Colonialism advanced its project of territorial expansion by changing the very meaning of borders and space. The colonial project scripted a unipolar spatial discourse that saw the colonies as an extension of European borders. In his monograph, Mohit Chandna engages with narrations of spatial conflicts in French and Francophone literature and film from the nineteenth to the early twenty-first century. In literary works by Jules Verne, Ananda Devi, and Patrick Chamoiseau, and film by Michael Haneke, Chandna analyzes the depiction of ever-changing borders and spatial grammar within the colonial project. In so doing, he also examines the ongoing resistance to the spatial legacies of colonial practices that act as omnipresent enforcers of colonial borders. Literature and film become sites that register colonial spatial paradigms and advance competing narratives that fracture the dominance of these borders. Through its analyses Spatial Boundaries, Abounding Spaces shows that colonialism is not a finished project relegated to our past. Colonialism is present in the here and now, and exercises its power through the borders that define us.

Proxemic studies concentrate on the structure and organization of space, its design and use, allocation, and the relations encoded in it as aspects of cultural communication. Space is perceived through the senses, and since cultures use the senses differently, they create boundaries differently. Pellow, in her edited collection of boundary studies, focuses on the social conception and production of boundedness. The essays by 10 scholars, eight of them anthropologists, explore the nature of boundaries in terms of change, space and place, society and culture, politics, class, urbanization, housing, and secular and spiritual life.

Cinema and Surveillance: The Asymmetric Gaze shows how key modern filmmakers challenge and disturb the relation between film and surveillance, medium and message. Assembling readings of films by Harun Farocki, Michael Haneke, and Fritz Lang, the book considers surveillance in such different domains as urban life, religious doctrine, and law enforcement. With surveillance present in the modern world as both a technological phenomenon and a social practice, the author shows how cinema, as a visual medium, presents highly sophisticated analyses of surveillance. He suggests that “surveillance” is less an issue to be tackled from a secure spectatorial position than an experience to be rendered, an event to be dealt with. Far from offering a general model of spectatorship, the book explores how narrative moments of surveillance are complicated by specific spectatorial responses. In its intersection of well-known figures and a highly topical issue, this book will have broad appeal, especially, but not exclusively, among students and scholars in film studies, media studies, German studies, European studies, art history, and political theory.

This book shows how Jules Verne’s Around the World in Eighty Days changed the global imagination. Through his novel, the world was converted into a personal itinerary, scaled to the individual traveller and, by extension, to the individual reader. Exploring Verne’s modern legacy, this study shows how subsequent generations of artists and writers took on Around the World in Eighty Days as an adaptable guidebook to the modern world. It investigates how Verne’s work leads its reader beyond the book itself. It considers Verne’s place in world literature, traces some of the many real reenactments of Verne’s itinerary, and recalls the theatrical adaptations of Verne’s story. Published to coincide with the 500th anniversary of the first circumnavigation and the 150th anniversary of Verne’s novel, this book offers new insights into the largely overlooked influence of Verne on twentieth-century literature and culture and on the field of global modernism.

Global Perspectives on Digital Literature: A Critical Introduction for the Twenty-First Century explores how digital literary forms shape and are shaped by aesthetic and political exchanges happening across languages and nations. The book understands "global" as a mode of comparative thinking and argues for considering various forms of digital literature—the popular, the avant-garde, and the participatory—as realizing and producing global thought in the twenty-first century. Attending to issues of both political and aesthetic representation, the book includes a diverse group of contributors and a wide-ranging corpus of texts, composed in a variety of languages and regions, including East and South Asia, parts of Europe, Latin America, North America, Australia, and Western Africa. The book’s contributors adopt an array of interpretive approaches to make visible new connections and possibilities engendered by cross-cultural encounters. Among other topics, they reflect on the shifting conditions for production and distribution of literature, participatory cultures and technological affordances of Web 2.0, the ever-changing dynamics of global and local forces, and fundamental questions, such as, "What do we mean when we talk about literature today?" and "What is the future of literature?"

This book critically examines how borders and boundaries, physical and symbolic, unfold in different geographies and spaces. It aims to understand why they exist and how they are constructed, deconstructed, and reconstructed. The book explores why certain borders/boundaries persist while others are removed, and new ones are erected. It does not focus on one form of border, boundary or geographic location. It shifts its attention to different geographies, borders, and boundaries. It also focuses on intersections between them and how they complete each other. The book provides case studies from the past and present, allowing readers to connect subjects, periods, and geographies. The chapters address classical subjects such as nation-states and tackle novel questions such as ownership against access, that is, of urban infrastructures, COVID-19 and lockdowns, and the divides within digital worlds. The book benefits from visual essays that complement the theoretical and empirical chapters, showing the complexity of the phenomenon in a simple and effective way. The book will be of interest to academics, researchers, and students working in the fields of urban and rural studies, urban sociology, cities and communities, urban and regional planning, urban anthropology, political sciences and migration studies, human geography, cultural geography, urban anthropology, and visual arts.

