For 31 months between 1979 and 1995, James F. Weiner conducted anthropological research amongst the Foi people in Southern Highlands Province, Papua New Guinea. This book contains the transcriptions, translations, and descriptions of the songs he recorded. The texts of women’s sago songs (obedobora), men’s ceremonial songs (sorohabora), and women’s sorohabora are included. Men turn the prosaic content of womenís sago songs into their ownsorohabora songs, which are performed the night following large-scale inter-community pig kills, called dawa. While women sing sago songs by themselves, men sing their ceremonial songs in groups of paired men. Women also have their own ceremonial versions of such songs. The songs are memorial in intent; they are designed to commemorate the lives of men who are no longer living. Most commonly they do so by naming the places the deceased inhabited during his lifetime. These song texts and translations are introduced by Weiner. Ethnomusicologist Don Niles then brings together information about each type of song and considers these Foi genres in relation to those of neighbouring groups, highlighting aspects of regional performance styles. Consideration is also given to the poetic devices used in Papua New Guinea songs. Eighteen recordings illustrating the Foi genres discussed in this book are available for download. It remains uncertain how such songs may be affected by the major oil extraction project that has been undertaken in the region for more than two decades. This book will interest students of anthropology, ethnomusicology, linguistics, verbal art, aesthetics, and cultural heritage.

Beyond the Basics...Beneath the Surface...In Depth Mac OS X Lion in Depth Do more with Mac OS X Lion–in less time! Mac OS X Lion In Depth is a comprehensive guide to Mac OS X Lion, grounded in real-world advice and experience. The author, Robyn Ness, is a long-time Mac user and provides practical instruction on how to get up and running with Lion, and then move on to more advanced features and options. • Streamline your workflow with Mission Control and Spaces • Organize your apps with Launchpad • Get the most from Lion’s multitouch gestures • Set up your desktop and apps to give you a clean start or resume where you left off • Purchase and download apps from the Mac App Store and run full-screen apps • Manage contacts, calendars, and email • Set up user accounts and parental controls • Configure wired and wireless networking • Chat, video chat, and screen-share with Lion’s iChat and FaceTime • Use the Safari web browser for reading lists, bookmarks, and RSS • Share files with nearby Lion users with AirDrop • Run Windows and Windows apps on your Mac • Activate Universal Access and accessibility features • Recover files through Versions and Time Machine • Use Lion’s built-in disk recovery options Mac OS X Lion In Depth is for any experienced Mac user seeking to deepen their understanding and master the features of the new version of Mac OS X. All In Depth books offer Comprehensive coverage with detailed solutions Troubleshooting help for tough problems you can’t fix on your own Outstanding authors recognized worldwide for their expertise and teaching style Learning, reference, problem-solving... the only Mac OS X Lion book you need!

Featuring 28 music examples this book takes an innovative approach to analyzing and interpreting nineteenth-century German song, offering new perspectives on Robert Schumann's Lieder and song cycles. Robert Schumann's Lieder are among the richest and most complex songs in the repertoire and have long raised questions and stimulated discussion among scholars, performers, and listeners. Among the wide range of methodologies that have been used to understand and interpret his songs, one that has been conspicuously absent is an approach based on narratology (the theory and study of narrative texts). Proceeding from the premise that the performance of a Lied is a narrative act, in which the singer and pianist together function as a narrator, Andrew Weaver's groundbreaking study proposes a comprehensive theory of narratology for the German Romantic Lied and song cycle, using Schumann's complete song oeuvre as the test case. The theory, grounded in the work of narratologist Mieke Bal but also drawing upon recent work in literary theory and musicology, illuminates how music can open up new meanings for the poem, as well as how a narratological analysis of the poem can help us understand the music. Weaver's book offers new insights into Schumann's Lieder and the poetry he set while simultaneously proposing a methodology applicable to the analysis and interpretation of a wide range of works, including not only the rich treasury of German Lieder but also potentially any genre of accompanied song in any language from the Middle Ages to the present day.

