New York Times Book Review Editors’ Choice • An anthropologist working with forensic teams and victims’ families to investigate crimes against humanity in Latin America explores what science can tell us about the lives of the dead in this haunting account of grief, the power of ritual, and a quest for justice. “Absorbing . . . multifaceted and elegiac . . . Still Life with Bones captures the ethos that drives the search—often tireless and against the odds—for truth.”—The New York Times “Exhumation can divide brothers and restore fathers, open old wounds and open the possibility of regeneration—of building something new with the ‘pile of broken mirrors’ that is memory, loss, and mourning.” Throughout Guatemala’s thirty-six-year armed conflict, state forces killed more than two hundred thousand people. Argentina’s military dictatorship disappeared up to thirty thousand people. In the wake of genocidal violence, families of the missing searched for the truth. Young scientists joined their fight against impunity. Gathering evidence in the face of intimidation and death threats, they pioneered the field of forensic exhumation for human rights. In Still Life with Bones, anthropologist Alexa Hagerty learns to see the dead body with a forensic eye. She examines bones for marks of torture and fatal wounds—hands bound by rope, machete cuts—and also for signs of identity: how life shapes us down to the bone. A weaver is recognized from the tiny bones of the toes, molded by kneeling before a loom; a girl is identified alongside her pet dog. In the tenderness of understanding these bones, forensics not only offers proof of mass atrocity but also tells the story of each life lost. Working with forensic teams at mass grave sites and in labs, Hagerty discovers how bones bear witness to crimes against humanity and how exhumation can bring families meaning after unimaginable loss. She also comes to see how cutting-edge science can act as ritual—a way of caring for the dead with symbolic force that can repair societies torn apart by violence. Weaving together powerful stories about investigative breakthroughs, histories of violence and resistance, and her own forensic coming-of-age, Hagerty crafts a moving portrait of the living and the dead.

ONE OF THE NEW YORKER'S BEST BOOKS OF 2023 SO FAR CHOSEN BY FINANCIAL TIMES' READERS' FOR BEST BOOKS OF 2023 A NEW YORK TIMES BOOKS EDITOR' S CHOICE "Has the makings of a classic." -The TLS "Chilling and vital. . . sensitive and thought-provoking." - The Times "Exhumation can divide brothers and restore fathers, open old wounds and open the possibility of regeneration-of building something new with the pile of broken mirrors that is loss and mourning." In this haunting and poetic account, anthropologist Alexa Hagerty joins forensic teams and families of the missing as they search for the hundreds of thousands victims of genocidal violence unleashed by authoritarian governments in Latin America. In Guatemala and Argentina, she learns to see the dead body with a forensic eye. She examines bones for evidence of torture and cause of death - hands bound by rope, cuts from machetes - but also for signs of a life lived: a weaver is recognized from the tiny bones of the toes, molded by years of kneeling before a loom; a girl is identified alongside her pet dog. Hagerty shows us how exhumation can bring meaning to families dealing with unimaginable loss and justice to societies in the aftermath of state terror and genocide. Weaving together powerful stories about investigative breakthroughs, grieving families, histories of violence, and her own forensic coming of age, Hagerty crafts a moving portrait of the living and the dead. "Touching, but achingly honest - a most amazing account of training as a forensic anthropologist. When Hagerty talks about "lives being violently made into bones," I defy you not to be moved. The text is unflinching, but then the crimes and the victims deserve nothing less. I guarantee this will make you think long and hard about cruelty and human rights and the dedication and humanity of the forensic scientist." - Sue Black, author of All That remains 'Essential reading as a human.' - Alex Marzano-Lesnevich, author of Fact of a Body

The genre of still life is considered from a wide range of visual perspectives as it spans the history of photography from the early nineteenth century to the present.

At our darkest hours we find truth . . . When your life is on hold and you can’t fight your way up the ladder of success and you can’t pay your bills and you can’t even get across the hall to the bathroom, all you can do is lie there and wait. Running away is no longer an option . . . What happens when medicine, other people, and self-reliance are no longer enough to heal the human body and sustain the human spirit? Still Life is a memoir that details the medical odyssey of an ordinary young woman who, when physically-challenged, questions the meaning of her inherited religion. As she slowly descends into the world of disability, she is forced to put her faith into practice in the laboratory of her life, and she undergoes a spiritual metamorphosis.

