Why race remains the central political issue in America today Why have American policies failed to reduce the racial inequalities still pervasive throughout the nation? Has President Barack Obama defined new political approaches to race that might spur unity and progress? Still a House Divided examines the enduring divisions of American racial politics and how these conflicts have been shaped by distinct political alliances and their competing race policies. Combining deep historical knowledge with a detailed exploration of such issues as housing, employment, criminal justice, multiracial census categories, immigration, voting in majority-minority districts, and school vouchers, Desmond King and Rogers Smith assess the significance of President Obama's election to the White House and the prospects for achieving constructive racial policies for America's future. Offering a fresh perspective on the networks of governing institutions, political groups, and political actors that influence the structure of American racial politics, King and Smith identify three distinct periods of opposing racial policy coalitions in American history. The authors investigate how today's alliances pit color-blind and race-conscious approaches against one another, contributing to political polarization and distorted policymaking. Contending that President Obama has so far inadequately confronted partisan divisions over race, the authors call for all sides to recognize the need for a balance of policy measures if America is to ever cease being a nation divided. Presenting a powerful account of American political alliances and their contending racial agendas, Still a House Divided sheds light on a policy path vital to the country's future.

The first book to explore the historical development of Belgian politics, this groundbreaking study of the rivalry between Catholicism, Socialism and nationalism is essential reading for anyone interested in Europe before World War I.

“In this much-needed and courageous book, Anne Wagner lays down a gauntlet to all those interested in modern and contemporary art: to think anew about these works by canonic artists, and about the relationship of art to recent history and politics. Wagner presents an exhilarating and innovative set of closely worked historical arguments that are remarkably timely, and her lucid prose makes complex ideas and critical debates accessible to a broad audience.”—Briony Fer, Professor of History of Art, UCL “In A House Divided, Anne Wagner takes on the so-called post-war era in American art and asks searching questions about what that term might mean now, amid cultural division and perpetual war. Far more than a sum of its parts, this collection of essays is essential reading on American artists' ‘post-war’ responses to nationalism, state violence, and the 1960s.”—Mignon Nixon, author of Fantastic Reality: Louise Bourgeois and a Story of Modern Art

Once they had a country, a culture, a future. Today, upheaval and betrayal have turned their world upside down. And for one family-a U.S. war hero, his deeply religious wife, and their impressionable fourteen-year-old son-a new struggle has just begun. Mano Suarez made a choice to fight against injustice, and his wife can only pray for his deliverance. Now their son, Pedro, takes up his father's cause . . . disappearing into the ranks of a cult-like organization and leaving his family far behind. To rescue him, Mano must face the consequences of his past deeds. But how can he convince his son to give up the very ideals he, Mano, embraced? How can he prove that home and family are the most important ideals of all? House Divided

" A House Divided Against Itself Vol. III" by way of Mrs. Oliphant intricately unfolds a tale of familial discord, intertwining the lives of complex characters in opposition to the backdrop of societal and ancient upheavals. Renowned for her eager observations of human nature, Mrs. Oliphant masterfully crafts a story that delves into the problematic dynamics of relationships and the outcomes of inner strife. The novel's title, echoing a well-known biblical word, suggestions at the inner conflicts that form the destiny of its characters and the wider international they inhabit. Set towards a vividly painted historical panorama, the book explores themes of love, betrayal, and the transformative power of private and societal alternate. Mrs. Oliphant's eloquent prose and rich characterizations immerse readers in a world in which the divisions inside a house reflect larger fissures in society. With a deft touch, the author navigates the complexities of human feelings, growing a work that resonates with readers on each an emotional and highbrow level. " A House Divided Against Itself Vol. III" stands as a testament to Mrs. Oliphant's storytelling prowess, presenting a compelling adventure via the tumultuous corridors of family and societal strife.

