savagery of this inhumane practice; a revival of interest in and the glorification of, the often ignored or historically negatively represented resistance to slavery by slaves themselves; and, numerous endeavours to address the negative legacies of slavery like racism, racial discrimination, xenophobia and related intolerance, which continue to impinge upon our present as part of contemporary politics. Yet, these ventures aimed at raising awareness of the horrors of slave trade and slavery, at honouring struggles for the emancipation of the enslaved, at examining the aftermath of slavery like the emergence of a new historic consciousness, at restoring broken links and solidarity between the historically dislocated diasporas and their countries of origin, at commemorating sites of memory, and, at celebrating artistic and cultural métissage, such as the UNESCO’s Slave Route Project, have largely focused on the Atlantic World, and the deportation of slaves from Africa to other parts of the World, raising questions about the legacy of slavery in other societies, like those in Asia, the Pacific and Europe, where slavery still remains on the margins of national and post-colonial histories. This edited volume is an attempt to reconsider slavery as a global human institution which has coexisted with other socio-political, economic, legal and cultural institutions. As a temporally and spatially ubiquitous phenomenon, it has generated and continues to, engender legacies, be they historical, oral or visual, which need to be compared and discussed to facilitate dialogue between cultures and civilisations and to mitigate the wounds of the past which continue to scar our present. It brings together writings by scholars from history, literature, anthropology and cultural studies who examine the indelible mark left by slavery in its various forms, on societies, cultures and peoples all over the world and attempts by artistes and writers to alleviate this stigmata of History. This volume consists of two sections. The first section entitled "Connecting Histories" explores some of the varied forms in which slavery presented itself in the last four centuries and the need to reengage with its legacies. Adhering to Manning’s contention that slavery is "an enduring metaphor for inequities in the treatment of humans", this section focuses on identifying the legacy of slavery and its significance in scholarship (Manning); alternate perspectives on slavery through the examination of forced labour and the dehumanising treatment of indigenous people in Australia (Read), enforced migration and labour exploitation of convicts in penal colonies (Maxwell-Stewart); and, a historical overview of Lusitanian slavery in India (D’Souza) and the hybridisation of pre-colonial slavery traditions in the perpetuation of the perkerniersstelse, or a profitably managed European settler-colony based on the global monopoly of nutmeg production, by the Dutch (Winn). The second section of the book entitled "Centering Discourses: Identity, Image and Text" begins with a postcolonialist reading of Caribbean slavery as a legacy of capitalism, imperialism and plantation culture and above all, the globalization of sugar consumption (Ashcroft). The two chapters that follow resuscitate two of the many categories of slaves who were victims of historical silence, namely children in the sugar plantations of the West Indies (Teelucksingh) and Martiniquan maroons (Fernandes-Dias). Articulating with the discourse on identity and cultural appropriation introduced in the preceding essay, chapter nine provides an overview of the power struggle at work in the construction of Creole identity and its political legitimization, through a topical analysis of the process of commemoration of a "site of memory", Le Morne Brabant, symbol of slavery and marronage in the Mauritian collective memory (Carmignani). The final two chapters explore the problematics of presenting slavery through the adoption of a counter-hegemonic discourse, particularly through the arts. Aphra Behn’s Oroonoko which exalts the Black slave as a hero without making any explicit case for the abolition of slavery, continues to occupy the terrain of sympathist - abolitionist ambiguity (Landford) while the Amistad case, despite its numerous positive legacies, demonstrates how excessive popularization of the incident as an Abolitionist cause célèbre, resulted in an overload of historical memory to the point of obscuring historical reality (Fernandes Dias). Despite the volume's overarching desire to provide a global and comparative overview of the historical, ideological, economical and cultural factors that contributed to the evolution of slavery and the legacies that the institution generated, this volume is limited in the thematic, chronological and geographic terrain that it has covered. We attribute this shortcoming to the complexity of slavery itself as an institution, the problematic of defining what constitutes slavery and the historical silence maintained over its dehumanizing effects. Yet the story of slavery is also a tale of survival, of resistance and of the resilience of the human spirit to transcend oppression and preserve its inherent dignity. It is the celebration of the rich cultural fusion and métissage that rose from the ashes of human suffering. The wounds of the past need to be healed, perhaps initially, at a mythopoetic level, through the articulation of repressed collective angst and its legacies through the arts and through scholarship.

