This collection of thirteen specially commissioned essays by international scholars takes a fresh look at the profound impact of the Peninsular War on Romantic British literature and culture. The expertly authored chapters explore the valorization of Spain by nineteenth-century poets such as Lord Byron, William Wordsworth, Robert Southey, S.T. Coleridge, the Shelleys, and Felicia Hemans in contrast to the Enlightenment-era view of Spain as a backwards nation in decline. Topics discussed include the vision of Spain in Gothic fiction, Spanish experiences of exile as exemplified by the conflict between Valentin de Llanos and Joseph Blanco White, and British women writers' approach to peninsular fiction. Spain in British Romanticism: 1800-1840 is essential reading for scholars and enthusiasts of Romantic literature and Spanish history.

British culture of the Romantic period is distinguished by a protracted and varied interest in things Spanish. The climax in the publication of fictional, and especially poetical, narratives on Spain corresponds with the intense phase of Anglo-Iberian exchanges delimited by the Peninsular War (1808-14), on the one hand, and the Spanish experiment of a constitutional monarchy that lasted from 1820 until 1823, on the other. Although current scholarship has uncovered and reconstructed several foreign maps of British Romanticism - from the Orient to the South Seas - exotic European geographies have not received much attention. Spain, in particular, is one of the most neglected of these 'imaginary' Romantic geographies, even if between the 1800s and the 1820s, and beyond, it was a site of wars and invasions, the object of foreign economic interests relating to its American colonies, and a geopolitical area crucial to the European balance designed by the post-Waterloo Vienna settlement. This study considers the various ways in which Spain figured in Romantic narrative verse, recovering the discursive materials employed in fictional representation, and assessing the relevance of this activity in the context of the dominant themes and preoccupations in contemporary British culture. The texts examined here include medievalizing and chivalric fictions, Orientalist adventures set in Islamic Granada, and modern-day tales of the anti-Napoleonic campaign in the Peninsula. Recovering some of the outstanding works and issues elaborated by British Romanticism through the cultural geography of Spain, this study shows that the Iberian country was an inexhaustible source of imaginative materials for British culture at a time when its imperial boundaries were expanding and its geopolitical influence was increasing in Europe and overseas.

An examination of Spanish America's impact on the British Romantic literary and political imagination.

This diverse volume focuses on British reactions to, and representations of, Spanish affairs during the lively period following the Peninsular War (1814-1823). The essays offer literary, social, historical and cultural perspectives that bring both fresh light to this formative period and a wealth of new scholarly material.

Throughout the Sixteenth, Seventeenth, and Eighteenth centuries, Spain served as a cultural, religious and commercial rival to England. Over the course of those three centuries, a body of anti-Spanish thinking, the Leyenda Negra, or Black Legend, was brought into being in English print culture. The image of the Spaniard as proud, cruel, tyrannical, benighted, and savage was firmly ensconced in the English cultural imagination, and Spain became a predictive imagined geography figuring brutality, repression, and false belief.

. The contributors are Stephen C. Behrendt, Don H. Bialostosky, Jerome Christensen, Richard W. Clancey, Klaus Dockhorn, James Engell, David Ginsberg, Bruce E. Graver, Scott Harshbarger, Theresa M. Kelley, J. Douglas Kneale, John R. Nabholtz, Lawrence D. Needham, Marie Secor, Nancy S. Struever, Leslie Tannenbaum, and Susan J. Wolfson.

In Romanticism and the Anglo-Hispanic Imaginary, the authors assess British Romanticism’s creative and polemical engagements with the Peninsular War, the bid of Spanish American colonies to establish independence with British support, and the impact of travel narratives about Spain and the Americas. The essays analyze questions of language and translation in Anglo-Hispanic literary genealogies, the representation of war and nationalism in poetry, drama, and prose, and the confluence of empire, gender, and authorship in travel narratives. Scholars and students of Romanticism will find in-depth explorations of the relationship between Britain, Spain, and Latin America during the Napoleonic era and its afterlife in cultural memory.

"With the main goal of contributing to a wider understanding of the presence of Spanish literature and culture in British Romanticism, the papers gathered in the volume focus on the instrumental role played by the British periodical press in the Anglo-Spanish literary and cultural exchange in the first half of the nineteenth century. All the chapters bear witness to the contrasting and varied perception of everything Spanish, the different strategies of exploration, appropriation and rewriting of its cultural and literary tradition. Besides, they all reveal the intricate web of cultural, political and religious factors tinging the discourse of British Romantic literary critics and authors on the Spanish cultural capital"--