This book are stories of American unsung heroes. The mostly unknown and forgotten men who put their stamp on American history. The Ninth and Tenth U.S. Cavalry and the Twenty-fourth, and Twenty-fifth Infantry Regiments

Since the shocking news first broke in 1876 of the Seventh Cavalry’s disastrous defeat at the Little Big Horn, fascination with the battle—and with Lieutenant George Armstrong Custer—has never ceased. Widespread interest in the subject has spawned a vast outpouring of literature, which only increases with time. This two-volume bibliography of Custer literature is the first to be published in some twenty-five years and the most complete ever assembled. Drawing on years of research, Michael O’Keefe has compiled entries for roughly 3,000 books and 7,000 articles and pamphlets. Covering both nonfiction and fiction (but not juvenile literature), the bibliography focuses on events beginning with Custer’s tenure at West Point during the 1850s and ending with the massacre at Wounded Knee in 1890. Included within this span are Custer’s experiences in the Civil War and in Texas, the 1873 Yellowstone and 1874 Black Hills expeditions, the Great Sioux War of 1876–77, and the Seventh Cavalry’s pursuit of the Nez Perces in 1877. The literature on Custer, the Battle of the Little Big Horn, and the Seventh Cavalry touches the entire American saga of exploration, conflict, and settlement in the West, including virtually all Plains Indian tribes, the frontier army, railroading, mining, and trading. Hence this bibliography will be a valuable resource for a broad audience of historians, librarians, collectors, and Custer enthusiasts.

A fascinating chronicle of the endeavors of African Americans who fought for their country: this book recounts their stories, their bravery, and their contributions. African Americans at War puts a human face on this neglected area of history. From pre-Revolutionary fighting against the French to cutting-edge combat against Saddam Hussein, these A–Z volumes underscore significant military contributions from African Americans. The two volumes provide comprehensive coverage of aspects including important historical figures; key battles, legislation, and rulings; honors awarded; regiments, formations, and squadrons; and significant places. Individuals portrayed include celebrated Revolutionary hero Crispus Attucks and Lieutenant Vernon J. Baker, who led his platoon in a near suicidal attack on German positions in 1945. Often marginalized in support functions and frequently given suicidal missions, African Americans have served with distinction and honor in all U.S. conflicts. Their stories, endeavors, and bravery are now chronicled in one accessible resource. This set investigates each war, the interwar years, integration periods, and acceptance of African American men and women on the military team. This is a fascinating compendium spanning all U.S. history.

A collection of diverse first-person accounts of individual African Americans, from the publication of the first slave narrative in 1703 to 1948 when President Truman integrated the Armed Forces.

The illustrations of Keith Conaway and the story-songs of Cecil Williams present the American West as few have known it. Coupled with Michael Patrick's narrative, a neglected part of American history becomes vivid. The role of African-Americans in settling the West comes alive. The explorers, homesteaders, cowboys, outlaws, cavalrymen, rodeo riders, and town founders are all there, filled with life and energy and telling a complete story of the West. Their living on the plains and in mountains in a free, relatively integrated society is a story that completes the history of a country that is diverse and colorful.

Black members of the military served in every war, conflict and military engagement between 1861 and 1948. Beyond serving only as enlisted soldiers and non-commissioned officers, many also served as commissioned officers in positions of leadership and authority. This book offers the first complete and conclusive work to specifically examine the history of black commissioned officers.

On a hot summer’s day in Montana, a daring frontier cavalry officer, Powhatan Henry Clarke, died at the height of his promising career. A member of the U.S. Military Academy’s Class of 1884, Clarke graduated dead last, and while short on academic application, he was long on charm and bravado. Clarke obtained a commission with the black troops of the Tenth Cavalry, earning his spurs with these “Buffalo Soldiers.” He evolved into a fearless field commander at the troop level, gaining glory and first-hand knowledge of what it took to campaign in the West. During his brief, action-packed career, Clarke saved a black trooper’s life while under Apache fire and was awarded the Medal of Honor. A chance meeting brought Clarke together with artist Frederic Remington, who brought national attention to Clarke when he illustrated the exploit for an 1886 Harper’s Weekly. The officer and artist became friends, and Clarke served as a model and consultant for future artwork by Remington. Remington’s many depictions of Clarke added greatly to the cavalryman’s luster. In turn, the artist gained fame and fortune in part from drawing on Clarke as his muse. The story of these two unlikely comrades tells much about the final stages of the Wild West and the United States’ emergence on the international scene. Along the way Geronimo, The Apache Kid, “Texas” John Slaughter, and others played their roles in Clarke’s brief, but compelling drama.