For 31 months between 1979 and 1995, James F. Weiner conducted anthropological research amongst the Foi people in Southern Highlands Province, Papua New Guinea. This book contains the transcriptions, translations, and descriptions of the songs he recorded. The texts of women’s sago songs (obedobora), men’s ceremonial songs (sorohabora), and women’s sorohabora are included. Men turn the prosaic content of womenís sago songs into their ownsorohabora songs, which are performed the night following large-scale inter-community pig kills, called dawa. While women sing sago songs by themselves, men sing their ceremonial songs in groups of paired men. Women also have their own ceremonial versions of such songs. The songs are memorial in intent; they are designed to commemorate the lives of men who are no longer living. Most commonly they do so by naming the places the deceased inhabited during his lifetime. These song texts and translations are introduced by Weiner. Ethnomusicologist Don Niles then brings together information about each type of song and considers these Foi genres in relation to those of neighbouring groups, highlighting aspects of regional performance styles. Consideration is also given to the poetic devices used in Papua New Guinea songs. Eighteen recordings illustrating the Foi genres discussed in this book are available for download. It remains uncertain how such songs may be affected by the major oil extraction project that has been undertaken in the region for more than two decades. This book will interest students of anthropology, ethnomusicology, linguistics, verbal art, aesthetics, and cultural heritage.

The Song of Songs is the only book of the Bible to privilege the voice of a woman, and its poetry of love and eroticism also bears witness to violence. How do the contemporary #MeToo movement and other movements of protest and accountability renew questions about women, gender, sex, and the problematic of the public at the heart of this ancient poetry? This edited volume seeks to reinvigorate feminist scholarship on the Song by exploring diverse contexts of reading, from Akkadian love lyrics, to Hildegard of Bingen, to Marc Chagall.

Have you experienced loss in your career, finances, or relationships? After twenty-one years as a thriving wife and mother, Holly Ruddock found herself starting over. Her family lost their business, their home, and their cars. Her ministry as a public speaker was buried. All purpose seemed gone. Surrounded by the rubble of an old life, she delved into her broken dreams and found the secret of a servant's heart. She discovered that finding Life in Your Losses started with exactly what she had, nothing. Intimately familiar with life's difficulties, Holly openly describes her emotions of humility and emptiness and shares how those trials became the means to her success, to living the fulfilling life of a giving servant that Christ has called his followers to. Holly gives clear examples of servants in the Bible who gave willingly out of their wreckage and how they found joy through their sacrifice of love. Discover how to finding meaning in loss, purpose in emptiness in Life in Your Losses.

The first comprehensive history of the pietistic movement that shaped modern Judaism This is the first comprehensive history of the pietistic movement that shaped modern Judaism. The book’s unique blend of intellectual, religious, and social history offers perspectives on the movement’s leaders as well as its followers, and demonstrates that, far from being a throwback to the Middle Ages, Hasidism is a product of modernity that forged its identity as a radical alternative to the secular world. Hasidism originated in southeastern Poland, in mystical circles centered on the figure of Israel Ba'al Shem Tov, but it was only after his death in 1760 that a movement began to spread. Challenging the notion that Hasidism ceased to be a creative movement after the eighteenth century, this book argues that its first golden age was in the nineteenth century, when it conquered new territory, won a mass following, and became a mainstay of Jewish Orthodoxy. World War I, the Russian Revolution, and the Holocaust decimated eastern European Hasidism. But following World War II, the movement enjoyed a second golden age, growing exponentially. Today, it is witnessing a remarkable renaissance in Israel, the United States, and other countries around the world. Written by an international team of scholars, Hasidism is a must-read for anyone seeking to understand this vibrant and influential modern Jewish movement.

