Harry Furniss illustrated the complete works of Charles Dickens and William Makepeace Thackeray, as well as the Lewis Carroll's novel Sylvie and Bruno. Furniss wrote and illustrated twenty-nine books of his own, including Some Victorian Men and Some Victorian Women and illustrated thirty-four works by other authors. His two-volume autobiography, titled The Confessions of a Caricaturist was published in 1902, and an additional volume of personal recollections and anecdotes, Harry Furniss At Home, was published in 1904. Contents: Confessions of My Childhood – and After Bohemian Confessions My Confessions as a Special Artist The Confessions of an Illustrator – a Serious Chapter A Chat between My Pen and Pencil Parliamentary Confessions "Punch" The Artistic Joke Confessions of a Columbus Australia Platform Confessions My Confessions as a "Reformer" The Confessions of an Editor

Harry Furniss illustrated the complete works of Charles Dickens and William Makepeace Thackeray, as well as the Lewis Carroll's novel Sylvie and Bruno. Furniss wrote and illustrated twenty-nine books of his own, including Some Victorian Men and Some Victorian Women and illustrated thirty-four works by other authors. His two-volume autobiography, titled The Confessions of a Caricaturist was published in 1902, and an additional volume of personal recollections and anecdotes, Harry Furniss At Home, was published in 1904._x000D_ Contents:_x000D_ Confessions of My Childhood – and After_x000D_ Bohemian Confessions_x000D_ My Confessions as a Special Artist_x000D_ The Confessions of an Illustrator – a Serious Chapter_x000D_ A Chat between My Pen and Pencil_x000D_ Parliamentary Confessions_x000D_ "Punch"_x000D_ The Artistic Joke_x000D_ Confessions of a Columbus_x000D_ Australia_x000D_ Platform Confessions_x000D_ My Confessions as a "Reformer"_x000D_ The Confessions of an Editor

Reproduction of the original: The Confessions of A Caricaturist by Harris Furniss

Best known today as the illustrator of Lewis Carroll's Alice books, John Tenniel was one of the Victorian era's chief political cartoonists. This extensively illustrated book is the first to draw almost exclusively on primary sources in family collections, public archives, and other depositories. Frankie Morris examines Tenniel's life and work, producing a book that is not only a definitive resource for scholars and collectors but one that can be easily enjoyed by everyone interested in Victorian life and art, social history, journalism and political cartoons, and illustrated books. In the first part of the book, Morris looks at Tenniel the man. From his sunny childhood and early enthusiasm for sports, theatre, and medievalism to his flirtation with high art and his fifty years with the London journal Punch, Tenniel is shown to have been the sociable and urbane humorist revealed in his drawings. Tenniel's countrymen thought his work would embody for future historians the 'trend and character' of Victorian thought and life. Morris assesses to what extent that prediction has been fulfilled. The biography is followed by three sections on Tenniel's work, consisting of thirteen independent essays in which the author examines Tenniel's methods and his earlier book illustrations, the Alice pictures, and the Punch cartoons. For lovers of Alice, Morris offers six chapters on Tenniel's work for Carroll. These reveal demonstrable links with Christmas pantomimes, Punch and Judy shows, nursery toys, magic lanterns, nineteenth-century grotesques, Gothic revivalism, and social caricatures. Morris also demonstrates how Tenniel's cartoons depicted the key political questions of his day, from the Eastern Question to Lincoln and the American Civil War, examining their assumptions, devices, and evolving strategies. The definitive study of both the man and the work, Artist of Wonderland gives an unprecedented view of the cartoonist who mythologized the world for generations of Britons.

Author of the enduringly popular Alice books, mathematician, Anglican cleric, and pioneer photographer, Lewis Carroll maintained a lifelong enthusiasm for the theatre. Lewis Carroll and the Victorian Stage is the first book to focus on Carroll's irresistible fascination with all things theatrical, from childhood charades and marionettes to active involvement in the dramatisation of Alice, influential contributions to the debate on child actors, and the friendship of leading players, especially Ellen Terry. As well as being a key to his complex and enigmatic personality, Carroll's interest in the theatre provides a vivid account of a remarkable era on the stage that encompassed Charles Kean's Shakespeare revivals, the comic genius of Frederick Robson, the heyday of pantomime, Gilbert and Sullivan, opera bouffe, the Terry sisters, Henry Irving, and favourite playwrights Tom Taylor, H. A. Jones, and J. M. Barrie. With attention to the complex motives that compelled Carroll to attend stage performances, Foulkes examines the incomparable record of over forty years as a playgoer that Carroll left for posterity.