The relationship between landscape and identity is explored to reveal how Englishness encompasses the urban and rural, and the north and south.

The role of historical archaeology in the study of African diaspora history and culture Exploring the archaeological study of enslavement and emancipation in the United States, this book discusses significant findings, the attitudes and approaches of past researchers, and the development of the field. Living Ceramics, Storied Ground highlights the ways historical archaeology can contribute to the study of African diaspora history and culture, as much of the daily life of enslaved people was not captured through written records but is evidenced in the materials and objects left behind. Including debates about cultural survivals in the 1920s, efforts to find “Africanisms” at Kingsley plantation in the 1960s, and the realization—as late as the 1970s—that colonoware pottery was created by enslaved people, Charles Orser looks at the influential and often mistaken ideas of prominent anthropologists, archaeologists, and historians. Extending to the present, Orser describes how archaeology better recognizes and appreciates the variety and richness of African American culture during slavery, due in large part to the Black archaeologists, past and present, who have worked to counter racism in the field. While acknowledging the colonial legacy of archaeology, Charles Orser outlines the ways the discipline has benefitted by adopting antiracist principles and partnerships with descendant communities. This book points to the contributions of excavators and researchers whose roles have been overlooked and anticipates exciting future work in African American archaeology. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

December 3-4, 1969. Keith and Mick stood at the same microphone at Muscle Shoals, lights dimmed, splitting a fifth of bourbon, and simultaneously sang the melodies and harmonies on the three songs that they had recorded over three days: "Brown Sugar," "You Got to Move," and "Wild Horses." That's your rock ‘n' roll fantasy right there, pal. A six-piece band working in a tiny converted coffin factory across from an Alabama graveyard, on an eight-track recorder, with no computer editing or Autotune, recorded three songs, representing 30 percent of one of the greatest rock ‘n' roll records of all time. So tells Bill Janovitz of the making of the inimitable triple-platinum album, Sticky Fingers, which hit number one in the US and the UK in 1971, skyrocketing the band to superstardom. To Bill, all artists reveal themselves through their work and the Rolling Stones are no different: Each song exposes a little more of their soul. In Rocks Off, Janovitz reveals the forces at work behind the band's music by deconstructing their most representative tunes from their incredible fifty years of record making. Written by a Stones fanatic, this is a song-by-song chronicle that maps the landmarks of the band's career while expanding on their recording and personal history. Much like friends pouring over old records or having a barroom argument over the merits of certain songs, the book presents the musical leaps taken by the band and discusses how the lyrical content both reflected and influenced popular culture. The song choices are chronological and subjective; many of them are the classic hits; however, the book digs deeper into beloved album tracks and songs with unique stories behind them. Rocks Off is the ultimate listening guide and thinking man's companion that will spur you to dust off those old albums and listen in with a newfound perspective on one of the most famous and acclaimed rock 'n' roll bands of all time.

A compelling study of the influences that shape our responses to landscape, through eight modern British lives.

This history of Britain set in a global context for our times offers a new perspective on how the rise and fall of an empire shaped modern European politics. When the British voted to leave the European Union in 2016, the country's future was thrown into doubt. So, too, was its past. The story of British history is no longer a triumphalist narrative of expanding global empire, nor one of ever-closer integration with Europe. What is it now? In Island Stories, historian David Reynolds offers a multi-faceted new account of the last millennium to make sense of Britain's turbulent present. With sharp analysis and vivid human detail, he examines how fears of decline have shaped national identity, probes Britain's changing relations with Europe, considers the creation and erosion of the "United Kingdom," and reassesses the rise and fall of the British Empire. Island Stories is essential reading for anyone interested in global history and politics in the era of Brexit.