When the truth comes out, can their love cross the centuries, or will it be lost in time? COME BACK TO ME: Megan Miller has come to a crossroads in her career. Accusations of a breach of ethics in her university teaching have rocked her world. As she travels halfway across the world to the Glastonbury rock festival to research and complete her doctoral thesis, she hopes that the mess she leaves behind in Australia will be sorted while she is in England. Davy Morgan, the reclusive rock singer, tries to keep his music world and his private life separate; his very existence depends on it. But when the beautiful, fey woman turns up at the cottage next door, he must do all he can to keep his dark secret. Because everything is not as it seems in Davy's world. FOLLOW ME Beth McLaren knows that her great aunt’s cottage holds the key to the mystery that has been a family secret since she was a child. Determined to discover if what she has read in Great Aunt Alice’s diary is true, Beth travels halfway across the world to Glastonbury to solve the mystery. Silas Rogers, an eccentric musician who moves into the cottage, is equally determined to keep Beth from knowing the truth… and keep her from danger. The last thing he expected was to fall in love. But when Beth finds herself in the fifteenth century… can she trust that Silas will find her and get her home? FINDING HOME Alice McLaren is a traveller . . . but her travels must remain a secret. Now that she has no one of her own, she leaves London during the Blitz to move to her family’s cottage in Somerset. Alice plans to take evacuated children from London and care for them in the country. However, her travels take her much further than she anticipates, away to a safer place far from the war and the incessant bombing. When she meets and falls in love with Branton, Alice is torn. There is a child to be rescued, and Alice is the only one who can save Amelia Adnum. She must choose between Branton and taking the lost child home safely. As circumstances change, Alice must make a decision that could change many lives. Branton knows Alice holds a secret, but he cannot understand why she refuses to stay with him. He cannot bear to lose her, but can Branton convince Alice that their love will endure, no matter what? THE THREADS THAT BIND Lucy McLaren went back to her family name after she and her long-term partner split. The McLaren family history and their cottage in Somerset in England drew her inexorably to the past and gave it an importance that she was unable—or perhaps, unwilling— to explain. As her daughter, Beth grew older and began to question the past, and Lucy's relationship floundered, she knew the only way to save her sanity, and justify her actions to her daughter, was to go back and seek out the man she had fallen in love with many years ago. Could she tell her daughter that her whole life had been a lie? And will the love of her life still be there when Lucy returns to the nineteenth century?

The public image of Alaska for those who live elsewhere tends to be bound up with the outdoors. But while that’s not necessarily false, it’s a far from complete picture. This collection of stories shows us what we’re missing: set in Alaska’s cities and suburbs, homes and back roads, cars and kitchens and bedrooms, it offers not tales of adventures, but quietly powerful psychological dramas, introspective explorations of the private triumphs and failures of personal life played out in an extraordinary place. Jean Anderson delicately balances the lyrical and the experimental to tell the stories of hardworking Alaskans—teachers, laborers, dental hygienists, artists—worrying over fairness and equity and meaning, falling in and out of love, and pondering elusive, long-dreamed-of goals. Powered by a rich empathy, Human Being Songs shows us life in Alaska as it’s actually lived today—its successes, failures, and moments of transcendent beauty.

During this period estrada - which includes comedy, literary readings, and circus arts as well as popular song - saw the birth of tangos, foxtrots, waltzes, and big bands. MacFadyen shows how a nomadic art form survived the pressures of business before the 1917 Revolution and those of politics afterwards.

A beautifully written time travel love story. A romance that mixes the suspense and implications of time travel. From award winning author Annie Seaton, this romance over time will warm your heart. Megan Miller has come to a crossroads in her career. Accusations of a breach of ethics in her university teaching have rocked her world. As she travels halfway across the world to the Glastonbury rock festival to research and complete her doctoral thesis, she hopes that the mess she leaves behind in Australia will be sorted while she is in England. Davy Morgan, reclusive rock singer, tries to keep his music world and his private life separate; his very existence depends on it. But when the beautiful, fey woman turns up at the cottage next door, he must do all he can to keep his dark secret. Because everything is not as it seems in Davy's world. When the truth comes out, can their love cross the decades, or will it be lost in time?

This volume brings together essays on songs and politics in the region of Eastern Africa and beyond. The theme that cuts across the contributions is that songs are, in addition to their aesthetic appeal, vital tools for exploring how political and social events are shaped and understood by citizens. Urbanization, commercialization and globalization contributed to the vibrancy of East African popular music of the 1990s. It was a product of social processes inseparable from society, politics, and other critical issues of the day. The lyrics explored socials cosmology, world views, class and gender relations, interpretations of value systems, and other political, social and cultural practices, even as they entertained and provided momentary escape for audience members. Frustration, disenchantments, and emotional fatigue resulting from corrupt and dictatorial political systems that stifle the potential of citizens drove and still drive popular music in Eastern Africa as in most of Africa.

Best known as the composer (with lyricist Hal David) of such 1960s hits as Dionne Warwick's "Walk On By," Dusty Springfield's "The Look of Love," and the Carpenters' "Close to You," Burt Bacharach wrote the music for over 700 published songs, which have been recorded by some 2,000 artists - from Frank Sinatra and Elvis Presley to the Beatles and the Supremes. Song By Song is a witty, cheeky song-by-song journey through Bacharach's vast recorded oeuvre, from Nat "King" Cole's little-known 1952 version of 'Once in a Blue Moon" to Burt's recent collaborations with Elvis Costello, Lyle Lovett and Chicago.