There are few works in existence that teach gospel singing and even fewer that focus on what gospel soloists need to know. In So You Want to Sing Gospel, Trineice Robinson-Martin offers the first resource to help individual gospel singers at all levels make the most of their primary instrument—their voice. Robinson-Martin gathers together key information on gospel music history, vocal pedagogy, musical style and performance, and its place in music ministry. So You Want to Sing Gospel covers such vital matters as historical, cultural and spiritual perspectives on the gospel music tradition, training one's voice, understanding the dynamic of sound production, grasping gospel style, and bringing together vocal performance with ministerial imperatives. She also includes in her discussion such matters as voice type, repertoire selection, and gospel sub-genres. Additional chapters by Scott McCoy and Wendy LeBorgne, and Matthew Edwards address universal questions of voice science and pedagogy, vocal health, and audio enhancement technology. The So You Want to Sing seriesis produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Gospel features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.

Yoga, Alexander Technique, Feldenkrais Method, Pilates, Body Mapping… These techniques all promote optimum vocal performance through mind-body awareness, but where should a singer begin? So You Want to Sing with Awareness welcomes singers into all of these methods, allowing them to explore each option’s history and application to singing and determine which methods may best meet their needs as performers. With this unique volume in the So You Want to Sing series, editor Matthew Hoch brings together renowned expert practitioners to explore mind-body awareness systems and introduce cutting-edge research in cognitive neuroscience and motor learning. Carefully curated for singers’ unique needs, the book also includes essential discussions of anatomy and physiology and vocal health. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing with Awareness features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.

Sacred music traditions vary profoundly from one religion to the next. Even within the Christian faith, one can hear a wide variety of music among and within different denominations. Catholics, mainline Protestants, and Evangelicals have all developed unique traditions. Many people are not exposed to multiple faith experiences in their upbringings, which can make exploring an unfamiliar sacred music style challenging. Because of this, singers and teachers regularly encounter religious singing styles to which they have not yet been exposed. In So You Want to Sing Sacred Music,multiplecontributors offer a broad overview of sacred singing in the Judeo-Christian tradition. Evan Kent, Anthony Ruff, Matthew Hoch, and Sharon L. Radionoff share their expertise on topics as diverse as Jewish cantorial music, Gregorian chant, post-Vatican II Catholic music, choral traditions, and contemporary Christian music. This plethora of styles represents the most common traditions encountered by amateur and emerging professional singers when exploring sacred performance opportunities. In each chapter, contributors consider liturgical origins, musical characteristics, training requirements, repertoire, and resources for each of these traditions. The writers—all professional singers and teachers with rich experience singing these styles—also discuss vocal technique as it relates to each style. Contributors also offer professional advice for singers seeking work within each tradition’s institutional settings, surveying the skills needed while offering practical advice for auditioning and performing successfully in the world of sacred music. So You Want to Sing Sacred Music is a helpful resource for any singer looking to add sacred performance to their portfolio or seeking opportunities and employment where sacred music is practiced and performed. Additional chapters by Scott McCoy, Wendy LeBorgne, and Matthew Edwards address universal questions of voice science and pedagogy, vocal health, and audio enhancement technology. The So You Want to Sing seriesis produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Sacred Music features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.

Country music, an original American artform, has been around since before the recording industry began and long before a singer even had the opportunity to sing into a microphone. From the early beginnings in the hills of Appalachia, to the rise of Hank Williams, Patsy Cline, and the more recent megastars, including Garth Brooks and Carrie Underwood, country music has proven to have staying power. It is one of the most popular styles of music in the world today, garnering more sales and downloads currently than any other genre. Many talented individuals are aspiring to sing country music and are determined to turn it into a successful career. Because of this growing popularity, there is a need to educate interested singers with information and methods that will give them the best possible chance at either having a career as a artist, working in the industry as a background vocalist or session singer, or simply realizing their potential in country music. Kelly K. Garner's So You Want To Sing Country is a book devoted to briefly reviewing the rich heritage of country singing and thoroughly examining the techniques and methods of singing in a country style. Additional topics of discussion will include country song types and structure, instrumentation, performing on stage and in the studio, and career options in country music. Additional chapters by Scott McCoy and Wendy LeBorgne, and Matthew Edwards address universal questions of voice science and pedagogy, vocal health, and audio enhancement technology. The So You Want to Sing seriesis produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Country features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.

