Kyla O’Grady hit the gas and drove her Mustang out of Rock River, Pennsylvania, with one goal in mind: to find somewhere to start over. Her life had gone sideways back home and Kyla needs something new, something fresh, and to find the music again. But on a stretch of road off the coast of Maine, her car has other ideas. Broken down just inside the town limits of Ashten Falls, Maine, Kyla is stranded. Cooper Moretto has a problem. In fact, the whole town of Ashten Falls has a problem, in the form of a corrupt town official. Cooper had enough on his plate to last a lifetime, but on a stretch of highway heading into the town, he spots a ’67 Mustang Coupe and does what any decent mechanic would do: stop to help. But getting this car back on the road is the last thing on his mind when he sees its owner, singing as if she weren’t in the middle of nowhere. Kyla is speeding away from her past, unsure how to move forward. Cooper has been on cruise control, just hoping to get through every day without being arrested or harassed. Can the two slow down long enough to see that maybe the answers to both their problems lie in each other? And can they survive when enemies lurking in the shadows try to destroy them both? Sensuality Level: Sensual

When tragedy struck, the loss of Jordan and Wren’s shared lover ripped them apart. Guilt and shame made it impossible for Agent Jordan Mikalski to look the love of his life in the eye. If he couldn’t face her, he sure as hell couldn’t live with her or make love to her or even be the man to comfort her in the depths of her grief. Wren Asbery’s mourning threw her into a deep depression she wasn’t sure she’d ever climb out of, made worse by Jordan’s abandonment in the time of her greatest need. For that she’ll never forgive that bastard. After years of slow healing they realize they’re both attracted to the same man, which means they have some things to figure out fast. Will Kason Cox be doomed to lust after two people who can’t stand each other or will he be able to become the glue that sticks them back together? This is a standalone book in the Hot Rides series and includes an HEA with no cheating. The series is part of the greater universe where both the Powertools and Hot Rods books are also set, so you can visit with many of your previous favorite characters and see what they’re up to now!

A sexy category romance novella from Entangled's Brazen imprint... He's looking for love. She's looking for trouble... As a successful doctor and weekend cowboy, Chase Cooper enjoys a full life with plenty of female company. But lately, something hasn't felt right. He's been distracted. Antsy. Damn it, he's been lonely. With an eye on settling down with a nice girl, Coop invites his high school best friend down to his ranch to see if maybe she's the one for him... Instead, her twin sister shows up. The one who loathes him. Julia Blair is already halfway to Coop's ranch when she learns the invitation wasn't for her, but her vivacious twin sister. She has two choices: slink back home, or see just how far this farce will go. One glance at hotter-than-sin Coop, and she knows she's playing a dangerously hot game. Because what this cowboy wants, this cowboy gets... Previously released on Entangled's Flaunt imprint as Cowboy's Way - November 2013 and has been enhanced with new material.

A tough woman can’t pump the breaks on her feelings for her job’s new hired muscle in this romantic suspense by a New York Times bestseller. Ronnie Ashford needs a distraction. In the morning, she has to offer arrogant, conventional Jack Crews a job and convince him not to take it. She doesn’t need anyone’s help, thank you very much. But tonight is all about the tall, sexy stranger who just walked in the bar—and all the delicious trouble they could get into together. Too bad just as things are heating up between them, he whispers the three little words that destroy everything: “I’m Jack Crews.” Jack is determined to connect with fiery Ronnie—in bed and out of it—but her terms are clear. If he takes the job, helping her acquire prized artifacts for her mysterious bosses, anything between them is strictly off-limits. Somehow, he has to convince a woman who’s never felt like she belonged that she’s found her place—with him. And with the danger sparking hotter than the fire between them, it’s going to be one unforgettable trip . . . Praise for Slow Ride “Lori Foster knows how to entertain the readers’ minds, the emotions run deep, the desires burns hot, and the threatening suspense gets under your skin and makes you check the locks in your house one more time . . . A ravishing, entertaining love story enhanced with family drama and intimidating suspense.” —Books and Spoons

For 6,557 miles, from New York to Mississippi to Seattle, Chuck Klosterman decided to chase rock n roll and death across a continent. 21 days later, after three relationships, an encounter with various cottonmouth snakes, and a night spent snorting cocaine in a graveyard, Klosterman started to order his thoughts on American culture and the meaning of celebrity.

Caribbean novelist George Lamming's classic novel of magic, politics, and cultural identity

The bicycle is fast becoming a ubiquitous form of transportation in cities all over the world, making our urban spaces more efficient, more livable and healthier. But many of those bicycles disappear into basements and garages when the warm months end, parked there by owners fearful of the cold, snow and ice that winter brings. But does it have to be that way? Canadian writer and journalist Tom Babin started questioning this dogma after being stuck in winter commuter traffic one dreary and cold December morning and dreaming about the happiness that bicycle commuting had brought him all summer long. So he did something about it. He pulled on some thermal underwear, dragged his bike down from the rafters of his garage and set out on a mission to answer a simple but beguiling question: is it possible to happily ride a bike in winter? That question took him places he never expected. Over years of trial and error, research and more than his share of snow and ice, he discovered an unknown history of biking for snow and ice, and a new generation designed to make riding in winter safe and fun. He unearthed the world's most bike-friendly winter city and some new approaches to winter cycling from places all over the world. He also looked inward, to discover how the modern world shapes our attitudes toward winter. And perhaps most importantly, he discovered the unique kind of bliss that can only come by pedalling through softly falling snow on a quiet winter night.

The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history, celebrated for its stylistic boldness, thematic complexity, and the unshackling of directorial ambition. The Limits of Auteurism aims to challenge many of these assumptions. Beginning with the commercial success of Easy Rider in 1969, and ending two years later with the critical and commercial failure of that film’s twin progeny, The Last Movie and The Hired Hand, Nicholas Godfrey surveys a key moment that defined the subsequent aesthetic parameters of American commercial art cinema. The book explores the role that contemporary critics played in determining how the movies of this period were understood and how, in turn, strategies of distribution influenced critical responses and dictated the conditions of entry into the rapidly codifying New Hollywood canon. Focusing on a small number of industrially significant films, this new history advances our understanding of this important moment of transition from Classical to contemporary modes of production.

The first book of the saga. Attulf the scribe comes into his inheritance as the leader of the Wolves, an elite group of warriors. He realizes that his childhood nightmares and myths are real, and he is the one to lead the Wolves. He finds out that he comes from a family of great warriors and generals. His inheritance is war. When his step mother dies it starts a cycle that nobody can stop. The fight over inheritance soon turns to all out war. It will lead Attulf and his companions to other lands to fight injustice and evil. When magic and mythical weapons enter their lives, the only thing they can do is to ride off to war. This book portrays the first part of their journey

This book illuminates the aesthetically underrated meaningfulness of particular elements in works of art and aesthetic experiences generally. Beginning from the idea of "hooks" in popular song, the book identifies experiences of special liveliness that are of enduring interest, supporting contemplation and probing discussion. When hooks are placed in the foreground of aesthetic experience, so is an enthusiastic “grabbing back” by the experiencer who forms a quasi-personal bond with the beloved singular moment and is probably inclined to share this still-evolving realization of value with others. This book presents numerous models of enthusiastic “grabbing back” that are art-critically motivated to explain how hooks achieve their effects and philosophically motivated to discover how hooks and hook appreciation contribute to a more ideally desirable life. Framing hook appreciation with a defensible general model of aesthetic experience, this book gives an unprecedented demonstration of the substantial aesthetic and philosophical interest of hook-centered inquiry.