A history of acoustics from the 19th century to the present, written by one of the pre-eminent members of the acoustical community. The book is both a review of the major scientific advances in acoustics as well as an account of famous acousticians and their discoveries, taking in the development of the Acoustical Society of America. Acoustics is distinguished by its interdisciplinary nature and the book duly explores the fields development in its relationship to other sciences. In addition to covering the history of acoustics, the book concludes with the future of acoustics. Beautifully illustrated.

This pioneering work in Canadian pop music criticism analyses the work of some of the country's most acclaimed musicians, winners of national and international awards and recognition. Marco Adria examines the songs of eight Canadian artists who belong to pop music's literati--singer-songerwriters whose work reflects considerable refinement and taste. Gordon Lightfoot, Leonard Cohen, Neil Young, Joni Mitchell, Bruce Cockburn, Murray McLaughlan, Jane Siberry and k.d. lang are all artists with considerable insight both in Canada and abroad. Individual chapters on each offer thoughtful accounts of their careers and their achievements as interpreters of contemporary popular culture. Music of our Times presents new insights and new understandings of Canada's most acclaimed musicians.

This book is an English re-writing of the original Hebrew edition, published by Dvir Publishing House, in 2007, and written jointly with the late Herzl Shmueli. The book probes into the nature and quality of the beauty and meaning of music. According to the authors, these have to be found within the musical phenomena themselves and serve as the basis for the aesthetical criteria of all music. They maintain that similar to every linguistic phenomena, music is a message in sound that moves, within a certain time limit, from musician to listener. The musician on the one hand, and the listener on the other, are the two focal points between which the musical process takes place. Music is thus a covenant between the musician and the listener. One sends the musical message, the other takes it up and internalizes it; one is the initiator, the other proves the successful outcome of the artistic process. The book is intended for music connoisseurs and for all who are intersted in artistic thought, in general, and in musical thoughts in particular. Every professional concept that had to be included in the book is duly explained, so that any interested reader is able to broaden the scope of his/her outlook.

Reprint of the original, first published in 1875.

For virtually all of our lives, we are surrounded by music. From lullabies to radio to the praises sung in houses of worship, we encounter music at home and in the street, during work and in our leisure time, and not infrequently at birth and death. But what is music, and what does it mean to humans? How do we process it, and how do we create it? Musician Leo Samama discusses these and many other questions while shaping a vibrant picture of music's importance in human lives both past and present. What is remarkable is that music is recognised almost universally as a type of language that we can use to wordlessly communicate. We can hardly shut ourselves off from music, and considering its primal role in our lives, it comes as no surprise that few would ever want to. Able to transverse borders and appeal to the most disparate of individuals, music is both a tool and a gift, and as Samama shows, a unifying thread running throughout the cultural history of mankind.

The history of Jews from the period of the Second Temple to the rise of Islam. From 'A History of the Mishnaic Law of Appointed Times, Part 1' This volume introduces the sources of Judaism in late antiquity to scholars in adjacent fields, such as the study of the Old and New Testaments, Ancient History, the ancient Near East, and the history of religion. In two volumes, leading American, Israeli, and European specialists in the history, literature, theology, and archaeology of Judaism offer factual answers to the two questions that the study of any religion in ancient times must raise. The first is, what are the sources -- written and in material culture -- that inform us about that religion? The second is, how have we to understand those sources in reconstructing the history of various Judaic systems in antiquity. The chapters set forth in simple statements, intelligible to non-specialists, the facts which the sources provide. Because of the nature of the subject and acute interest in it, the specialists also raise some questions particular to the study of Judaism, dealing with its historical relationship with nascent Christianity in New Testament times. The work forms the starting point for the study of all the principal questions concerning Judaism in late antiquity and sets forth the most current, critical results of scholarship.