In some ways, the successor of vaudeville and an extension of the opera and operetta, the stage musical has evolved into a worldwide juggernaut. Musicals are staged not only across the globe but are offered in a variety of settings, from the high school stage and major theater to the big screen. The stage musical has become a staple for the professional singer and the object of close study by students of singing. In So You Want to Sing Music Theater: A Guide for Professionals, singer and scholar Karen S. Hall fills an important gap in the instructional literature for those who sing or teach singing to those seeking their fortunes in music theatrical productions. Developed in coordination with the National Association for Teachers of Singing, this work draws on current research from the world of voice scholarship to advance the careers of singers seeking to make a foray into or already deeply embedded in the world of music theater. So You Want to Sing Music Theater covers a vast array of topics. It includes a brief history of music theater; the basics of vocal science and anatomy; information on vocal and bodily health and maintenance, from diet to exercise to healing techniques; advice on teaching music theater to others, with focuses on breath, posture, registers, range, and tone quality; repertoire recommendations for voice and singing types, from female and male belting to classical and contemporary styles; a survey of music theater styles, such as folk, country, rock, gospel, rhythm and blues, jazz, and pop; insights on working with other music theater stakeholder, from singing teacher, vocal coach and accompanist, to acting teacher, director, dance instructor, composer, and music director; and finally sage advice on working with and without amplification or microphones, auditioning tips, and casting challenges. So You Want to Sing Music Theater includes guest-authored chapters by singing professionals Scott McCoy and Wendy LeBorgne. This work is not only the ideal guide to singing professionals, but the perfect reference works for voice teachers and their students, music directors, acting teachers, dance instructors and choreographers, and composers, and conductors. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Music Theater features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.

Rock ‘n’ roll is a style that was born out of the great American melting pot. An outgrowth of the blues, rock 'n' roll music combines driving rhythms, powerful chords, and lyrics that communicate the human experience to audiences around the world. Although rock singing was once seen as a vulgar use of the human voice and was largely ignored by the academic community, voice teachers and singers around the world have recently taken a professional interest in learning specialized techniques for singing rock 'n' roll. So You Want to Sing Rock 'n' Roll gives readers a comprehensive guide to rock history, voice science, vocal health, audio technology, technical approaches to singing rock, and stylistic parameters for various rock subgenres. Matthew Edwards, assistant professor of voice at Shenandoah Conservatory, provides easy-to-understand explanations of technical concepts, with tips for practical application, and suggestions for listening and further reading. So You Want to Sing Rock ‘n’ Roll includes guest-authored chapters by singing voice researchers Dr. Scott McCoy and Dr. Wendy LeBorgne, as well as audio and visual examples available from the website of the National Association of Teachers of Singing. This work is not only the ideal guide to singing professionals, but the perfect reference work for voice teachers and their students, lead and back-up singers, record producers and studio engineers. The So You Want to Sing seriesis produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Rock 'n' Roll features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.

Class Voice: Fundamental Skills for Lifelong Singing is a unique undergraduate textbook which can be adapted to needs of any potential voice user, including music education students, voice students who are not majoring in music, and adult learners. By explaining the basics of singing using practical skills and examples, this text is accessible to students with a wide range of talents, interests, and expertise levels. With chapters devoted to skills for singing solo and in groups, instructors can tailor the included materials to encourage students to become thoroughly familiar with their own voices and to identify and appreciate the gifts of others. Learning to sing is a process of trial and error. The warm-ups and other in-class performance opportunities contained in this textbook can raise student confidence and minimize anxiety. The chapters about age and size-appropriate repertoire and issues of vocal health provide vital information about preserving the vocal instrument for a lifetime of singing. Key Features * Warm-up and cool-down exercise routines, including strategies for relaxing and breath management * Repertoire topics divided by language and genre and suggestions about how to use the repertoire to develop specific skills * Issues of diversity, gender, and inclusivity covered in Chapter 9 entitled “The Singing Life” * Suggestions for comparative listening and questions for discussion to encourage deeper learning * Adaptable materials which can be tailored to fit interests in choral music, musical theater, folksong, as well as Classical vocal repertoire * Assignments, evaluation criteria, and assessment forms for midterm and final presentations * A glossary of key terms * A bibliography with resources for research and learning * Information on basic musicianship skill training for those who need it Disclaimer: Please note that ancillary content (such as documents, quizzes, PowerPoints, etc.) may not be included as published in the original print version of this book.

