Henry Irving (1838-1905), the first actor to be knighted, dominated the theatre in Britain and beyond for over a quarter of a century. As an actor, he was strikingly different with his idiosyncratic pronunciation, his somewhat ungainly physique, and his brilliant psychological portrayals of virtue and villainy. As a director of spectacular, and commercially driven, entertainments, Irving anticipated Hollywood directors from D.W. Griffith to Stephen Spielberg. And as manager of the Lyceum Theatre, where audiences included the leading public figures of the day, he controlled every aspect of the performance. This collection of essays by leading theatre scholars explores each element of Irving's art: his acting, his contribution to the plays he commissioned, his flair for the stage picture, and his ear for incidental music. Like Wagner, Irving was a proponent of a holistic approach to the stage, that is, blending together acting, painting, music, and architecture to create harmonious, balanced, and artistic theatre. Irving emerges not only as the peer of such eminent contemporaries as Tennyson, Sullivan, Shaw, and Burne-Jones, but also as a powerful influence on the twentieth-century theatre.

Memory: Neuropsychological, Imaging and Psychopharmacological Perspectives reviews critically the impact of recent neuropsychological and biological discoveries on our understanding of human memory and its pathology. Too often, insights from clinical, neurological and psychopharmacological fields have remained isolated and mutually unintelligible. Therefore the first part of this book provides both clinicians and neuroscientists with a broad view of the neuropsychology of memory, and the psychobiological processes it involves, including recent advances from imaging technology and psychopharmacology research. In the second part the authors go on to cover a comprehensive range of memory assessments, dysfunctions, impairments and treatments. This compendium of current research findings will prove an invaluable resource for anyone studying, researching or practising in the field of memory and its disorders.

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Harry Furniss illustrated the complete works of Charles Dickens and William Makepeace Thackeray, as well as the Lewis Carroll's novel Sylvie and Bruno. Furniss wrote and illustrated twenty-nine books of his own, including Some Victorian Men and Some Victorian Women and illustrated thirty-four works by other authors. His two-volume autobiography, titled The Confessions of a Caricaturist was published in 1902, and an additional volume of personal recollections and anecdotes, Harry Furniss At Home, was published in 1904. Contents: Confessions of My Childhood – and After Bohemian Confessions My Confessions as a Special Artist The Confessions of an Illustrator – a Serious Chapter A Chat between My Pen and Pencil Parliamentary Confessions "Punch" The Artistic Joke Confessions of a Columbus Australia Platform Confessions My Confessions as a "Reformer" The Confessions of an Editor

Harry Furniss illustrated the complete works of Charles Dickens and William Makepeace Thackeray, as well as the Lewis Carroll's novel Sylvie and Bruno. Furniss wrote and illustrated twenty-nine books of his own, including Some Victorian Men and Some Victorian Women and illustrated thirty-four works by other authors. His two-volume autobiography, titled The Confessions of a Caricaturist was published in 1902, and an additional volume of personal recollections and anecdotes, Harry Furniss At Home, was published in 1904._x000D_ Contents:_x000D_ Confessions of My Childhood – and After_x000D_ Bohemian Confessions_x000D_ My Confessions as a Special Artist_x000D_ The Confessions of an Illustrator – a Serious Chapter_x000D_ A Chat between My Pen and Pencil_x000D_ Parliamentary Confessions_x000D_ "Punch"_x000D_ The Artistic Joke_x000D_ Confessions of a Columbus_x000D_ Australia_x000D_ Platform Confessions_x000D_ My Confessions as a "Reformer"_x000D_ The Confessions of an Editor