How has Berlin’s urban landscape changed in its remarkable transformation from divided city to creative capital? Despite the monumental heritage and grand development projects, Berlin still conjures up images of urban fragmentation and vacant inner-city land. The book reveals the changing nature and complex politics of this open space. A rephotographing of sites between 2001 and 2016 shows how no man’s land has made way for new apartments and underground hangouts have changed into commercial hubs, but it also transports us to remaining pockets of urban wilderness and unexpected freedom right next to the city’s most iconic squares. The accompanying essays by noted urban thinkers explore this little-known but vital reserve—forcing us to reflect on our unrelenting efforts to chart the future of the city at large.

Structures and Architecture. A Viable Urban Perspective? contains extended abstracts of the research papers and prototype submissions presented at the Fifth International Conference on Structures and Architecture (ICSA2022, Aalborg, Denmark, 6-8 July 2022). The book (578 pages) also includes a USB with the full texts of the papers (1448 pages). The contributions on creative and scientific aspects in the conception and construction of structures as architecture, and on the role of advanced digital-, industrial- and craft -based technologies in this matter represent a critical blend of scientific, technical, and practical novelties in both fields. Hence, as part of the proceedings series Structures and Architecture, the volume adds to a continuous exploration and development of the synergetic potentials of the fields of Structures and Architecture. With each volume further challenging the conditions, problems, and potentials related to the art, practice, and theory of teaching, researching, designing, and building structures as vehicles towards a viable architecture of the urban environment. The volumes of the series appear once every three years, in tandem with the conferences organized by the International Association of Structures and Architecture and are intended for a global readership of researchers, practitioners, and students, including architects, structural and construction engineers, builders and building consultants, constructors, material suppliers, planners, urban designers, anthropologists, economists, sociologists, artists, product manufacturers, and other professionals involved in the design and realization of architectural, structural, and infrastructural projects.

Does 'participatory' art and architecture shape social reality, or is it shaped by it? Shifting the ground of this debate, which tends to assume one or other direction of influence, this innovative book explores the inherently dialectic relationship between society and the built environment. At the same time, it strives for a historically conscious discussion of a very contemporary issue. Chapters rethink the top-down model of participation and audience activation of high modernism, from Alexander Dorner's immersive museum to Mies van der Rohe's 'room(s) for play'; investigate participation in spaces under political pressure, from exhibitions in bombed-out buildings in besieged Sarajevo (1992-5) to the art and organizing of revolution in Egypt (2012-13); draw historical parallels between modes of participation and the exercise of power that are seldom compared with one another, from sites of occupation in 1968 Mexico and 2011 Spain; finally creating links between cartography and feminism and between tourism and internet surveillance. With these juxtapositions of the aesthetic and the everyday, and the built and the mediated, new questions arise: is space formed once and for all, or is it the changeable product of changeable patterns of use? Does the aesthetic always correspond to the political, or might an aesthetically authoritarian space be conducive to social justice? In exploring these questions, this book looks at how participants themselves exert power, rather than being victimised or liberated from it.

On the centenary of the fascist party's ascent to power in Italy, Curating Fascism examines the ways in which exhibitions organized from the fall of Benito Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in exhibitions across the world, and highlights blindspots in art and cultural history, as well as in exhibition practices. Featuring contributions from an international group of art, architectural, design, and cultural historians, as well as journalists and curators, this book treats fascism as both a historical moment and as a major paradigm through which critics, curators, and the public at large have defined the present moment since World War II. It interweaves historical perspectives, critical theory, and direct accounts of exhibitions from the people who conceived them or responded to them most significantly in order to examine the main curatorial strategies, cultural relevance, and political responsibility of art exhibitions focusing on the Fascist period. Through close analysis, the chapter authors unpack the multifaceted specificity of art shows, including architecture and exhibition design; curatorial choices and institutional history; cultural diplomacy and political history; theories of viewership; and constructed collective memory, to evaluate current curatorial practice. In offering fresh new perspectives on the historiography, collective memory, and understanding of fascist art and culture from a contemporary standpoint, Curating Fascism sheds light on the complex exhibition history of Italian fascism not just within Italy but in such countries as the USA, the UK, Germany, and Brazil. It also presents an innovative approach to the growing field of exhibition theory by bringing contributions from curators and exhibition historians, who critically reflect upon curatorial strategies with respect to the delicate subject of fascism and fascist art, into dialogue with scholars of Italian studies and art historians. In doing so, the book addresses the physical and cultural legacy of fascism in the context of the current historical moment.