This concise book critically examines the intersection of power, privilege, and classical music in higher education through an extensive study of the experiences, training, and background of teachers of musical theatre singing. Mapping the divides within the voice pedagogy field, it shows how despite the growth of non-classical programmes, the teaching of vocal music in the United States continues to be structurally dominated by Western classical music. Drawing on extensive fieldwork and observations of practicing instructors, the author argues that current voice pedagogy training’s classical-centred approach fails to prepare instructors to teach the range of vocal styles needed in the contemporary musical theatre profession. Combining a critical review of existing practices with proposals for change, this book sheds light on a key problem in voice pedagogy today. Based on field research and drawing on both Shulman’s signature pedagogies theory and Bourdieu’s concepts of habitus, capitals, practice, and field, this book will be useful for scholars, researchers, and practitioners of voice pedagogy, higher music education, performance education, cultural studies, music, musical theatre, and theatre studies.

This is the 3rd Volume of messages received by James Padgett in 1914 to 1923. These contain a complete theology that is at variance with orthodox Christianity, yet totally consistent and simple to understand. In these messages Jesus and his apostles explain what they taught, and how to achieve the new birth by spirit. Many other topics are also covered as this is a very comprehensive coverage of spiritual topics. A great deal of information is communicated on life after death, as well as details of events in Jesus life. This edition has dates added, and a great many useful footnotes and cross references.