This is the story of Jai Dev Vasista. He is one of the most successful and award-winning CEOs of India. He’s a workaholic, and he loves his work more than anything. Everything is perfect until he starts having nightmares every night. He feels someone is following him in his nightmares. The nightmares are dark and disturbing. They start haunting him when he’s asleep as well as when he’s awake. The nightmares turn his life upside down. He meets a doctor in an effort to get rid of the problem. In his attempt at solving his problem, he finds an answer to it. A psychological thriller, tells about the darkest secrets of a perfect man

"CRACK, CRACK, CRACK!" Three shots from a sniper's rifle will send Kate Pomeroy's world into a tailspin. Hounded by her nemesis, Vladimir Sokolov, Kate must decide whether to continue on the run or once again take fate into her own hands. Crosses, double-crosses, and foreign intrigue heighten the tension as Kate fights for her life and the lives of those she loves. "A masterpiece of suspense" ~ "An exceptional psychological thriller" The Empty Space, A Kate Pomeroy Mystery is the 4th novel in the award-winning Kate Pomeroy Gothic Mystery Series by USA Today bestselling author, Linda Watkins

This volume brings together essays on songs and politics in the region of Eastern Africa and beyond. The theme that cuts across the contributions is that songs are, in addition to their aesthetic appeal, vital tools for exploring how political and social events are shaped and understood by citizens. Urbanization, commercialization and globalization contributed to the vibrancy of East African popular music of the 1990s. It was a product of social processes inseparable from society, politics, and other critical issues of the day. The lyrics explored socials cosmology, world views, class and gender relations, interpretations of value systems, and other political, social and cultural practices, even as they entertained and provided momentary escape for audience members. Frustration, disenchantments, and emotional fatigue resulting from corrupt and dictatorial political systems that stifle the potential of citizens drove and still drive popular music in Eastern Africa as in most of Africa.

What happened to musical modernism? When did it end? Did it end? In this unorthodox Lacanian account of European New Music, Seth Brodsky focuses on the unlikely year 1989, when New Music hardly takes center stage. Instead one finds Rostropovich playing Bach at Checkpoint Charlie; or Bernstein changing “Joy” to “Freedom” in Beethoven’s Ninth; or David Hasselhoff lip-synching “Looking for Freedom” to thousands on New Year’s Eve. But if such spectacles claim to master their historical moment, New Music unconsciously takes the role of analyst. In so doing, it restages earlier scenes of modernism. As world politics witnesses a turning away from the possibility of revolution, musical modernism revolves in place, performing century-old tasks of losing, failing, and beginning again, in preparation for a revolution to come.

With a discography of over 1000 songs, 20 musicals and three motion pictures, the Lebanese singer and performer, Fairouz, is an artist of pan-Arab appeal, who has connected with listeners from diverse backgrounds and geographies for over four often tumultuous decades. In this book, Dima Issa explores the role of Fairouz's music in creating a sense of Arab identity amidst changing political, economic context. Based on two years of research including 60 interviews, it takes an ethnographic approach, focussing on audience reception of Fairouz's music among the Arab diasporas of London and Doha. It shows that for discussants, talking about Fairouz meant discussing diasporic life, bringing to the surface notions of Arabness and authenticity, presence and absence, naturalization and citizenship, and the issue of gender. Conversations with the research respondents shed light on the idea of iltizam (commitment), or how members of the Arab diaspora hold on to attributes that they feel define and differentiate them from others.

Just as soon as it had got rolling, rock music had a problem: it wanted to be art. A mere four years separate the Beatles as mere kiddy culture from the artful geniuses of Sergeant Pepper's, meaning the very same band who represents the mass-consumed, "mindless" music of adolescents simultaneously enjoys status as among the best that Western culture has to offer. The story of rock music, it turns out, is less that of a contagious popular form situated in opposition to high art, but, rather, a story of high and low in dialogue--messy and contentious, to be sure, but also mutually obligated to account for, if not appropriate, one another. The chapters in this book track the uses of literature, specifically, within this relation, helping to showcase collectively its fundamental role in the emergence of the "pop omnivore."