This volume is an important re-evaluation of space and spatiality in the late Renaissance and early modern period. History of science has generally reduced sixteenth and seventeenth century space to a few canonical forms. This volume gives a much needed antidote. The contributing chapters examine the period’s staggering richness of spatiality: the geometrical, geographical, perceptual and elemental conceptualizations of space that abounded. The goal is to begin to reconstruct the amalgam of “spaces” which co-existed and cross-fertilized in the period’s many disciplines and visions of nature. Our volume will be a valuable resource for historians of science, philosophy and art, and for cultural and literary theorists.

The Miracle! In this book Nicholas presents you a practical, unique, subliminal, very simple, detailed method of how to Carve out Creative Space in a World of Schedules, Budgets, and Bosses. You will feel the effects immediately and the results will appear very quickly! So it was in my case. You will not achieve fulfillment and happiness until YOU become the architect of your own reality. Imagine that with a few moments each day, you could begin the powerful transformation toward complete control of your own life and well being through this unique, subliminal method combined with positive affirmations. The order of words is extremely important for every book written by Nicholas. These are arranged to be traversed in a certain way so as to eliminate certain blockages in the human being, blockages that are bringing disease or failure on various plans. You don't need a big chunk of your time or expensive programs. Everything is extremely simple! Health, money, prosperity, abundance, safety, stability, sociability, charisma, sexual vitality, erotic attraction, will, optimism, perseverance, self-confidence, tenacity, courage, love, loving relationships, self-control, self-esteem, enthusiasm , refinement, intuition, detachment, intelligence, mental calm, power of concentration, exceptional memory, aspiration, transcendence, wisdom, compassion. You have the ability to unlock your full inner-potential and achieve your ultimate goals. This is the age-old secret of the financial elite, world class scholars, and Olympic champions. For example, when you watch the Olympics, you'll find one consistency in all of the champions. Each one closes their eyes for a moment and clearly affirms & visualizes themselves completing the event flawlessly just before starting. Then they win gold medals and become champions. That's merely one example of how the real power of mind can elevate you above any of life's challenges. By reading this book, you will feel totally that life deserves to be lived and enjoyed every moment and that everything that you propose for yourself becomes easy for you to fulfill. Nicholas will guide you to touch your longed-for dream and will make you see life from a new perspective, full of freshness and success. This book helps you step by step, in a natural way, in just 3 minutes a day, to change your misguided way of thinking and to Carve out Creative Space in a World of Schedules, Budgets, and Bosses. (NOTE: For good, Nicholas keep the price of the book as lower as he can, even if is a hard work behind this project. A significant portion of the earnings from the sale of the book are used for these purposes: for charity, volunteer projects, nature restoration, and other inspired ideas to do good where it is needed. If you can not afford to buy the book please contact Nicholas and he will give you a free copy.) You, also have a bonus in the pages of the book that makes you live your success by doing a seemingly trivial thing. You will feel the difference. Yes. The Miracle is possible! Get Your Copy Now!

Salma Nageeb's book provides case studies and analysis of the lives of four Muslim women living in Khartoum, the capital of Sudan. Nageeb examines how these women negotiate their social space, locating their daily struggles within the increasingly rigid Islamic practice in Sudan. The women express resistance and cultural accommodation in different ways: while some choose to instrumentalize state and religious rules and rhetoric for their own aims, others stretch the boundaries with gentle persistence. These case studies provide a unique dimension to Nageeb's important sociological and social anthropological analysis of everyday life in the context of globalization and 'Islamization.'

An Indian Bengali by birth, Amitav Ghosh has established himself as a major voice in what is often called world literature, addressing issues such as the post-colonial and neo-colonial predicaments, the plight of the subalterns, the origin of globalisation and capitalism, and lately ecology and migration. The volume is therefore divided according to the four domains that lie at the heart of Ghosh’s writing practice: anthropology, epistemology, ethics and space. In this volume, a number of scholars from all over the world have come together to shed new light on the works and poetics of Amitav Ghosh according to the epistemic frameworks that form the bedrock of his fiction. Contributors: Safoora Arbab, Carlotta Beretta, Lucio De Capitani, Asis De, Lenka Filipova, Letizia Garofalo, Swapna Gopinath, Evelyne Hanquart-Turner, Sabine Lauret-Taft, Carol Leon, Kuldeep Mathur, Fiona Moolla, Sambit Panigrahi, Madhsumita Pati, Murari Prasad, Luca Raimondi, Pabitra Kumar Rana, Ilaria Rigoli, Sneharika Roy, John Thieme, Alessandro Vescovi.