This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

This 1913 book contains Arthur Sanders Way's English translation of medieval French heroic poem The Song of Roland.

First and greatest French epic, this 11th-century tale of romance and heroism recounts the adventures of the warrior Roland, nephew of Charlemagne and prince of the Holy Roman Empire. A poetic story of valor, betrayal, and revenge.

John O'Hagan's translation of "The Song of Roland." [Reprinted in facsimile from the 1910 edition.]

Swift yet resonant, this masterful new verse translation conveys the immediacy, intimacy, and power of this greatest of Old French epic poems. John DuVal approaches the unadorned syntax of The Song of Roland in straightforward modern English, attuned to the nuance and detail of the narrative and the poetry of the original text. In his concise but thorough general Introduction, David Staines traces the origins of the poem and its reception in medieval society, discusses its content and its themes, and in clear, accessible prose illuminates the epic poem’s chivalric spirit. Footnotes provide glosses on events, characters, and medieval terms. Endnotes discuss editorial and translational issues. This edition also includes a selected bibliography, a map, and a glossary and index. An appendix provides the entire text of the Old French original.

A contemporary prose rendering of the great medieval French epic, The Song of Roland is as canonical and significant as the Anglo-Saxon Beowulf. It extols the chivalric ideals in the France of Charlemagne through the exploits of Charlemagne's nephew, the warrior Roland, who fights bravely to his death in a legendary battle. Against the bloody backdrop of the struggle between Christianity and Islam, The Song of Roland remains a vivid portrayal of medieval life, knightly adventure, and feudal politics. The first great literary works of a culture are its epic chronicles, those that create simple hero-figures about whom the imagination of a nation can crystallize, observed V. S. Pritchett. The Song of Roland is animated by the crusading spirit and fortified by national and religious propaganda. This edition features W. S. Merwin's glowing, lyrical translation.

This book offers a detailed interpretation of the Song of Roland, one of the best-known texts in all heroic literature. It also includes a commentary that treats the poem's place in the eleventh (or early twelfth) century, its importance to the society that produced it, and the ways in which it is read today.

Charles the king, our emperor great, Has been a full seven years in Spain. As far as the sea he conquered this haughty land. Not a single castle remains standing in his path Charlemagne (768-814) was crowned Holy Roman Emperor in 800 and presided over a huge empire. He frequently appears in literature as a great warlord and pious crusading figure. In 778, the rearguard of Charlemagne's retreating army was ambushed and defeated at the battle of Roncevaux. This became the inspiration for songs and poems celebrating deeds of valour in the face of overwhelming odds, through the character of Charlemagne's nephew (the imaginary) Roland. The Song of Roland is the most stirring and moving epic poem of the European Middle Ages, offering a particularly heady mixture of history, legend, and poetry. Presented here in a lively and idiomatic new translation, the Song of Roland offers fascinating insights into medieval ideas about heroism, manhood, religion, race, and nationhood which were foundational for modern European culture. The Song of Roland is accompanied here by two other medieval French epics about Charlemagne, both of which show him to be a far more equivocal figure than that portrayed by the Roland: the Occitan Daurel and Beton, in which he is a corrupt and avaricious monarch; and the Journey of Charlemagne to Jerusalem and Constantinople, which gives the heroes of the Roland a comic makeover.