Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

The third volume of Mitchell's epic account of the composer and his works concentrates on the vocal music and, in particular, on some of his most famous, original, and best loved compositions.

Raymond; or, Life and Death by Sir Oliver Lodge is a captivating and thought-provoking exploration of the boundaries of existence, taking readers on a profound spiritual journey that delves into life, death, and the realms beyond. Key Aspects of the Book: Spiritual Quest: Through the protagonist's experiences, this book embarks on a spiritual quest that challenges conventional notions of life and death, inviting readers to contemplate the deeper meaning and purpose of existence.Existential Boundaries: Raymond; or, Life and Death pushes the boundaries of human understanding, offering glimpses into the realms beyond the physical, and posing profound questions about the nature of consciousness, spirituality, and the mysteries of the universe.Exploration of Human Experience: This book delves into the complexities of the human experience, blending philosophical reflections with emotional depth, as characters navigate love, loss, and the profound impact of their choices on their own lives and those around them. Raymond; or, Life and Death, Sir Oliver Lodge weaves a captivating narrative that transcends the boundaries of earthly existence. As a renowned scientist and spiritualist, Lodge provides a unique perspective on life and death, combining scientific inquiry with spiritual insights. Through introspective storytelling and profound revelations, the author invites readers on a transformative journey, prompting deep reflection on the mysteries of life and the boundless nature of the human soul.

Born into the famous family of piano makers, Lucy Broadwood (1858-1929) became one of the chief collectors and scholars of the first English folk music revival in the late nineteenth and early twentieth centuries. Privately educated and trained as a classical musician and singer, she was inspired by her uncle to collect local song from her native Sussex. The desire to rescue folk song from an aging population led to the foundation of the Folk Song Society, of which she was a founder member. Mentor to younger collectors such as Percy Grainger but often at loggerheads with fellow collector Cecil Sharp and the young Ralph Vaughan Williams, she eventually ventured into Ireland and Scotland, while remaining an eclectic contributor and editor of the Society’s Journal, which became a flagship for scholarly publication of folksong. She also published arrangements of folk songs and her own compositions which attracted the attention of singers such as Harry Plunket Greene. Using an array of primary sources including the diaries Broadwood kept throughout her adult life, Dorothy de Val provides a lively biography which sheds new light on her early years and chronicles her later busy social, artistic and musical life while acknowledging the underlying vulnerability of single women at this time. Her account reveals an intelligent, generous though reserved woman who, with the help of her friends, emerged from the constraints of a Victorian upbringing to meet the challenges of the modern world.

In this transcription of the Medicine Rite, the most sacred ritual of the Winnebago Indians, anthropologist Paul Radin captured a poetic source of profound importance to the understanding of mystical experience. Performed by medicine men upon the initiation of a member to their cult, this secret rite recapitulated the mythic origins and heroes of the Winnebago while integrating those present with the ancestral forces.

The Life and Songs of Stephen Foster offers an engaging reassessment of the life, politics, and legacy of the misunderstood father of American music. Once revered the world over, Foster’s plantation songs, like “Old Folks at Home” and “My Old Kentucky Home,” fell from grace in the wake of the Civil Rights Movement due to their controversial lyrics. Foster embraced the minstrel tradition for a brief time, refining it and infusing his songs with sympathy for slaves, before abandoning the genre for respectable parlor music. The youngest child in a large family, he grew up in the shadows of a successful older brother and his president brother-in-law, James Buchanan, and walked a fine line between the family’s conservative politics and his own pro-Lincoln sentiments. Foster lived most of his life just outside of industrial, smoke-filled Pittsburgh and wrote songs set in a pastoral South—unsullied by the grime of industry but tarnished by the injustice of slavery. Rather than defining Foster by his now-controversial minstrel songs, JoAnne O’Connell reveals a prolific composer who concealed his true feelings in his lyrics and wrote in diverse styles to satisfy the changing tastes of his generation. In a trenchant reevaluation of his NewYork Bowery years, O’Connell illustrates how Foster purposely abandoned the style for which he was famous to write lighthearted songs for newly popular variety stages and music halls. In the last years of his life, Foster’s new direction in songwriting stood in the vanguard of vaudeville and musical comedy to pave the way for the future of American popular music. His stylistic flexibility in the face of evolving audience preferences not only proves his versatility as a composer but also reveals important changes in the American music and publishing industries. An intimate biography of a complex, controversial, and now neglected composer, The Life and Songs of Stephen Foster is an important story about the father of American music. This invaluable portrait of the political, economic, social, racial, and gender issues of antebellum and Civil War America will appeal to history and music lovers of all generations.