Nariah Boyd, the Bone Witch, has been lured away from her cozy cabin in the woods by her best friend Elidee to attend a Summer Solstice party. She’s not a party person, and she’s feeling less charitable when Elidee sets her up with a rich werewolf Nariah has met once before. This is feeling more like a date and less like a party every minute. But Nariah doesn’t go on dates. And the solstice is about to peak. Would a spirit emergency make this better? Probably not, but Nariah will take any excuse to leave the party early.

Liberty in Jane Austen’s Persuasion is a meditation on Persuasion as a text in which Jane Austen, writing in the Age of Revolution, enters the conversation of her epoch. Poets, philosophers, theologians and political thinkers of the long eighteenth century, including William Cowper, George Gordon Byron, Samuel Johnson, Hugh Blair, Thomas Sherlock, Edmund Burke, and Charles Pasley, endeavored definitively to determine what it means for a human being to be free. Persuasion is Austen’s elegant, artful and complex addition to this conversation. In this study, Kathryn Davis proposes that Austen's last complete novel offers an apologia for human liberty primarily understood as self-governance. Austen’s characters struggle to attain liberty, not from an oppressive political regime or stifling social conventions, but for a type of excellence that is available to each human being. The novel's presentation of moral virtue has wider cultural significance as a force that shapes both the “little social commonwealth[s]” inhabited by characters of Austen’s own making and, possibly, the identity of the nation whose sovereign read Persuasion.