In this unprecedented work on the status and role of intellectuals in Soviet political life, a former Soviet sociologist maps out the delicate, often paradoxical, ties between the political regime and the creative thinkers who play a major part in the movement toward modernization. Beginning with Stalin, Vladimir Shlapentokh explores the mutual need and antagonism that have existed between political leaders and intellectuals. What emerges is a fascinating portrayal of the Soviet intellectual network since the 1950s, which touches on such topics as the role of literature and film in political opposition, levels of opposition (open, legal, and private), and the spread of paranoia as fueled by the KGB. Throughout he shows how the intellectual communityusually a cohesive, liberal grouphas fared under Khrushchev's cautious tolerance, Brezhnev's repressions, and now Gorbachev's Glasnost. Shlapentokh maintains, however, that under Glasnost freer speech has revealed a more pronounced divergence between liberal and conservative thinkers, and has allowed for open conservative opposition to the reformatory measures of Gorbachev and the liberals. He argues that one of the strongest checks on reform is the growing presence of Russophilism--a movement supporting Russian nationalism and Stalin's concept of socialism--among the political elite and the masses. Although the role of the liberal intellectuals in the late 1980s was less prominent than it was in the 1960s, Shlapentokh asserts that they remain the major agent of modernization in the Soviet Union, as well as in other socialist countries. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This essay, first published in 1980, analyses the relationship between intellectuals’ social locations and their political orientations. Dr Brym provides a critical discussion of the various sociological views of intellectuals and specifies some of the social conditions which encourage intellectuals to follow various directions on the political compass. He also demonstrates that intellectuals are neither socially rootless nor tied to one particular class or group within society, concluding that it is only by an analysis of intellectuals’ mobility patterns that we can hope to arrive at an adequate understanding of their politics. Clearly written, and assuming only a basic grounding in sociological theory, this book will thus be of special interest to students of political sociology, social movements, the sociology of knowledge, the sociology of culture and the sociology of intellectuals.

`To understand this singular man, the reader can do no better than to turn to Archie Brown's astute and lucid book. There have been several excellent works on Mr Gorbachev ... but none examines the subject as thoroughly as this volume ... a rich study, as impressive in its sweep as in its details.' Abraham Brumberg, New York Times `Archie Brown's book is not only a richly researched, easily readable biography of Gorbachev himself. It should be studied at once in every diplomatic service worthy of the name, starting with our own Foreign Office.' Michael Foot, Evening Standard `Archie Brown has mastered the material and met the people ... he writes with a historical perspective unavailable to authors of the instant biographies which appeared while Gorbachev was in power.' Rodric Braithwaite, Financial Times `Archie Brown's closely reasoned book ... makes a better case for Gorbachev's record as a reformer than Gorbachev's own memoirs ... the most thorough exposition of Gorbachev's domestic political record yet to appear.' Jack F. Matlock, Jr, New York Review of Books `This Oxford don, for years one of the world's most talented Kremlinologists, has already found the memoirs, documents and interviews that allow him to provide a remarkably detailed and authoritative account of the key moments in Gorbachev's career.' Robert G. Kaiser, Washington Post `It is hard to come away from this admirable book without an affection for Gorbachev's insistence on peaceful change, his willingness to let Eastern Europe go and his determination to nurture a pluralist culture.' Nick Cohen, Observer `Brown's latest book is the product of many years of intensive research: it proves to be the most detailed and revealing study of the man who revolutionised the USSR. Excellent.' Good Book Guide

Seven Russian Archetypes is a description of seven seminal Russian figures: the Victim (zhertva), the Fool (iurodivyi), the Rebel or the Bandit (buntar’ ili razboinik), the Wanderer (strannik), the Mother (mat’), the Peasant (muzhik), and the Intellectual (intelligent). Drawing from Russian history, folklore, literature, visual arts, and religion, these seven profiles are analyzed and presented in vivid and evocative detail. The seven portraits help to explain the Russian character and especially the groundedness of Russian culture in Orthodox Christianity. Many experts on Russian politics, business and culture, as well as admirers of Russian spirituality are aware of different features, both favorable and condescending, which display Russian mentality and temperament such as paternalism, messianism, collectivism, poor ability for self-organization, dogmatism, tendency toward asceticism and the penchant to bear suffering, radicalism, and inclination to extremes. From an external point of view, this is all accurate to a certain extent; nevertheless, these features explain neither the origin nor motivation behind the most evident behavioral manifestations. The more profound characteristics can be found only on the level of internal representations, which can best be revealed in symbols and archetypal characters. Seven Russian Archetypes explains these fundamental Russian symbols.

The present age of omnipresent terrorism is also an era of ever-expanding policing. What is the meaning — and the consequences — of this situation for literature and literary criticism? Policing Literary Theory attempts to answer these questions presenting intriguing and critical analyses of the interplays between police/policing and literature/literary criticism in a variety of linguistic milieus and literary traditions: American, English, French, German, Japanese, Korean, Russian, and others. The volume explores the mechanisms of formulation of knowledge about literature, theory, or culture in general in the post-Foucauldian surveillance society. Topics include North Korean dictatorship, spy narratives, censorship in literature and scholarship, Russian and Soviet authoritarianism, Eastern European cultures during communism, and Kafka’s work. Contributors: Vladimir Biti, Reingard Nethersole, Călin-Andrei Mihăilescu, Sowon Park, Marko Juvan, Kyohei Norimatsu, Péter Hajdu, Norio Sakanaka, John Zilcosky, Yvonne Howell, and Takayuki Yokota-Murakami.

In this thought-provoking study, Ali Mirsepassi explores the concept of modernity, exposing the Eurocentric prejudices and hostility to non-Western culture that have characterized its development. Focusing on the Iranian experience of modernity, he charts its political and intellectual history and develops a new interpretation of Islamic Fundamentalism through the detailed analysis of the ideas of key Islamic intellectuals. The author argues that the Iranian Revolution was not a simple clash between modernity and tradition but an attempt to accommodate modernity within a sense of authentic Islamic identity, culture and historical experience. He concludes by assessing the future of secularism and democracy in the Middle East in general, and in Iran in particular. A significant contribution to the literature on modernity, social change and Islamic Studies, this book will be essential reading for scholars and students of social theory and change, Middle Eastern Studies, Cultural Studies and many related areas.

Contemporary Soviet Government (1975) is a leading study of the practice of Soviet government, examined against a background of Soviet Marxism. It presents an analysis of the Soviet political system since the death of Stalin, and places considerable emphasis on the role of state, as distinct from Party, organisations – as the author contends that these are more important than commonly realised in the West.