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The Kentucky Encyclopedia's 2,000-plus entries are the work of more than five hundred writers. Their subjects reflect all areas of the commonwealth and span the time from prehistoric settlement to today's headlines, recording Kentuckians' achievements in art, architecture, business, education, politics, religion, science, and sports. Biographical sketches portray all of Kentucky's governors and U.S. senators, as well as note congressmen and state and local politicians. Kentucky's impact on the national scene is registered in the lives of such figures as Carry Nation, Henry Clay, Louis Brandeis, and Alben Barkley. The commonwealth's high range from writers Harriette Arnow and Jesse Stuart, reformers Laura Clay and Mary Breckinridge, and civil rights leaders Whitney Young, Jr., and Georgia Powers, to sports figures Muhammad Ali and Adolph Rupp and entertainers Loretta Lynn, Merle Travis, and the Everly Brothers. Entries describe each county and county seat and each community with a population above 2,500. Broad overview articles examine such topics as agriculture, segregation, transportation, literature, and folklife. Frequently misunderstood aspects of Kentucky's history and culture are clarified and popular misconceptions corrected. The facts on such subjects as mint juleps, Fort Knox, Boone's coonskin cap, the Kentucky hot brown, and Morgan's Raiders will settle many an argument. For both the researcher and the more casual reader, this collection of facts and fancies about Kentucky and Kentuckians will be an invaluable resource.

Slavery Obscured aims to assess how the slave trade affected the social life and cultural outlook of the citizens of a major English city, and contends that its impact was more profound than has previously been acknowledged. Based on original research in archives in Britain and America, this title builds on scholarship in the economic history of the slave trade to ask questions about the way slave-derived wealth underpinned the city of Bristol's urban development and its growing gentility. How much did Bristol's Georgian renaissance owe to such wealth? Who were the major players and beneficiaries of the African and West Indian trades? How, in an ever-changing historical environment, were enslaved Africans represented in the city's press, theatre and political discourse? What do previously unexplored religious, legal and private records tell us about the black presence in Bristol or about the attitudes of white seamen, colonists and merchants towards slavery and race? What role did white women and artisans play in Bristol's anti-slavery movement? Combining a historical and anthropological approach, Slavery Obscured, seeks to shed new light on the contradictory and complex history of an English slaving port and to prompt new ways of looking at British national identity, race and history.

In De instauranda Aethiopum salute (1627)--the earliest known book-length study of African slavery in the colonial Americas--Jesuit priest Alonso de Sandoval described dozens of African ethnicities, their languages, and their beliefs, and provided an exposé of the abuse of slaves in the Americas. This collection of previously untranslated selections from Sandoval's book is an invaluable resource for understanding the history of the African diaspora, slavery in colonial Latin America, and the role of Christianity in the formation of the Spanish Empire; it also provides insights into early modern European concepts of race. A general Introduction and headnotes to each selection provide cultural, historical, and religious context; copious footnotes identify terms and references that may be unfamiliar to modern readers. A map and an index are also provided.

This is the first book to explore national representations of slavery in an international comparative perspective. Contributions span a wide geographical range, covering Europe, North America, West and South Africa, the Indian Ocean and Asia.

Exploring notions of history, collective memory, cultural memory, public memory, official memory, and public history, Slavery in the Age of Memory: Engaging the Past explains how ordinary citizens, social groups, governments and institutions engage with the past of slavery and the Atlantic slave trade. It illuminates how and why over the last five decades the debates about slavery have become so relevant in the societies where slavery existed and which participated in the Atlantic slave trade. The book draws on a variety of case studies to investigate its central questions. How have social actors and groups in Europe, Africa and the Americas engaged with the slave past of their societies? Are there are any relations between the demands to rename streets of Liverpool in England and the protests to take down Confederate monuments in the United States? How have black and white social actors and scholars influenced the ways slavery is represented in George Washington's Mount Vernon and Thomas Jefferson's Monticello in the United States?How do slave cemeteries in Brazil and the United States and the walls of names of Whitney Plantation speak to other initiatives honoring enslaved people in England and South Africa? What shared problems and goals have led to the creation of the International Slavery Museum in Liverpool and the National Museum of African American History and Culture in Washington DC? Why have artists used their works to confront the debates about slavery and its legacies? The important debates addressed in this book resonate in the present day. Arguing that memory of slavery is racialized and gendered, the book shows that more than just attempts to come to terms with the past, debates about slavery are associated with the persistent racial inequalities, racism, and white supremacy which still shape societies where slavery existed. Slavery in the Age of Memory: Engaging the Past is thus a vital resource for students and scholars of the Atlantic world, the history of slavery and public history.