Papers from the 17th Symposium on Mediterranean Archaeology, SOMA 2013 held in Moscow, 25-27 April 2013.

Presents 22 papers from the 18th annual meeting of the Symposium on Mediterranean Archaeology (SOMA), held in Wrocław-Poland, 24th to 26th April 2014.

For some, the pursuit of happiness does not come easily. Almost by definition, being human means to be imperfect, scratched, and scarred. Countless multitudes of men, women, and children are prevented from that very pursuit because they suffer from depression or various mental disorders. But then, four scientists working on the edge of possibility and hope invent a drug that eliminates depression, and a new era of peace and bliss for all emerges. Blending science fiction with hard science, this contemporary fairy tale for a technological world explores the very morality of such a discovery. The work of the fictional scientists is based on real-world research, and they explore the psycho-neurological causes of depression and how new drugs are developed. Can four scientists actually create a sustainable utopia in a lab? Can bliss in a pill truly come without consequences? Is peace for all mankind even a possibility? Sometimes, the price of true happiness—even when it comes in a little pill—may be higher than expected.

The proceedings of SOMA 2015 contain eighteen interdisciplinary articles on themes from underwater archaeology to history, archaeometry and art history, and chronologically, the subjects of these articles range from the Bronze Age to the 20th century.

Bringing together contributions from leading labour market policy scholars from across the globe, this state-of-the-art Handbook offers extensive and compelling analyses of labour market policy in advanced democracies. This title contains one or more Open Access chapters.

"In Saving Face, sociologist Heather Laine Talley examines the cultural meaning and social significance of interventions aimed at repairing faces defined as disfigured. Using ethnography, participant-observation, content analysis, interviews, and autoethnography, Talley explores four sites in which a range of faces are 'repaired': face transplantation, facial feminization surgery, the reality show Extreme Makeover, and the international charitable organization Operation Smile."--Page [4] of cover.

"River Dialogues is an ethnographic engagement with social movements contesting hydroelectric development on River Ganges"--Provided by publisher.

Argues that the Greek word soma should be read as the individual physical body rather than man as an indivisible whole.

SOMA 2016 focused on the archaeology of the Northern Black Sea; while rich in archaeological sites, the region is also subject to active industrial development. In addition to archaeological finds in various parts of the Mediterranean, papers focus on new ideas for the conservation and management of sites of historical and cultural heritage.

Modeling a disability culture perspective on performance practice toward socially just futures In Eco Soma, Petra Kuppers asks readers to be alert to their own embodied responses to art practice and to pay attention to themselves as active participants in a shared sociocultural world. Reading contemporary performance encounters and artful engagements, this book models a disability culture sensitivity to living in a shared world, oriented toward more socially just futures. Eco soma methods mix and merge realities on the edges of lived experience and site-specific performance. Kuppers invites us to become moths, sprout gills, listen to our heart’s drum, and take starships into crip time. And fantasy is central to these engagements: feeling/sensing monsters, catastrophes, golden lines, heartbeats, injured sharks, dotted salamanders, kissing mammoths, and more. Kuppers illuminates ecopoetic disability culture perspectives, contending that disabled people and their co-conspirators make art to live in a changing world, in contact with feminist, queer, trans, racialized, and Indigenous art projects. By offering new ways to think, frame, and feel “environments,” Kuppers focuses on art-based methods of envisioning change and argues that disability can offer imaginative ways toward living well and with agency in change, unrest, and challenge. Traditional somatics teach us how to fine-tune our introspective senses and to open up the world of our own bodies, while eco soma methods extend that attention toward the creative possibilities of the reach between self, others, and the land. Eco Soma proposes an art/life method of sensory tuning to the inside and the outside simultaneously, a method that allows for a wider opening toward ethical cohabitation with human and more-than-human others.