This military biography reveals the secret life of a closeted Austro-Hungarian intelligence officer who became a double agent in pre-WWI Europe. On the night of May 24th, 1913, three high-ranking military officials waited outside a hotel in the center of Vienna. At around two am they heard a gunshot and knew that one of their own had just ended his life. Colonel Alfred Redl, the former deputy head of the Evidenzbüro, the Austro-Hungarian General Staff’s directorate of military intelligence, and confidant of the heir to the throne. His suicide note read: ‘Levity and passion have destroyed me’. No one knew that for almost a decade, Redl had been giving military secrets to the Italians, French, and Russians. His motives for betraying the army he revered were a mystery for over a century. But after the discovery of long-lost records, the truth has been revealed. Spy of the Century tells the tragic story of a devoted military man who was forced to hide his homosexuality, and used his wealth to please his young lover. Authors John Sadler and Silvie Fisch vividly reconstruct Redl’s secret life and dramatic downfall.

The spy novel has, over the past hundred years, become one of the most popular literary genres. The best exponents have become household names, as have their characters, heroes and villains alike. From Richard Hannay to James Bond and George Smiley, the spies and spy-hunters of fiction have developed from the printed page to grace the movie and television screens - with huge success. Uncovering the greatest or best spy writers of the Twentieth Century has not been easy. There are so many to choose from. Ultimately, however, the choice has come down to three highly significant and successful exponents of the art, writers who cannot be ignored but, more significantly, who were leaders, movers and shakers in the art of writing spy fiction. John Buchan was at the forefront, arguably the first in a long line of spy writers - and still one of the finest. Classic tales like The Thirty-Nine Steps and Greenmantle set the benchmark for everyone else to follow. Ian Fleming's creation of James Bond in books like Goldfinger and From Russia with Love took the spy novel to new heights of glamor and exotic settings. John le Carre's world of spies, double-dealing, betrayal and seedy backstreet assignations is the very antithesis of Fleming's Bond but its realism and stark reality took the art of spy fiction to a new level. Buchan, Fleming, Le Carre, arguably the greatest spy writers of the Twentieth Century. Do you agree? Read the book and make your own judgement. Whatever you decide, you will not be disappointed by the writing and the judgements.

Heroes to some, traitors to others, spies and intelligence officers continue to fascinate and enthrall us with their abilities to operate secretly in the shadows. With these mini-biographies of twenty agents of various nationalities (including members of the DGSE, KGB, CIA, MI6 and Mossad), Patrick Pesnot and 'Mr X' bring the reader as close as possible into the world of espionage, though a panorama of intelligence history. Among the best known of these agents, the reader will find Aldrich Ames, an American accused of spying for the KGB; Eli Cohen, the Israeli spy best known for his espionage work in Syria and Klaus Fuchs, the German-born British agent who helped the USSR to manufacture its atomic bomb in 1949.

Here is the ultimate inside history of twentieth-century intelligence gathering and covert activity. Unrivalled in its scope and as readable as any spy novel, A Century of Spies travels from tsarist Russia and the earliest days of the British Secret Service to the crises and uncertainties of today's post-Cold War world, offering an unsurpassed overview of the role of modern intelligence in every part of the globe. From spies and secret agents to the latest high-tech wizardry in signals and imagery surveillance, it provides fascinating, in-depth coverage of important operations of United States, British, Russian, Israeli, Chinese, German, and French intelligence services, and much more. All the key elements of modern intelligence activity are here. An expert whose books have received high marks from the intelligence and military communities, Jeffrey Richelson covers the crucial role of spy technology from the days of Marconi and the Wright Brothers to today's dazzling array of Space Age satellites, aircraft, and ground stations. He provides vivid portraits of spymasters, spies, and defectors--including Sidney Reilly, Herbert Yardley, Kim Philby, James Angleton, Markus Wolf, Reinhard Gehlen, Vitaly Yurchenko, Jonathan Pollard, and many others. Richelson paints a colorful portrait of World War I's spies and sabateurs, and illuminates the secret maneuvering that helped determine the outcome of the war on land, at sea, and on the diplomatic front; he investigates the enormous importance of intelligence operations in both the European and Pacific theaters in World War II, from the work of Allied and Nazi agents to the "black magic" of U.S. and British code breakers; and he gives us a complete overview of intelligence during the length of the Cold War, from superpower espionage and spy scandals to covert action and secret wars. A final chapter probes the still-evolving role of intelligence work in the new world of disorder and ethnic conflict, from the high-tech wonders of the Gulf War to the surprising involvement of the French government in industrial espionage. Comprehensive, authoritative, and addictively readable, A Century of Spies is filled with new information on a variety of subjects--from the activities of the American Black Chamber in the 1920s to intelligence collection during the Cuban missile crisis to Soviet intelligence and covert action operations. It is an essential volume for anyone interested in military history, espionage and adventure, and world affairs.

