Stories Old and New is the first complete translation of Feng Menglong’s Gujin xiaoshuo (also known as Yushi mingyan, Illustrious Words to Instruct the World), a collection of 40 short stories first published in 1620 in China. This is considered the best of Feng’s three such collections and was a pivotal work in the development of vernacular fiction. The stories are valuable as examples of early fiction and for their detailed depiction of daily life among a broad range of social classes. The stories are populated by scholars and courtesans, spirits and ghosts, Buddhist monks and nuns, pirates and emperors, and officials both virtuous and corrupt. The streets and abodes of late-Ming China come alive in Shuhui Yang and Yunqin Yang’s smooth and colorful translation of these entertaining tales. Stories Old and New has long been popular in China and has been published there in numerous editions. Although some of the stories have appeared in English translations in journals and anthologies, they have not previously been presented sequentially in thematic pairs as arranged by Feng Menglong. This unabridged translation, illustrated with a selection of woodcuts from the original Ming dynasty edition and including Feng’s interlinear notes and marginal comments, as well as all of the verse woven throughout the text, allows the modern reader to experience the text as did its first audience nearly four centuries ago. For other titles in the collection go to http://www.washington.edu/uwpress/books/ming.html

Harold Fisch explores the biblical influence on the style and structure of landmark works by Fielding, Defoe, George Eliot, Kafka, Dostoevsky and others. Whilst the great novelists could not manage without the Bible, at the same time 'it would not do'. The book concludes with two chapters on the Israeli novelists S.Y. Agnon and A.B. Yehoshua.

With an in-depth look at the lives of 13 women of the Bible, this devotional takes you step-by-step on a journey of healing, self-discovery, and affirmation through 90 daily readings. Although separated by centuries, each woman's experience contains deeply embedded timeless truths applicable to us and our experiences today. In their stilled yet still living voices, we hear them testify that God was to them personal and loving, concerned and involved, as well as intimate and powerful. They challenge us to walk back along their paths of old and to search for hidden marks that point out where we can pause to gather strength, dig for encouragement, pick up insight, collect understanding, and harvest hope. I accepted their challenge and can now testify that all they say is true. . . Judith Warren Hawkins, founder of Gaza Road Ministries, has served as a county court judge since 1996 in Tallahassee, Leon County, Florida. Gaza Road Ministries is her calling modeled after Philip's encounter with the Ethiopian eunuch in Acts 8. Judge Hawkins is a gifted teacher of Bible truths making plain the word of God so that "none need err" in the way of understanding and wisdom. She is a frequent speaker and presenter and has participated in numerous international mission programs. Judge Hawkins is married, the mother of one adult son, and grandmother of two young girls. http: //www.gazaroadministries.com/

Vivian Manasc, one of the founders of Manasc Isaac Architects, has pioneered sustainable architecture in Canada. Her work in partnership with Indigenous communities has been her greatest inspiration, and it has transformed the very nature of her practice. Through the profound lessons of the seven Grandfather Teachings, Vivian came to understand that the process of planning and designing a building should be a circle, with the beginning and end of the story linked together. The stories Vivian tells in Old Stories, New Ways are also framed by these teachings of Courage, Love, Wisdom, Respect, Truth, Humility and Honesty, with each teaching illuminating an aspect of how working with Dene, Cree, Saulteaux, Métis, Inuit and Inuvialuit communities has influenced her design practice.

Whether imaginary or based on real events, stories are at the core of any culture. Regardless of their length, their rhetoric strategies, or their style, humans tell stories to each other to express their innermost fears and needs, to establish a point within an argument, or to engage their listeners in a fabricated composition. Stories can also serve other purposes, such as being used for entertainment, for education or for the preservation of certain cultural traits. Storytelling is at the heart of human interaction, and, as such, can foster a dialogic narrative between the person creating the story and their audience. In literature, this dialogue has been traditionally associated with narrative in general, and with the novel in particular. However, other genres also make use of storytelling, including drama. This volume explores the ways in which American theatre from all eras deals with this: how stories are told onstage, what kinds of stories are recorded in dramatic texts, and how previously neglected realities have gained attention through the American playwright’s telling, or retelling, of an event or action. The stories unfolded in American drama follow recent narratology theories, particularly in the sense that there is a greater preference for those so-called small stories over big stories. Despite the increase in the production of this type of texts and the growing interest in them in the field of narratology, small stories are literary episodes that have been granted less critical attention, particularly in the analysis of drama. As such, this volume fills a void in the study of the stories presented on the American stage.

Old Stories Retold explores the ways modern Chinese narratives dramatize and embody the historical sense that links them to the past and to the Chinese literary tradition. Largely guided by Walter Benjamin’s discussions of history, G. Andrew Stuckey looks at the ways Chinese narrative engages a historical process that pieces together fragments of the past into new configurations to better serve present needs. By examining intertextual connections between separate texts, Stuckey seeks to discover traces of an “original,” whether it be thought of as the past, history, or tradition, when it has been rewritten in modern and contemporary Chinese fiction. Old Stories Retold shows how the articulation of the past into new historical configurations disrupts accepted understandings of the past, and as such, can be intentionally pitted against modernist historical knowledge to resist the modernist ends that this knowledge is mobilized to achieve.

Forty-five tales, stories and legends adapted from various sources about the natural history of Hawaii and the customs, crafts, arts and history of Polynesian Hawaiians. Includes one original story by the compiler.