As an especially beautiful and pure example of the archaic epic styles that were once current among the hunting and fishing peoples of northern Asia, the Ainu epic folklore is of immense literary value. This collection and English translation by Donald Philippi contains thirty-three representative selections from a number of epic genres including mythic epics, culture hero epics, women's epics, and heroic epics. This is the first time, outside of Japan, that the Ainu epic folklore has been treated in a comprehensive manner. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This book examines the practice of toleration and the experience of religious diversity in the early modern world. Recent scholarship has shown the myriad ways in which religious differences were accommodated in the early modern era (1500–1800). This book propels this revisionist wave further by linking the accommodation of religious diversity in early modern communities to the experience of this diversity by individuals. It does so by studying the forms and patterns of interaction between members of different religious groups, including Christian denominations, Muslims, and Jews, in territories ranging from Europe to the Americas and South-East Asia. This book is structured around five key concepts: the senses, identities, boundaries, interaction, and space. For each concept, the book provides chapters based on new, original research plus an introduction that situates the chapters in their historiographic context. Early Modern Toleration: New Approaches is aimed primarily at undergraduate and postgraduate students, to whom it offers an accessible introduction to the study of religious toleration in the early modern era. Additionally, scholars will find cutting-edge contributions to the field in the book’s chapters.

A Heartbeat and a Guitar tells of the collaboration of two distinct yet connected musicians--iconoclast Johnny Cash and pioneering folk artist Peter La Farge-- Bitter Tears: Ballads of the American Indian, the album that influenced the likes of Bruce Springsteen and Bob Dylan. In this intimate portrayal of the two musicians, D'Ambrosio interviewed surviving members of Cash's band, his producers, and admirers Pete Seeger and Kris Kristofferson. He renders a dramatic picture of both an era of radical protest and the making of one of the most controversial and enduring works of political pop art of the 1960s. A Heartbeat and a Guitar is the inspiration for the new album "Look Again to the Wind: Johnny Cash's Bitter Tears revisited" featuring a collective of top Americana artists including Emmylou Harris, Steve Earle, Gillian Welch, and Kris Kristofferson.

To Know the Soul of a People is a history of religion and race in the agricultural South before the Civil Rights era. Jamil W. Drake chronicles a cadre of social scientists who studied the living conditions of black rural communities, revealing the abject poverty of the Jim Crow south. Theseuniversity-affiliated social scientists documented shotgun houses, unsanitary privies and contaminated water, scaly hands, enlarged stomachs, and malnourished bodies. However, they also turned their attention to the spiritual possessions, chanted sermons, ecstatic singing, conjuration, dreams andvisions, fortune-telling, taboos, and other religious cultures of these communities. These scholars aimed to illuminate the impoverished conditions of their subjects for philanthropic and governmental organizations, as well as the broader American public, in the first half of the 20th century,especially during the Great Depression. Religion was integral to their efforts to chart the long economic depression across the South.From 1924 to 1941, Charles Johnson, Guy Johnson, Allison Davis, Lewis Jones, and other social scientists framed the religious and cultural practices of the black communities as "folk" practices, aiming to reform them and the broader South. Drawing on their correspondence, fieldnotes, and monographs,Drake shows that social scientists' use of "folk"reveals the religion was an important site for highlighting the supposed mental, moral, and cultural deficits of America's so-called folk population. Moreover, these social scientists did not just pioneer rural social science and reform but used theirstudy of religion to plant the seeds of the concept that would become known as the "culture of poverty" in the latter half of the twentieth century. To Know the Soul of a People is an exciting intellectual history that invites us to explore the knowledge that animated the earnest yet shortsightedliberal efforts to reform black and impoverished communities.