The Everlasting Gospels are the Holy Words spoken directly from God's mouth. The voice of The Heavenly Father transcends from His High throne to all mankind to adhere to. The Word, which created the world in the beginning, is now to recreate, reconstruct, and reform the entire world and humanity according to The Father's Will as it is done in heaven. The kingdoms of this world have become the Kingdom of our Lord and His Christ and this Working Document is the only Constitution of the New World. The contents of this Everlasting Gospel is a testimony to the fulfilment of the promise of Our Lord Jesus Christ, that the Comforter will come to teach all things, lead people to the accurate knowledge of the truth and inform of things to come (John 16: 7-14), which has in truth materialised. The Will of Our Heavenly Father is done on earth as it is done in heaven. John 16: 7-14 “Nevertheless I tell you the truth; It is expedient for you that I go away: for if I go not away, the Comforter will not come unto you; but if I depart, I will send him unto you. And when he is come, he will reprove the world of sin, and of righteousness, and of judgment: Of sin, because they believe not on me; Of righteousness, because I go to my Father, and ye see me no more; Of judgment, because the prince of this world is judged. I have yet many things to say unto you, but ye cannot bear them now. Howbeit when he, the Spirit of truth, is come, he will guide you into all truth: for he shall not speak of himself; but whatsoever he shall hear, that shall he speak: and he will shew you things to come. He shall glorify me: for he shall receive of mine, and shall shew it unto you.” His Coming was revealed to many prophets, both past, and present. Astrologers and scientists are aware of His Omnipotence, Omnipresence, and Omniscience. Some try to conceal or ignore the truth, while others are confused, disturbed, and without the capacity to comprehend. The purpose of this compilation is to reveal the Truth for the salvation of the entire world. The Holy Spirit is personified and His Everlasting Gospels, in this Divine Document, expatiates and shines greater light on many issues affecting our lives and environments physically, socially, and spiritually. The gospels provide answers to questions that have remained unanswered, challenge misconceived doctrines, corrects entrenched wrong believes, and reframes questions that were, hitherto, wrongly asked. The maxim which says that “a tree is known by its fruit' is germane to the Everlasting Gospel as the unparalleled wisdom in its contents affirm that God, the Quickening Spirit, is on earth directing all the affairs in the world, setting the captives free, and fulfilling His promises. God has answered the plea in the Lord's Prayer as nominated in the Holy Bible, i.e. " Thy Kingdom come, thy will be done on earth as it is done in heaven". That Kingdom has come. It is the Brotherhood of the Cross and Star, a Kingdom in reality and in practice with God Himself as the foundation and Head of the Monarchy. The government is theocratic and Love is the law. The Holy Spirit is warning everyone about the need to turn a new leaf and begin to love one another and all creation of God to escape the impending predicaments and calamities already befalling the world, and, especially, the final judgement of God. The Everlasting Gospel Volume 1 is a collection of some of the numerous Gospels and Bible Lectures delivered daily, and sometimes twice daily every day of the year, by the Holy Spirit personified in i Leader Olumba Olumba Obu over a period spanning over forty years. The Gospels are delivered in the Efik dialect and interpreted into other languages, including English, by human interpreters. Interpreting Efik to English is a challenging task as Efik is a complex language with a lot of nuances and contexts. The priority of the interpreters is to, as much as possible, provide the English equivalents of the gospels being delivered and not try to contextualize or second guess the meaning. The editors of this Divine Document place a high premium on the importance of truth as spoken directly from God, accordingly, deliberate and concerted efforts have been taken to avoid misinformation in the translation of the Gospels into the English language. It is, therefore, advisable to concentrate and reflect on the message rather than the grammar.The Everlasting Gospels are the Holy Words spoken directly from God's mouth. The voice of The Heavenly Father transcends from His High throne to all mankind to adhere to. The Word, which created the world in the beginning, is now to recreate, reconstruct, and reform the entire world and humanity according to The Father's Will as it is done in heaven. The kingdoms of this world have become the Kingdom of our Lord and His Christ and this Working Document is the only Constitution of the New World. The contents of this Everlasting Gospel is a testimony to the fulfilment of the promise of Our Lord Jesus Christ, that the Comforter will come to teach all things, lead people to the accurate knowledge of the truth and inform of things to come (John 16: 7-14), which has in truth materialised. The Will of Our Heavenly Father is done on earth as it is done in heaven. John 16: 7-14 “Nevertheless I tell you the truth; It is expedient for you that I go away: for if I go not away, the Comforter will not come unto you; but if I depart, I will send him unto you. And when he is come, he will reprove the world of sin, and of righteousness, and of judgment: Of sin, because they believe not on me; Of righteousness, because I go to my Father, and ye see me no more; Of judgment, because the prince of this world is judged. I have yet many things to say unto you, but ye cannot bear them now. Howbeit when he, the Spirit of truth, is come, he will guide you into all truth: for he shall not speak of himself; but whatsoever he shall hear, that shall he speak: and he will shew you things to come. He shall glorify me: for he shall receive of mine, and shall shew it unto you.” His Coming was revealed to many prophets, both past, and present. Astrologers and scientists are aware of His Omnipotence, Omnipresence, and Omniscience. Some try to conceal or ignore the truth, while others are confused, disturbed, and without the capacity to comprehend. The purpose of this compilation is to reveal the Truth for the salvation of the entire world. The Holy Spirit is personified and His Everlasting Gospels, in this Divine Document, expatiates and shines greater light on many issues affecting our lives and environments physically, socially, and spiritually. The gospels provide answers to questions that have remained unanswered, challenge misconceived doctrines, corrects entrenched wrong believes, and reframes questions that were, hitherto, wrongly asked. The maxim which says that “a tree is known by its fruit' is germane to the Everlasting Gospel as the unparalleled wisdom in its contents affirm that God, the Quickening Spirit, is on earth directing all the affairs in the world, setting the captives free, and fulfilling His promises. God has answered the plea in the Lord's Prayer as nominated in the Holy Bible, i.e. " Thy Kingdom come, thy will be done on earth as it is done in heaven". That Kingdom has come. It is the Brotherhood of the Cross and Star, a Kingdom in reality and in practice with God Himself as the foundation and Head of the Monarchy. The government is theocratic and Love is the law. The Holy Spirit is warning everyone about the need to turn a new leaf and begin to love one another and all creation of God to escape the impending predicaments and calamities already befalling the world, and, especially, the final judgement of God. The Everlasting Gospel Volume 1 is a collection of some of the numerous Gospels and Bible Lectures delivered daily, and sometimes twice daily every day of the year, by the Holy Spirit personified in i Leader Olumba Olumba Obu over a period spanning over forty years. The Gospels are delivered in the Efik dialect and interpreted into other languages, including English, by human interpreters. Interpreting Efik to English is a challenging task as Efik is a complex language with a lot of nuances and contexts. The priority of the interpreters is to, as much as possible, provide the English equivalents of the gospels being delivered and not try to contextualize or second guess the meaning. The editors of this Divine Document place a high premium on the importance of truth as spoken directly from God, accordingly, deliberate and concerted efforts have been taken to avoid misinformation in the translation of the Gospels into the English language. It is, therefore, advisable to concentrate and reflect on the message rather than the grammar.