What drives a person to enter the deadly world of high-level espionage? In this investigation of the most important cases of the twentieth century, Neil Root focuses on the personalities of these enigmatic figures, discusses their motivations and influences, and asks whether they were heroes, traitors or just scapegoats.

A Companion to the Eighteenth-century Novel furnishes readers with a sophisticated vision of the eighteenth-century novel in its political, aesthetic, and moral contexts. An up-to-date resource for the study of the eighteenth-century novel Furnishes readers with a sophisticated vision of the eighteenth-century novel in its political, aesthetic, and moral context Foregrounds those topics of most historical and political relevance to the twenty-first century Explores formative influences on the eighteenth-century novel, its engagement with the major issues and philosophies of the period, and its lasting legacy Covers both traditional themes, such as narrative authority and print culture, and cutting-edge topics, such as globalization, nationhood, technology, and science Considers both canonical and non-canonical literature

“The nineteenth century is no more. We find in the century that “The Song Is Ended but the Melody Lingers on.” We can see…that espionage not only continues but continues at a rate that is greater than what we have experienced in the past. While counterintelligence has continued to improve, we have been unable to eliminate the threat because the nations that oppose us have also increased and improved their intelligence against us. I seriously doubt that we have the patriotic motivation to help counterintelligence in stopping espionage. This saddens me, but since I am now in my eighty-sixth year, all I can leave you with is a phrase that has been part of our original national heritage: Eternal vigilance is the price of liberty.”

Lord Kitchener and Lord Haig are two monumental figures of the First World War. Their reputations, both in their lifetimes and after their deaths, have been attacked and defended, scrutinized and contested. They have been depicted in film, print and public memorials in Britain and the wider world, and new biographies of both men appear to this day. The material representations of Haig and Kitchener were shaped, used and manipulated for official and popular ends by a variety of groups at different times during the twentieth century. The purpose of this study is not to discover the real individual, nor to attack or defend their reputations, rather it is an exploration of how both men have been depicted since their deaths and to consider what this tells us about the nature and meaning of First World War commemoration. While Haig's representation was more contested before the Second World War than was Kitchener's, with several constituencies trying to fashion and use Haig's memory - the Government, the British Legion, ex-servicemen themselves, and bereaved families - it was probably less contested, but overwhelmingly more negative, than Kitchener's after the Second World War. The book sheds light on the notion of 'heroic' masculinity - questioning, in particular, the degree to which the image of the common soldier replaced that of the high commander in the popular imagination - and explores how the military heritage in the twentieth century came into collision with the culture of modernity. It also contributes to ongoing debates in British historiography and to the larger debates over the social construction of memory, the problematic relation between what is considered 'heritage' and 'history', and the need for historians to be sensitive and attentive to the interconnections between heritage and history and their contexts.

The twentieth-century English novel encompasses a vast body of work, and one of the most important and most widely read genres of literature. Balancing close readings of particular novels with a comprehensive survey of the last century of published fiction, this Companion introduces readers to more than a hundred major and minor novelists. It demonstrates continuities in novel-writing that bridge the century's pre- and post-War halves and presents leading critical ideas about English fiction's themes and forms. The essays examine the endurance of modernist style throughout the century, the role of nationality and the contested role of the English language in all its forms, and the relationships between realism and other fictional modes: fantasy, romance, science fiction. Students, scholars and readers will find this Companion an indispensable guide to the history of the English novel.

The first reference book to deal so fully and incisively with the cultural representations of war in 20th-century English and US literature and film. The volume covers the two World Wars as well as specific conflicts that generated literary and imaginativ