This book argues that philosophical pessimism can offer vital impulses for contemporary cultural studies. Pessimist thought offers ways to interrogate notions of temporality, progress and futurity. When the horizon of future expectation is increasingly shaped by the prospect of apocalypse and extinction, an exploration of pessimist thought can help to make sense of an increasingly complex and uncertain world by affirming rather than suppressing the worst. This book argues that a cultural logic of the worst is at work in a substantial section of contemporary philosophical thought and cultural representations. Spectres of pessimism can be found in contemporary ecocritical thought, antinatalist philosophies, political thought, and cultural theory, as well as in literature, film, and popular music. In its unsettling of temporality, this new pessimism shares sensibilities with the field of hauntology. Both deconstruct linear narratives of time that adhere to a stable sequence of past, present and future. Mark Schmitt therefore couples pessimism and hauntology to explore the spectres of pessimism in a range of theories and narratives—from ecocriticism, antinatalism and queer theory to utopianism, from afropessimism to the fiction of Hari Kunzru and Thomas Ligotti to the films of Camille Griffin, Gaspar Noé, Denis Villeneuve and Lars von Trier.

Examines the culture of ghost-seeing, arguing that the ghost represents a symbol of the psychological hauntedness of modern experience.

This study of Babeuf as a political thinker, based on an analysis of his extensive writings, and on scholarship unavailable in English, shows him to be a major precursor of the modern revolutionary socialist tradition. The first part traces Babeuf's political evolution in the context of the French Revolution; the second examines his changing reputation among subsequent historians. The final section assesses the originality of his thought, showing him to be neither a Jacobin nor a Utopian.

Explains the social reasons for Thomas Hardy's consistent pessimism expressed in all his major works. The author contends that this came from the failure of bourgeois society to correct the anachronisms in the social machinery of the day.

Why “hopeful pessimism” is not a contradiction in terms but a powerful source of moral and political commitment The climate debate is rife with calls for optimism. While temperatures rise and disasters intensify, we are asked to maintain optimism and hope, as if the real threat is pessimism and despair. In this erudite and engaging book, Mara van der Lugt argues that this is a mistake: crude optimism can no longer be a virtue in a breaking world, and may well prove to be our besetting vice. In an age of climate change and ecological devastation, the virtue we need is hopeful pessimism. Drawing on thinkers that range from J.R.R.Tolkien and Mary Shelley to Albert Camus and Jonathan Lear, Van der Lugt invites us to rethink what we thought we knew about optimism and pessimism, hope and despair, activism and grief. She shows that pessimism is closely linked to a tradition of moral and political activism, and offers a different way to think about pessimism: not as synonymous with despair but as compatible with hope. Gently yet fiercely, Van der Lugt argues that what we need to avoid is not pessimism but fatalism or self-serving resignation. Pessimism does not imply the loss of courage or the lack of a desire to strive for a better world; on the contrary, these are the very gifts that pessimism can bestow. What Hopeful Pessimism asks instead is that we strive for change without certainties, without expecting anything from our efforts other than the knowledge that we have done what we are called upon to do as moral agents in a time of change.

This book argues that philosophical pessimism can offer vital impulses for contemporary cultural studies. Pessimist thought offers ways to interrogate notions of temporality, progress and futurity. When the horizon of future expectation is increasingly shaped by the prospect of apocalypse and extinction, an exploration of pessimist thought can help to make sense of an increasingly complex and uncertain world by affirming rather than suppressing the worst. This book argues that a cultural logic of the worst is at work in a substantial section of contemporary philosophical thought and cultural representations. Spectres of pessimism can be found in contemporary ecocritical thought, antinatalist philosophies, political thought, and cultural theory, as well as in literature, film, and popular music. In its unsettling of temporality, this new pessimism shares sensibilities with the field of hauntology. Both deconstruct linear narratives of time that adhere to a stable sequence of past, present and future. Mark Schmitt therefore couples pessimism and hauntology to explore the spectres of pessimism in a range of theories and narratives-from ecocriticism, antinatalism and queer theory to utopianism, from afropessimism to the fiction of Hari Kunzru and Thomas Ligotti to the films of Camille Griffin, Gaspar Noé, Denis Villeneuve and Lars von Trier.

This volume explores the past, present and future of pessimism in International Relations. It seeks to differentiate pessimism from cynicism and fatalism and assess its possibilities as a respectable perspective on national and international politics. The book traces the origins of pessimism in political thought from antiquity through to the present day, illuminating its role in key schools of International Relations and in the work of important international political theorists. The authors analyse the resurgence of pessimism in contemporary politics, such as in the new populism, attitudes to migration, indigenous politics, and the Anthropocene. This edited volume provides the first collection of scholarly work on pessimism in International Relations theory and practice and offers fresh perspectives on an intellectual position often considered as disreputable as it is venerable.