This book starts from the premise that emigration is a crucial concept for the understanding of recent development in criticism and literature. For only when the contribution of non-indigenous ethnicities is taken into account such other key phenomena as globalisation and multiculturalism or -- in some parts of the world -- colonialism or post-colonialism appear in full. The essays in this collection trace the presence of an Italian heritage in the literature of the United States, Canada, Australia, Germany, and ponder the consequences. While some articles describe the texts or review the history of the literature produced by authors of Italian origin, others address the theoretical implications or situate the discussion about authors and their works within the current critical debate. The result is a volume at once informative and intellectually challenging.

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Kenneth Scrambray offers the reader a critical analysis of the wide range of Italianese literature written over the last thirty years in North America. These last three decades in both Canada and America can justifiably be termed a renaissance in Italian writing.

‘Post-Multicultural Writers as Neo-Cosmopolitan Mediators’ argues the need to move beyond the monolingual paradigm within Anglophone literary studies. Using Lyotard’s concept of post as the future anterior (back to the future), this book sets up a concept of post-multiculturalism salvaging the elements within multiculturalism that have been forgotten in its contemporary denigration. Gunew attaches this discussion to debates in neo-cosmopolitanism over the last decade, creating a framework for re-evaluating post-multicultural and Indigenous writers in settler colonies such as Canada and Australia. She links these writers with transnational writers across diasporas from Eastern Europe, South-East Asia, China and India to construct a new framework for literary and cultural studies.

The recent return of 'world literature' to the centre of literary studies has entailed an increased attention to non-European literatures, but in turn has also further marginalized Europe's smaller literatures. Dutch and Flemish Literature as World Literature shows how Dutch-language literature, from its very beginnings in the Middle Ages to the present, has not only always taken its cue from the 'major' literary traditions of Europe and beyond, but has also actively contributed to and influenced these traditions. The contributors to this book focus on key works and authors, providing a concise, yet highly readable, history of Dutch-language literature and demonstrating how this literature is anchored in world literature.

This collection of essays explores the literature of Italian immigrants in Canada and their children by focusing on the central role that themes of migration hold in their work. Addressing topics such as the oral roots of Canadian immigrant writing, the changing place of women in works of the Italian diaspora, and the persistent difficulties of translation, this work provides an international perspective on some of the most pressing questions in the study of literature today. In addition to Canadian works, the work of immigrant writers from Australia and other countries is also considered, producing nuanced observations of cultural differences and affinities.

Finalist for a 2014 Alberta Literary Award Between 1870 and 1970, 26 million Italians left their homeland and travelled to places like Canada, Australia and the United States, in search of work. Many of them never returned to Italy. Against this historic backdrop comes the story of Rosina, a Calabrian matriarch, who worked as a midwife in an area where only one doctor served three villages. She was also the only member of the Russo family to remain in Italy after the mass migration of the 1950s. Written by Rosina’s great-great- granddaughter, Rosina, the Midwife is a charming memoir that is at once a Canadian story and an Italian one. Through Kluthe’s meticulous research and great insight, we see her great-grandfather Generoso labouring through the harsh Edmonton winter in order to buy passage to Canada for his wife and children; we glimpse her grandmother Rose huddled in a third-class cabin, sick from the motion of the boat; and we watch, teary-eyed, as her great-great-grandmother Rosina is forced to say goodbye, one by one, to the people she loves.

An illiterate Calabrian in southern Italy owes money to his church and mayor. He skips town for the bustling streets of New York. Meeting an old friend, a fellow immigrant, he thanks him for help getting settled, and then steals his money. With a new parcel of wealth, he materializes from a small-time laborer into a big-time entrepreneur, soon becoming the tyrant of the local Italian American community. By pluck, luck, and unscrupulous business practices, this cunning character "makes America." There are riches, pleasure, and the beautiful Carmela. Then trouble. Comeuppance. Ambush. Revenge.Twenty-first century popular culture? Not at all. The Grand Gennaro, a riveting saga set at the turn of the last century in Italian American Harlem, reflects on how youthful acts of cruelty and desperation follow many to the grave. A classic in the truest sense, this operatic narrative is alive once again, addressing the question: How does one become an "American"?

Peter B. Morgan's Explanation of Constrained Optimization for Economists is an accessible, user-friendly guide that provides explanations, both written and visual, of the manner in which many constrained optimization problems can be solved.

When Pier Giorgio Di Cicco first appeared on the Canadian literary scene in the early 1980s, he was immediately recognized as one of the most compelling voices of his generation. The Last Effort of Dreams is the first critical collection on Pier Giorgio Di Cicco and traces the steps of his career from different perspectives. The contributors, fellow poets and academics alike, ponder Di Cicco’s poetry in diverse ways: through reminiscence, by taking stock, and by focusing on individual texts and specific themes. What emerges is an intriguing composite picture of Di Cicco’s complex and unique identikit. The volume includes both scholarly analysis and testimonials by individuals who lived the literary history of which Di Cicco is a part. The inclusion of a bibliography of Di Cicco’s publications and of those about him makes this book a valuable tool for anyone approaching his works for the first time and anyone interested in contemporary North American minority literatures or contemporary Canadian literature.