A sequel to "The War of the Worlds", "Star Begotten" concerns another suspected attack by the Martians, this time using cosmic rays to change human DNA. Joseph Davis is a writer of popular books who becomes obsessed with the rumours of invasion, so much so that he fears his wife, child, and even him might have already been affected by the cosmic rays. Contents include: "The Mind of Mr. Joseph Davis Is Greatly Troubled", "Mr. Joseph Davis Learns about Cosmic Rays", "Mr. Joseph Davis Wrestles with an Incredible Idea", "Dr. Holdman Stedding Is Infected with the Idea", "Professor Ernest Keppel Takes Up the Idea in His Own Peculiar Fashion", et cetera. Herbert George Wells (1866 - 1946) was a prolific English writer who wrote in a variety of genres, including the novel, politics, history, and social commentary. Today, he is perhaps best remembered for his contributions to the science fiction genre thanks to such novels as "The Time Machine" (1895), "The Invisible Man" (1897), and "The War of the Worlds" (1898). Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author. First published in 1937.

The X-Files and Literature: Unweaving the Story, Unraveling the Lie to find the Truth provides an innovative and valuable exploration of the groundbreaking television program. Although much academic work has been devoted to the social, psychological, and spiritual significance of The X-Files, until this collection none has fully addressed the seriesâ (TM) rich adaptation of literature to interrogate our perception, definition, or recounting of the â oetruth.â This collection not only unveils new twists and insights into expected connections between The X-Files and Gothic writers or with its modernist and post-modernist slants on narrative, plot, and characterization. The X-Files and Literature also delves into some unexpected literary sources shaping the series, such as the Arthurian quest, Catholic and Biblical mythology, folkloristics, and James Fennimore Cooper and the â oevanishing Americanâ mythos. This collection of essays covers both how The X-Files works with literatureâ (TM)s own constantly morphing definition and portrayal of truth through form and content, as well as how the television program may or may not subvert our own contradictory expectations and distrust of literatureâ (TM)s providing us with enlightenment. As television becomes more and more literary, with shows like Lost and Gilmore Girls sending us off to the bookstore and the library so we might read them more carefully, a book like The X-Files and Literature is welcome indeed. Sharon R. Yangâ (TM)s diverse collection on one of Ninetiesâ (TM) TVâ (TM)s richest texts finds the truth of the gothic and the Arthurian and the folkloric, of the postmodern and the metafictional, of Poe, Pynchon, Cooper, Nabokov, and Tennyson, not just â oeout thereâ but in the perhaps too complicated narrative of the perpetually frustrated quests of Mulder and Scully. Valuable-in-itself as an intellectual exercise, its real worth may come when we put the book down and return, smarter, better readers, to the primary text. --David Lavery, Co-Editor, Deny All Knowledge: Investigating The X-Files Sharon Yang's X-Files collection deals with an important subject addressed by thoughtful writers. The idea that television can be seen as a branch of literature is certainly sustained by The X-Files, and the contributors to this volume succeed in making the case. Brian Hauser on Fenimore Cooper, Cary Jones on Mary Shelley, Tamy Burnett on Poe, Thomas Argiro on Pynchon, Matthew VanWinkle on Tennyson-these and more explore the connections with The X-Files not only in terms of sources but also themes and techniques. Both students of television and literature will want to own this book. â "Rhonda V. Wilcox, Ph.D., Professor of English, Gordon College, Barnesville

Studie over het werk van de Engelse schrijver (1866-1946)