With her hallmark blend of sparkling style and wit, intricate suspense, and steamy passion, Jayne Ann Krentz is truly one of a kind. One of today's premier storytellers, she has more than twenty-three million copies of her novels in print. Now the phenomenal New York Times bestselling author spins her latest scintillating tale: a story of two people bound together by that most binding of ties--a business contract. Elizabeth Cabot is all business. She knows how to maximize her investments and cut her losses--in both her career and her personal life. So when she discovers that Jack Fairfax has deceived her, she's determined to end their relationship. Putting a stop to their budding romance is easy. But breaking up their business deal will be more difficult. Despite all her efforts, she has no luck disentangling herself from Jack's client company, Excalibur. But the situation becomes even more strained when a new obstacle emerges: a lethal act of sabotage that could put both of them out of business for good. Elizabeth is no fool. If she can help Jack save Excalibur, she'll recoup her substantial investment plus millions in profit. Putting her emotions aside, she insists on helping him search for the scientist who's disappeared with a valuable new crystal that could revolutionize the high-tech industry. She'll go in, solve the problem--and get out. The trail leads Elizabeth and Jack to a fringe film festival, but their goal is as elusive as the shadowy black-and-white images from classic noir films. Life starts to imitate art, and double-dealing seems to be the name of the game. For these business adversaries turned reluctant partners, keeping an eye on each other--and the lid on a sizzling attraction--seems the only insurance against further treachery. But with millions at stake, trust can turn to betrayal in the blink of an eye.

“It’s your turn to make a photograph,” states the author on the cover of this detailed handbook destined to become a classic instruction manual on portrait photography. And she shows the reader how by going through the basics of this photographic artform step by step in easy-to-follow instructions that will appeal to all levels of experience. For beginners, a working knowledge of the camera is not even necessary; and for professionals there is more than enough to challenge them to exceed their own present excellence. It has taken the author years of working in the portrait profession to focus and collect her approach to color portraiture and she presents her ideas in a way that will inspire even those who are not photographers. The book is designed for any artist working in any medium. All they have to have is an interest in the human subject. The book covers such wide-ranging subjects as a perspective on the history of the medium, composition, lighting, posing techniques, the portraitist’s “eye,” hints at how to enrich one’s self as a result of exploring the art of portraiture, and much more. “Classic Outdoor Color Portraits” is a vital text for photography schools and workshops, continuing education classes, artist schools and workshops, colleges, amateurs, and professionals in all regions and settings. NANCY REILY is also the author of “My Wisdom That No One Wants,” “Georgia O’Keeffe, A Private Friendship, Part I, Walking the Sun Prairie Land”; Georgia O’Keeffe, A Private Friendship, Part II, Walking the Abiquiu and Ghost Ranch Land”; and “Joseph Imhof, Artist of the Pueblos” with Lucille Enix, all from Sunstone Press.

I have seen incredible changes in people's overall behavior by viewing Magic Eye images, including vision improvement. This book discusses some of the types of behavioral changes that my patients have reported as well as what possible physiological and psychological mechanisms may account for these changes." -Dr. Marc Grossman When Magic Eye images hit the publishing world in the 1990s, the response was as magical as the 3D images popping from their colorful backgrounds. Viewers couldn't get these best-selling books fast enough. In fact, Magic Eye I, II, and III rode the New York Times best-seller list for 34 weeks and eventually sold more than 20 million copies. Now Beyond 3D: Improve Your Vision with Magic Eye takes this phenomenon to another level. Beyond 3D examines the medical benefits and scientific possibilities related to viewing these remarkable images. Clearly explained in lay terms and through the use of numerous Magic Eye illustrations, the book not only helps readers "see" the images, it identifies and demonstrates the many physical and performance-related enrichments that may result, including: * reduced computer eyestrain * diminished stress levels * improved overall vision * lengthened attention span

The Viewpoints is a technique of improvisation that grew out of the postmodern dance world. It was first articulated by choreographer Mary Overlie, who broke down the two dominant issues performers deal with—space and time—into six categories. Since that time, directors Anne Bogart and Tina Landau have expanded her notions and adapted them for actors to function together spontaneously and intuitively and to generate bold, theatrical work. The Viewpoints are a set of names given to certain principles of movement through time and space—they constitute a language for talking about what happens on stage. Coupling this with Composition, which is the practice of selecting and arranging the separate components of theatrical language into a cohesive work of art, provides theatre artists with an important new tool for creating and understanding their art form. Primarily intended for the many theatre artists who, in the last several years, have become intrigued with Viewpoints yet have had no single source to refer to in their investigations. It can also be used by anyone with a general interest in collaboration and the creative process, whether in art, business or daily life. Anne Bogart is Artistic Director of the SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She is the recipient of two OBIE Awards and a Bessie Award, and is an associate professor at Columbia University. Her recent works include Alice’s Adventures; Bobrauschenbergamerica; Small Lives, Big Dreams; Marathon Dancing; and The Baltimore Waltz. Tina Landau, noted director and playwright, whose original work includes Space (Time magazine 10 Best), Dream True (with composer Ricky Ian Gordon) and Floyd Collins (with composer Adam Guettel), which received the Lucille Lortel Award for Best Musical, an OBIE Award and seven Drama Desk nominations. She has been an ensemble member of the Steppenwolf Theatre Company since 1997.

Langford's Advanced Photography is the only advanced photography guide a serious student or aspiring professional will ever need. In this eighth edition, Efthimia Bilissi continues in the footsteps of Michael Langford by combining an unrivalled level of technical detail with a straightforward writing style while simultaneously bringing the text firmly in to the digital era. This book covers the entire photographic process from a technical standpoint - not only detailing the 'how' but also explaining the 'why' that is so often missing from photography texts. From the workings of cameras, lenses, digital imaging sensors and software to new hot topics such as HDR imaging, digital asset management, and even running your own photography business, everything a serious photographer could need to extend their art into professional realms is covered. The book also benefits from a full glossary, charts and inspirational full color images throughout, with summaries and projects at the end of each chapter to reinforce the theory.

The World In Your Head: A Gestalt View of the Mechanism of Conscious Experience represents a bold assault on one of the greatest unsolved mysteries in science: the nature of consciousness and the human mind. Rather than examining the brain and nervous system to see what they tell us about the mind, this book begins with an examination of conscious experience to see what it can tell us about the brain. Through this analysis, the first and most obvious observation is that consciousness appears as a volumetric spatial void, containing colored objects and surfaces. This reveals that the representation in the brain takes the form of an explicit volumetric spatial model of external reality. Therefore, the world we see around us is not the real world itself, but merely a miniature virtual-reality replica of that world in an internal representation. In fact, the phenomena of dreams and hallucinations clearly demonstrate the capacity of the brain to construct complete virtual worlds even in the absence of sensory input. Perception is somewhat like a guided hallucination, based on sensory stimulation. This insight allows us to examine the world of visual experience not as scientists exploring the external world, but as perceptual scientists examining a rich and complex internal representation. This unique approach to investigating mental function has implications in a wide variety of related fields, including the nature of language and abstract thought, and motor control and behavior. It also has implications to the world of music, art, and dance, showing how the patterns of regularity and periodicity in space and time--apparent in those aesthetic domains--reflect the periodic basis set of the underlying harmonic resonance representation in the brain.

Amateur and student photographers learn how to use digital imaging tools to create great images for print and online!

First published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.