This is a book about a longstanding network of writers and writings that celebrate the aesthetic, socio-political, scientific, ecological, geographical, and historical value of trees and tree spaces in the landscape; and it is a study of the effect of this tree-writing upon the novel form in the long nineteenth century. Trees in Nineteenth-Century English Fiction: The Silvicultural Novel identifies the picturesque thinker William Gilpin as a significant influence in this literary and environmental tradition. Remarks on Forest Scenery (1791) is formed by Gilpin’s own observations of trees, forests, and his New Forest home specifically; but it is also the product of tree-stories collected from ‘travellers and historians’ that came before him. This study tracks the impact of this accumulating arboreal discourse upon nineteenth-century environmental writers such as John Claudius Loudon, Jacob George Strutt, William Howitt, and Mary Roberts, and its influence on varied dialogues surrounding natural history, agriculture, landscaping, deforestation, and public health. Building upon this concept of an ongoing silvicultural discussion, the monograph examines how novelists in the realist mode engage with this discourse and use their understanding of arboreal space and its cultural worth in order to transform their own fictional environments. Through their novelistic framing of single trees, clumps, forests, ancient woodlands, and man-made plantations, Jane Austen, Elizabeth Gaskell, and Thomas Hardy feature as authors of particular interest. Collectively, in their environmental representations, these novelists engage with a broad range of silvicultural conversation in their writing of space at the beginning, middle, and end of the nineteenth century. This book will be of great interest to students, researchers, and academics working in the environmental humanities, long nineteenth-century literature, nature writing and environmental literature, environmental history, ecocriticism, and literature and science scholarship.

Mutualist Archaeology proposes that the theory of mutualism can transform archaeology from what someconsider to be a discipline in crisis. This book argues that the methodological and practical applications of mutualism can transform both the practice of archaeology and the way that interpretations of the past are created. Nineteenth-century theories of capitalism and Darwinism led many to assume that competition, both in the present and the past, was the most natural process in the world. Despite the tenacity of the competitive argument, this book highlights another way of seeing the natural and human world, beneficial association, or mutualism. Chapters set out how mutualist theory can offer differing perspectives on the many historical contexts archaeologists investigate, such as exchange and social complexity, as well as how archaeologists work together. Until now, no archaeologist has explicitly explored the richness that exists within mutualism, and in addition to providing a useful research perspective, mutualist theory also has profound implications for the practice of contemporary archaeology, including the drive to decolonize archaeological practice. Introducing mutualist theory and its significance for archaeological research, this book is for researchers and students of archaeological theory and archaeologists looking for new ways to view the discipline.

Embark on a riveting river adventure with Reuben Gold Thwaites in 'Afloat on the Ohio.' In this captivating travel narrative, Thwaites chronicles his journey along the Ohio River, providing readers with a vivid portrayal of the landscapes, communities, and characters encountered along the way. As a seasoned observer and historian, Thwaites blends personal experiences with historical insights, creating a narrative that immerses readers in the cultural and natural tapestry of the Ohio River region during the late 19th century. 'Afloat on the Ohio' is more than a travelogue; it's a literary voyage that captures the essence of a bygone era, inviting readers to drift along the currents of time. Join Thwaites on this literary expedition where each page unveils a new chapter of discovery, making it an essential read for those captivated by the allure of river travel and historical exploration.

Landscape and Identity in the Modern Basque Country, 1800 to 1936 studies the relationship between landscape and modern identities in the Basque Country. Using an interdisciplinary approach that combines cultural history and geography, it analyses the process of historical construction of the Basque landscape, highlighting its multiple political, social and cultural meanings. The book is divided into two parts: the first examines the discourses, images and representations of the Basque landscape; the second examines landscape practices through tourism, hiking and mountaineering. Focusing on the Basque case but establishing numerous connections with comparable phenomena in Western Europe, the book demonstrates that the landscape became a structuring element insofar as it helped shape individual identities while participating in the creation of social links. This book examines the processes of identity construction "from below" by means of new interpretative tools, such as the experience of landscape. This work, originally published in French, brings to an English-speaking audience a crucial issue in the modern history of the Basque Country, namely the cultural construction of a collective identity within the framework of a nation-state, such as Spain, confronted with multiple territorial identities. Approaching this question from the perspective of landscape provides new keys to understanding the processes of nation-building that occurred in Europe in the nineteenth and twentieth centuries.