After her curiosity is piqued by a safari gone awry, a journalist delves into the curious world of taxidermy and shares her findings. It’s easy to dismiss taxidermy as a kitschy or morbid sideline, the realm of trophy fish and jackalopes or an anachronistic throwback to the dusty diorama. Yet theirs is a world of intrepid hunter-explorers, eccentric naturalists, and gifted museum artisans, all devoted to the paradoxical pursuit of creating the illusion of life. Into this subculture of passionate animal-lovers ventures journalist Melissa Milgrom, whose journey stretches from the anachronistic family workshop of the last chief taxidermist for the American Museum of Natural History to the studio where an English sculptor, granddaughter of a surrealist artist, preserves the animals for Damien Hirst’s most disturbing artworks. She wanders through Mr. Potter’s Museum of Curiosities in the final days of its existence to watch dealers vie for preserved Victorian oddities, and visits the Smithsonian’s offsite lab, where taxidermists transform zoo skins into vivacious beasts. She tags along with a Canadian bear trapper and former Roy Orbison impersonator—the three-time World Taxidermy Champion—as he resurrects an extinct Irish elk using DNA studies and Paleolithic cave art for reference; she even ultimately picks up a scalpel and stuffs her own squirrel. Transformed from a curious onlooker to an empathetic participant, Milgrom takes us deep into the world of taxidermy and reveals its uncanny appeal. “Hilarious but respectful.” —Washington Post “Engrossing.” —New Yorker “[A] delightful debut . . . Milgrom has in Still Life opened up a whole world to readers.” —Chicago Tribune “Milgrom’s lively account will appeal to readers who enjoyed Mary Roach’s quirky science books.” —Library Journal

Maria Tomasula’s still life paintings are absolutely captivating, dramatizing luscious objects of saturated colors and meticulous details through the spotlight effect against a dark backdrop. Beyond their immediate appeal, however, the still lifes usually contain disturbing features such as flowers being sharply pierced by hooks and nails or isolated body parts such as bones and organs that seem to be fiercely alive. Although the pictures are materialistically appealing due to the illusionistic style of the artist, they lend themselves to a depth of iconography that has not been accounted for in previous writings on her art. This book is the first comprehensive monograph on Tomasula (b. 1958), unraveling her complex iconography that is founded on her Mexican American heritage and Catholicism, but also tracing the European still life tradition. It shows that her paintings reflect her feminist and philosophical leanings influenced by various intellectuals including Baruch Spinoza, Gilles Deleuze, and the proponents of New Materialism. Her still life converges the old with new interests: it pays tribute to traditional Mexican and European motifs, but also reflects ideas and mannerism that speak to the contemporary audience. This research evidences the complexity of the Mexican American experience which merges divergent cultural and ideological perspectives from Latin America, North America, and Europe in varied ways for different and unique individuals.

Discover the path of ancient magick and lore with Magickal Unicorns. Learn to awaken, connect and heal with these magickal creatures as you shift your personal energy to a different realm. Wishes, invocations, meditations and easy to learn spell-work all feature in this book, enhancing our natural magickal abilities to bring about healing and balance into our lives. Unique spells for Unicorn magick Magickal exercises for power and guidance Enchanting meditations to emabrace their energy Mystical attunements and healing methods A new and magickal page has turned, as you are invited to awaken to the healing power of unicorn magick

As an artist, writer, teacher, wife, and mother of two young girls, Claire struggles to maintain balance. Institutionalized for manic-depression as a result of her third suicide attempt, Claire is confined both in her hospital room and in her mind. However, she begins to find awareness and direction during her stay at a mental institution, mainly because she allows herself to enter her past in a way she has never before. Claire examines her childhood--how she and her siblings unrelentingly adored their mother, whose death marked the end of their innocence. But it is not until she returns to her hometown of Clare, MI to see her ailing father that she truly discovers just how deep the secrets of her childhood are. Along the way, the dark corners of her mother's past reveal the healing truth of love. In her journey to battle the idealized notions of motherhood and artistry, Claire finds purpose and inspiration in simple treasures: her children.

In this sequel to 'The Virgin in the Garden, ' in the 1950s, Stephanie Potter, now married to a clergyman, is conflicted about her domestic life and her strivings for intellectual fulfillment; her brilliant sister Frederica eagerly embarks on her academic (and sexual) education at Cambridge University; and their troubled brother Marcus painfully tries to find friendship and love.

NEW YORK TIMES BESTSELLER • A “marvelous romantic comedy” (The New York Times Book Review) from Pulitzer Prize–winning author Anna Quindlen “[A] wise tale about second chances, starting over, and going after what is most important in life.”—Minneapolis Star Tribune Still Life with Bread Crumbs begins with an imagined gunshot and ends with a new tin roof. Between the two is a wry and knowing portrait of Rebecca Winter, a photographer whose work made her an unlikely heroine for many women. Her career is now descendent, her bank balance shaky, and she has fled the city for the middle of nowhere. There she discovers, in a tree stand with a roofer named Jim Bates, that what she sees through a camera lens is not all there is to life. Brilliantly written, powerfully observed, Still Life with Bread Crumbs is a deeply moving and often very funny story of unexpected love, and a stunningly crafted journey into the life of a woman, her heart, her mind, her days, as she discovers that life is a story with many levels, a story that is longer and more exciting than she ever imagined.