When this book first appeared in 1996, it was “Pottery 101,” a basic introduction to the subject. It served as an art book, a history book, and a reference book, but also fun to read, beautiful to look at, and filled with good humor and good sense. After twenty years of faithful service, it’s been expanded and brought up-to-date with photographs of more than 1,600 pots from more than 1,600 years. It shows every pottery-producing group in the Southwest, complete with maps that show where each group lives. Now updated, rewritten, and re-photographed, it's a comprehensive study as well as a basic introduction to the art.

Native American pottery of the U.S. southwest has long been considered collectible and today can fetch many thousands of dollars per piece. Authors, collectors, and dealers Carol and Allen Hayes provide readers with a concise overview of the pottery of the southwest, from its origins in the Bastketmaker period (around 400 AD) to the Spanish entrada (1540 AD-1879 AD) to today's new masters. Readers will find dozens of color images depicting pottery from the Zuni, Hopi, Anasazi, and many other peoples. Maps help readers identify where these master potters and their peoples lived (i.e. the Pueblo a tribal group or area). Pottery of the Southwest will serve as a useful introduction as well as a lovely guide for enthusiasts.

Covering nearly a thousand years of southwestern prehistory and history, this volume brings together the best of current research to illustrate the variation in the organization of ceramic production evident in this single geographic area.

The decorative art of the Indians of the American Southwest has long been recognized as one of the most beautiful art traditions in the primitive world. It demonstrates a technical skill with simple materials, a symbolic richness, and a faculty for creating rich effects by the imaginative use of ornament that are all almost unique. Museums use Pueblo ceramics for display pieces, and modern artists and crafters have turned eagerly to the handwork of prehistoric Indian women for inspiration and working ideas. Mrs. Dorothy Sides, a noted artist and collector, has gathered together and redrawn in black and white nearly 300 examples of the finest authentic Southwestern Indian decoration that she has seen in a lifetime of study. She has not limited her selection to one period or style, however; to make her book as useful as possible, she has selected material ranging from the thirteenth century great geometric art of the Pueblos to the handcrafts carried on by the nomadic and Pueblo peoples of the present. The main emphasis of this volume is on ceramic decoration, and Mrs. Sides includes pieces from the rich archeological sites of Pecos, Sikyatki, the Mimbres, and modern Pueblo pottery from Acoma, Zuni, Cochiti, and the Hopi. She also includes designs and motifs from the basketry of the Apache, Pima, and Papago; beadwork from the Mohave; authentic Zuni masks; Hopi kachina dolls; and sand paintings and blanket designs from the Navajo. This broad coverage of beautiful ornament illustrates many different art styles to fit every situation: geometric designs based upon balanced mirror fields of design, symbolic figures of the thunderbird, and modern stylizations. All is beautiful and imaginative. Any crafter working with ceramics will find this book indispensable as a source of rich, easily used, powerful design; workers in wood, weavers, metal workers, and leather workers will find that it will enlarge their decorative resources considerably. It also offers unusual and eye-catching designs for commercial artists who wish to do work suggesting travel, handcrafts, the Southwest, or the social sciences. Individual drawings are royalty-free and may be reproduced without fee or permission. "Worthy of an honored place in the library of aboriginal American art." — F. H. Hodge, Director, Southwestern Museum.

Regional approaches to the study of prehistoric exchange have generated much new knowledge about intergroup and regional interaction. The American South west and Mesoamerica: Systems of Prehistoric Exchange is the first of two volumes that seek to provide current information regarding regional exchange on a conti nental basis. From a theoretical perspective, these volumes provide important data for the comparative analysis of regional systems relative to sociopolitical organization from simple hunter-gatherers to those of complex sociopolitical entities like the state. Although individual regional exchange systems are unique for each region and time period, general patterns emerge relative to sOciopolitical organization. Of significant interest to us are the dynamic processes of change, stability, rate of growth, and collapse of regional exchange systems relative to sociopolitical complexity. These volumes provide basic data to further our under standing of prehistoric exchange systems. The volume presents our current state of knowledge about regional exchange systems in the American Southwest and Mesoamerica. Each chapter synthesizes the research findings of a number of other researchers in order to provide a synchronic view of regional interaction for a specific chronological period. A diachronic view is also prOvided for regional interaction in the context of the developments in regional SOciopolitical organization. Most authors go beyond description by proposing alternative models within which to understand regional interaction. The book is organized by geographical and chronological divisions to pro vide units of the broader mosaic of prehistoric exchange systems.

The famous and highly sought-after Mimbres painted pottery in southwestern New Mexico continues to fascinate people today as much as it did when it first became known more than a century ago. Despite several publications promoting Mimbres archaeology and innumerable analyses of style, dating, iconography, meaning, identity, use wear, and trade and travel implications, however, there had been little interest in the actual production of Mimbres pottery. This changed with the professional investigations of the 1970s when petrographic analysis began, and then again, in the late 1980s and 1990s, when Instrumental Neutron Activation Analysis (INAA) was first employed in the study of Mimbres pottery production and distribution. The Production and Distribution of Mimbres Pottery assesses a much-expanded INAA data set and presents a new and more-informed interpretation of ceramic production and distribution in the Mimbres region. The results should guide future research in the region and will also serve as an example of how INAA data can help students and scholars understand many other interrelated aspects of prehistoric Mimbres society in addition to Mimbres pottery production.

A fascinating exploration of the rich artistic heritage and beauty of Casas Grandes ceramics

The peoples of the American Southwest during the 13th through the 17th centuries witnessed dramatic changes in settlement size, exchange relationships, ideology, social organization, and migrations that included those of the first European settlers. Concomitant with these world-shaking events, communities of potters began producing new kinds of wares—particularly polychrome and glaze-paint decorated pottery—that entailed new technologies and new materials. The contributors to this volume present results of their collaborative research into the production and distribution of these new wares, including cutting-edge chemical and petrographic analyses. They use the insights gained to reflect on the changing nature of communities of potters as they participated in the dynamic social conditions of their world.

Archaeologists seldom study ancient art, even though art is fundamental to the human experience. The Archaeology of Art in the American Southwest argues that archaeologists should study ancient artifacts as artwork, as applying the term 'art' to the past raises new questions about artists, audiences, and the works of art themselves. Munson proposes that studies of ancient artwork be based on standard archaeological approaches to material culture, framed by theoretical insights of disciplines such as art history, visual studies, and psychology. Using examples drawn from the American Southwest, The Archaeology of Art in the American Southwest discusses artistic practice in ancestral Pueblo and Mimbres ceramics and the implications of context and accessibility for the audiences of painted murals and rock art. Studies of Hohokam figurines and rock art illustrate methods for studying ancient images, while the aesthetics of ancient art are suggested by work on ceramics and kivas from Chaco Canyon. This book will be of interest to archaeologists working in the Southwest who want to broaden their perspective on the past. It will also appeal to archaeologists in other parts of the world and to anthropologists, art historians, and those who are intrigued by the material world, aesthetics, and the visual.