A television genre best known for romantic storytelling, daytime soap operas have for decades spun tales of couples embroiled in passion, lust and adventure. Yet it was not until the early 1980s that star-crossed lovers became standard and the term "super couple" was coined by the media, marking a new era of experimentation and growth in daytime soaps. This book documents the phenomenon, tracing its history, legacy and impact on the soap opera industry and on popular culture at large.

Provides a complete narrative covering story plots from the beginning of the series, an extensive bibliography, unique information on the actors and their fans, and, most interesting, of all, background on the early days of the soaps.

Subtitled Who's Who in Daytime Drama. Annotation copyright by Book News, Inc., Portland, OR

"A quarterly journal of film history, theory, criticism, and practice" (varies slightly).

An A to Z of Who's Who and What's What, from Aerobics and Bubble Gum to "Valley of the Dolls" and Moon Unit Zappa.

The Armchair Reader series entertains and enlightens with little-known anecdotes, untold stories, fascinating facts, and games that make even the mundane fun. The Armchair Reader's innovative approach and witty style will capture the interest of all readers. By reading Lists, you will: learn the number of calories in your favorite fast food-and the best exercises to burn off those calories; discover the world's most thrilling roller coasters; learn about the top fads of the 20th century; and find out about the most dangerous jobs in America.

Soap opera story, the only mass-public form of continuing narrative today, is oral culture for our electronic era. Carol Williams' It's Time for My Story is an examination of soap opera sources, structure, and response, particularly from the critical viewpoints of psychology, both archetypal and empirical, and popular culture, specifically narratology and feminism, that uncover the true nature of the genre. First, Williams traces the development of soap opera from its immediate source in radio and television as well as from its fundamental source in age-old myth and storytelling. Then she analyzes the content and form that together make up the structure of soap opera. Finally, she looks at what soaps mean to watchers and in the process debunks many myths about soap opera (for instance, the myth that soap opera, like all television drama, is merely commercial, produced formulaically by advertisers; Williams argues that soap opera is not only a commercial product but also a popular art form derived from the wellspring of culture and folk story). She also argues that it is a form which has been depreciated because it is historically a woman's medium. Discussions with writers, creators, and fans are included throughout. Recommended to scholars and students of media, drama, popular culture, and women's studies.

They were the first "super couple" of daytime drama. Millions watched as actors Susan Seaforth and Bill Hayes, playing Julie and Doug on Days of Our Lives, fell in love on camera and off- igniting the hottest love story on daytime television in the 1970s and early '80s. Now, this witty, entertaining autobiography tells their fascinating story-from television's Golden Age to hit Broadway shows and soap opera stardom.