Global challenges instigated by climate change and urbanisation are driving research seeking appropriate and effective strategies for social, economic, and environmental sustainability. While technical advancements are a major focus for sustainable development, there are important research avenues that explore the relationship of place and sustainability from a number of perspectives. Place-based sustainability research identifies activities and initiatives that need to be layered and integrated with technological advances, but also help drive them. This research can facilitate the well-considered steering of sustainable development and practices, the essence of stewardship of place. This volume of a wide range of research and design approaches by a diverse group of authors of various disciplines reveals new perspectives on the relationship of the culture of place and sustainability. The central narrative that emerges from the chapters of this book is the critical cultural relationship of people to their environment, both built and natural. The authors delve into this relationship and see new approaches to support our awareness and appreciation of the nature of our cities and countryside as an integral ecosystem, thereby having the potential to nurture social values and political will for increasing our sustainable practices and resilience. The authors extend to us pathways for stewardship of our cities and countryside that are essential if we are to contend with the serious challenges provoked by our changing climate and the continuing urbanisation of the world’s population.

Although race—a concept of human difference that establishes hierarchies of power and domination—has played a critical role in the development of modern architectural discourse and practice since the Enlightenment, its influence on the discipline remains largely underexplored. This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has intimately shaped some of the key concepts of modern architecture and culture over time, including freedom, revolution, character, national and indigenous style, progress, hybridity, climate, representation, and radicalism. By analyzing how architecture has intersected with histories of slavery, colonialism, and inequality—from eighteenth-century neoclassical governmental buildings to present-day housing projects for immigrants—Race and Modern Architecture challenges, complicates, and revises the standard association of modern architecture with a universal project of emancipation and progress.

The Routledge Companion to Critical Approaches to Contemporary Architecture convenes a wide array of critical voices from architecture, art history, urbanism, geography, anthropology, media and performance studies, computer science, bio-engineering, environmental studies, and sociology that help us understand the meaning and significance of global architecture of the twenty-first century. New chapters by 36 contributors illustrated with over 140 black-and-white images are assembled in six parts concerning both real and virtual spaces: design, materiality, alterity, technologies, cityscapes, and practice.

In this thesis, the Heisenberg-Pauli-Weyl uncertainty principle on the real line and the Breitenberger uncertainty on the unit circle are generalized to Riemannian manifolds. The proof of these generalized uncertainty principles is based on an operator theoretic approach involving the commutator of two operators on a Hilbert space. As a momentum operator, a special differential-difference operator is constructed which plays the role of a generalized root of the radial part of the Laplace-Beltrami operator. Further, it is shown that the resulting uncertainty inequalities are sharp. In the final part of the thesis, these uncertainty principles are used to analyze the space-frequency behavior of polynomial kernels on compact symmetric spaces and to construct polynomials that are optimally localized in space with respect to the position variance of the uncertainty principle.

The selected papers of this volume cover five main topics, namely ‘Certainty: The conceptual differential’; ‘(Un)Certainty as attitudinality’; ‘Dialogical exchange and speech acts’; ‘Onomasiology’; and ‘Applications in exegesis and religious discourse’. By examining the general theme of the communication of certainty and uncertainty from different scientific fields, theoretical approaches and perspectives, this compendium of state-of-the-art research papers provides both an interdisciplinary comparison of the latest investigations, methods and findings, and new advances and theoretical insights with a common focus on human communication.

The ruling communist parties of the postwar Soviet Bloc possessed nearly unprecedented power to shape every level of society; perhaps in part because of this, they have been routinely depicted as monolithic, austere, and even opaque institutions. Communist Parties Revisited takes a markedly different approach, investigating everyday life within basic organizations to illuminate the inner workings of Eastern Bloc parties. Ranging across national and transnational contexts, the contributions assembled here reconstruct the rituals of party meetings, functionaries’ informal practices, intra-party power struggles, and the social production of ideology to give a detailed account of state socialist policymaking on a micro-historical scale.