He was Clear Blue Lou, perfect master of the Clear Blue Way, at one with the law of muscle, sun, wind and water governing Aquaria. She was Sunshine Sue, always in a hurry in a world that was too slow, Queen of Word of Mouth. Their meeting had been arranged - but by whom? and why? Beyond the beginning of where the world ended, beyond the highest peaks of its primeval majesty, lay a radio active hell and the lairs of the black sorcerers, the Spacers. The black scientists had not forgotten man's old dream of touching the stars: they wanted the Age of Space reborn. But they needed a little help.

During the mid-1950s, when Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock 'n' roll stars. Rock stars eventually found cinema to be a useful space to extend their creative practices, and the motion picture and recording industries increasingly saw cinematic rock stardom as a profitable means to connect multiple media properties. Indeed, casting rock stars for film provided a tool for bridging new relationships across media industries and practices. From Elvis Presley to Madonna, this book examines the casting rock stars in films. In so doing, Rock Star/Movie Star offers a new perspective on the role of stardom within the convergence of media industries. While hardly the first popular music culture to see its stars making the transition to screen, the timing of rock's emergence and its staying power within popular culture proved fortuitous for a motion picture business searching for its place in the face of continuous technological and cultural change. At the same time, a post-star-system film industry provided a welcoming context for rock stars who have valued authenticity, creative autonomy, and personal expression. This book uses illuminating archival resources to demonstrate how rock stars have often proven themselves to be prominent film workers exploring this terrain of platforms old and new - ideal media laborers whose power lies in the fact that they are rarely recognized as such. Combining star studies with media industry studies, this book proposes an integrated methodology for writing media history that combines the actions of individuals and the practices of industries. It demonstrates how stars have operated as both the gravitational center of media production as well as social actors who have taken on a decisive role in the purposes to which their images are used.

Looks at the features and functions of the iPad2, covering such topics as accessing the Internet, setting up an email account, using built-in apps, playing games, using iTunes, watching videos, and syncing with MobileMe.

Deflecting the attention from Hollywood, Stars in World Cinema fills an important gap in the study of film by bringing together Star Studies and World Cinema. A team of international scholars here bring their expertise and in-depth knowledge of world cultures and cinema to the study of stars and stardom from six continents, exploring their cultures, their local history and their global relevance. Chapters look at the role of acting, music, singing, painting and martial arts in the making of stars from Australia's indigenous population, Austria, China, Egypt, France, Germany, Greece, India, Iran, Japan, North and South Korea, Nigeria, the Philippines, the former Soviet Union, Spain, North and South America. Since the very beginnings of cinema, actors and stars have been central to its history and have been one of the medium's defining characteristics. They have also been fundamental to the marketing of cinema and have played a major part in the reception of films in many cultures. Stars in World Cinema examines stardom and the circulation of stars across borders, analysing how local star systems or non-systems construct stardom around the world. Contributors put into practice their local knowledge of history, language and cultural systems, to consider issues of hybridity, boundary crossing, the mobility of stardom, and embodied spectatorship, in order to further the understanding of stars in light the of recent interest in reception theory. Rooted in a multidisciplinary and polycentric approach, this book throws light on unexpected connections between stars and stardoms from different parts of the world, cutting across chronology, geographies and film history.

A marvelous medley of Tiptree's best, including: "YOUR HAPLOID HEART" - When Ian Suitlov and Pax Patton landed on Esthaa to check for humans, the job wasn't as easy as it appeared. Though the natives seemed human enough, only cross breeding would be conclusive proof. But how were they to prove anything, when sex was punishable by death? "THE PSYCHOLOGIST WHO WOULDN'T DO AWFUL THINGS TO RATS" - Dr Tilly Lipsitz hated his name, loved his rats... and would be out of a job if he didn't come up with a real zinger of an experiment soon. He didn't have much in mind until he took a midnight trip to his lab and learned more than he would have thought possible. "SHE WAITS FOR ALL MEN BORN" - She had eyes that could not see, but without sight she had powers that went far beyond those of all who came upon her. Contents: Your Haploid Heart (1969) And So On, and So On (1971) Her Smoke Rose Up Forever (1974) A Momentary Taste of Being (1975) Houston, Houston, Do You Read? (1976) The Psychologist Who Wouldn't Do Awful Things to Rats (1976) She Waits for All Men Born (1976)