“Anyone who reads her will never forget her voice.” - Biographile Mary MacLane (1881-1929) was the first of the modern media personalities: a pioneer in self-revelation, in defiance of established rules, in living on her own terms - and writing it in brilliant style. At age 19 she burst upon the world out of Butte, Montana with a journal of private thoughts and longings that incited national then international attention. In the books and newspaper articles that followed she evolved a completely new, individual voice decades ahead of its time. She influenced Gertrude Stein, inspired F. Scott Fitzgerald, and was hotly discussed by everyday people - and America’s biggest writers. Yet despite sparking film, stage, and music projects today - and being endlessly quoted on the Internet - the writer behind the writing has remained unknown until now. HUMAN DAYS: A MARY MACLANE READER features the complete texts of all her books (with expurgated passages restored), her colorful newspaper articles (much never before reprinted), an intriguing 1902 interview, the first viewing ever of her striking personal letters, illuminating introductions to each era in her life, and comprehensive notes that open the door to her influences and the age she came from and impacted so profoundly. A foreword from actress Bojana Novakovic provides a contemporary artist’s creative appreciation of the author’s still-powerful effect upon readers. “Mary MacLane comes off the page quivering with life. Moving.” - London Times “She reminds us of the power of personal narrative, honestly told.” - The Atlantic “In a pre-soundbite age she already knew how to draw blood in one direct sentence.” - The Awl “She had a short but fiery life of writing and misadventure, and her writing was a template for the confessional memoirs that have become ubiquitous.” - The New Yorker “One of the most fascinatingly self-involved personalities of the 20th century.” - The Age “A girl wonder.” - Harper’s “Confessional journalists have people like Mary MacLane to thank.” - Flavorwire “Her diaries ignited a national uproar, ushering in a new era for women’s voices. Her elegant, ambitious embrace of full-disclosure opened a door to what was possible for women.” - The Atlantic “Fiery frankness made her a pioneer.” - Time Out Chicago “Her poetry is one of extremes: lust for happiness, despair for life.” - Hairy Dog Review “Riveting.” - N.H. Public Radio “I Await The Devil’s Coming is a small masterpiece, full of camp and swagger.” - Parul Sehgal, NPR “Pioneering newswoman, later silent-screen star, considered the veritable spirit of the iconoclastic Twenties.” - Boston Globe “A pioneering feminist - a sensation.” - Feminist Bookstore News “First of the self-expressionists, and the first of the Flappers.” - Chicagoan Check www.marymaclane.com for exclusive content, news, and previews.

How often have I overheard alluring snatches of song, only to be baffled by denial when I asked for more. Kindly black faces smile indulgently as at the vagaries of an imaginative child, when I persist in pleading for the rest. "Nawm, honey, I wa and n and t singing nothing — nothing a-tall! " How often have I been tricked into enthusiasm over the promise of folk-songs, only to hear age-worn phonograph records, — but perhaps so changed and worked upon by usage that they could possibly claim to be folk-songs after all! — or Broadway echoes, or conventional songs by white authors! Yet cajolements might be in vain, even though all the time I knew, by the uncanny instinct of folk-lorists, that there were folk-songs there. And even when you get a song started, when you are listening with your heart in your ear and the greed of the folk-lorist in your eye, you may lose out. If you seem too much interested, the song retreats, draws in like a turtle and s head, and no amount of coaxing will make it venture back. And there is something positively fatal about a pencil! Songs seem to be afraid of lead-poisoning. Or perhaps the pencil is secretly attached by a cord (a vocal cord?) to the singer and s tongue. It must be so, for otherwise, why has it so often happened that when I, distrustful of my tricky memory to hold a precious song, have sneaked a pencil out to take notes, the tongue has suddenly jerked back and refused to wag again? Yet that is not always the case, for sometimes the knowledge that his song is being written down inspires a bard with more respect for it and he gives it freely.

The Wiersbe Bible Commentary is a must have for believers wanting a deeper and practical resource for studying the Old Testament and includes: The complete Old Testament in one volume (Genesis to Malachi) Section-by-section commentary Biblical images Book introductions Extended notes References Dr. Warren Wiersbe is one of the most beloved Bible teachers with over 40 years of pastoral experience. His bestselling Bible commentaries are one of the most trustworthy resources used by pastors, Bible teachers, and persons interested in knowing more about God’s Word. His easy-to-read and insightful explanations provide a comprehensive understanding of the Bible.

Who Should Sing "Ol' Man River"?: The Lives of an American Song tells the almost eighty-year performance history of a great popular song. Examining over two hundred recorded and filmed versions of Jerome Kern and Oscar Hammerstein II's classic song, the book reveals the power of performers to remake one popular song into many different guises.