It is hardly noteworthy in contemporary discourse when the phrase, "We'll just have to agree to disagree" actually means, "We plan never to speak to each other again." For members of Episcopal and other Anglican churches, however, the Anglican tradition's identity as a via media demands forthright engagement with difficult topics by Christians committed to remaining in prayerful relationship with each other. In the spring of 2013, Duke Divinity School's Anglican Episcopal House of Studies began a series of "fierce conversations" designed to expose seminary students to the profound and painful reality of ecclesial divisions in North American Anglicanism (revolving around issues of human sexuality, scriptural authority and interpretive practices, and church leadership) while cultivating skills for leading congregations to worship, pray, and serve in ways that contribute over time to the full, visible reconciliation of Episcopalians and other Anglicans in North America. This book presents this year of conversations as a way of inviting congregations to take up the challenge and joy of "fierce conversations" in their own common life.

Corbin Gage can stand up to anyone . . . But his own divided house will bring him to his knees. Corbin, a longtime legal champion for the downtrodden, is slowly drinking himself into the grave. His love for “mountain water” has cost him his marriage to the godliest woman he knows, ruined his relationship with his daughter, Roxy, and reduced the business at his small Georgia law firm to a level where he can barely keep the bill collectors at bay. But it isn’t until his son, Ray, threatens to limit Corbin’s time with his grandson that Corbin begins to acknowledge he might have a problem. Despite the mess that surrounds his personal life and against the advice of everyone he knows, Corbin takes on a high-stakes tort case on behalf of two boys who have contracted non-Hodgkin’s lymphoma due to an alleged chemical exposure. The defendant, a fertilizer company, is the largest employer in the area. The lawsuit becomes a tornado that sucks Corbin, Ray, and Roxy into an increasingly deadly vortex. Equally intense pressure within the family threatens to destroy, once and for all, the thin threads that connect them. Corbin must find the strength to stand up to his personal demons. Justice for two dying boys depends on it . . . his family depends on it. “Fans of John Grisham will find much to like here.” —Library Journal of The Confession

Jonathan Geller, an ambitious young academic, is struggling to build a new life for himself in the US. An American born Jew who had immigrated to Israel with his family as a child, Geller fled the Jewish State after a deadly incident that occurred during his service in the Israeli army. Ten years into his self imposed exile, Geller's younger brother is killed in the line of duty, so he reluctantly returns to Israel to attend the funeral. Once back, Geller is forced to confront his broken family and a life and country he thought he had left behind for good. Colored by his own military experiences, he begins to question the circumstances of his brother's death. Aided by a mysterious source, a childhood friend, an old flame, and his brother's girlfriend, a fiery young redhead, he slowly uncovers the truth - a path that embroils him in a deadly clandestine chess game between two opposing forces - each fighting for what they believe is the very soul of the Jewish state. A fast-paced, character-driven thriller, A House Divided provides an authentic, first-hand look into Israeli society and its legendary military. Unlike many other books in this genre, which have focused on the Arab-Israeli conflict, this work examines the long-term effects of almost one hundred years of conflict on a nation deeply divided on how best to define its future. It also explores how a wounded family, whose bonds have been weakened by distance and time, copes with adversity and loss. Hadassah Magazine: "Friedland has written a good story that shows an intimate knowledge of the military, the landscape of Israel and the effect of the ongoing conflict on the country's citizens."

A House Divided helps answer the question, how do Christians form moral judgments about sex-linked issues? After analyzing key differences between conservative and progressive Christians on such divisive issues as abortion, sex education, and same-sex marriage, readers will learn how a combination of four factors can lead to principled Christian morality. First, a review of diverse interpretive comments on relevant Scriptures can help identify a foundation for agreement as well as sharpen differences. Second, a review of psychological factors can help identify prejudices, personality traits, and powerful emotions that intensify and color public debate. Third, new research on moral psychology will add six dimensions of analysis to appreciating the reasons conservatives and progressives draw upon when forming moral judgments. And finally, knowledge about sexual attraction, sexual orientation, conception, and sexual health is vital to thinking ethically about the specific issues addressed in this book.

Reproduction of the original.