The ties between Ireland and the American South span four centuries and include shared ancestries, cultures, and sympathies. The striking parallels between the two regions are all the more fascinating because, studded with contrasts, they are so complex. Kieran Quinlan, a native of Ireland who now resides in Alabama, is ideally suited to offer the first in-depth exploration of this neglected subject, which he does to a brilliant degree in Strange Kin. The Irish relationship to the American South is unique, Quinlan explains, in that it involves both kin and kinship. He shows how a significant component of the southern population has Irish origins that are far more tangled than the simplistic distinction between Protestant Scotch Irish and plain Catholic Irish. African and Native Americans, too, have identified with the Irish through comparable experiences of subjugation, displacement, and starvation. The civil rights movement in the South and the peace initiative in Northern Ireland illustrate the tense intertwining that Quinlan addresses. He offers a detailed look at the connections between Irish nationalists and the Confederate cause, revealing remarkably similar historical trajectories in Ireland and the South. Both suffered defeat; both have long been seen as problematic, if also highly romanticized, areas of otherwise "progressive" nations; both have been identified with religious prejudices; and both have witnessed bitter disputes as to the interpretation of their respective "lost causes." Quinlan also examines the unexpected twentieth-century literary flowering in Ireland and the South -- as exemplified by Irish writers W. B.Yeats, James Joyce, and Elizabeth Bowen, and southern authors William Faulkner, Eudora Welty, and Flannery O'Connor. Sophisticated as well as entertaining, Strange Kin represents a benchmark in Irish-American cultural studies. Its close consideration of the familial and circumstantial resemblances between Ireland and the South will foster an enhanced understanding of each place separately, as well as of the larger British and American polities.

Strange Harvest illuminates the wondrous yet disquieting medical realm of organ transplantation by drawing on the voices of those most deeply involved: transplant recipients, clinical specialists, and the surviving kin of deceased organ donors. In this rich and deeply engaging ethnographic study, anthropologist Lesley Sharp explores how these parties think about death, loss, and mourning, especially in light of medical taboos surrounding donor anonymity. As Sharp argues, new forms of embodied intimacy arise in response, and the riveting insights gleaned from her interviews, observations, and descriptions of donor memorials and other transplant events expose how patients and donor families make sense of the transfer of body parts from the dead to the living. For instance, all must grapple with complex yet contradictory clinical assertions of death as easily detectable and absolute; nevertheless, transplants are regularly celebrated as forms of rebirth, and donors as living on in others' bodies. New forms of sociality arise, too: recipients and donors' relatives may defy sanctions against communication, and through personal encounters strangers are transformed into kin. Sharp also considers current experimental research efforts to develop alternative sources for human parts, with prototypes ranging from genetically altered animals to sophisticated mechanical devices. These future trajectories generate intriguing responses among both scientists and transplant recipients as they consider how such alternatives might reshape established—yet unusual—forms of embodied intimacy.

Strange Likeness provides the first full account of how Old English (or Anglo-Saxon) was rediscovered by twentieth-century poets, and the uses to which they put that discovery in their own writing. Chapters deal with Ezra Pound, W. H. Auden, Edwin Morgan, and Seamus Heaney. Stylistic debts to Old English are examined, along with the effects on these poets' work of specific ideas about Old English language and literature as taught while these poets were studying the subject at university. Issues such as linguistic primitivism, the supposed 'purity' of the English language, the politics and ethics of translation, and the construction of 'Englishness' within the literary canon are discussed in the light of these poets and their Old English encounters. Heaney's translation of Beowulf is fully contextualized within the body of the rest of his work for the first time.

In the Eye of the Animal: Zoological Imagination in Ancient Christianity complicates the role of animals in early Christian thought by showing how ancient texts and images celebrated a continuum of human and animal life.

A fresh look at a multifaceted minority culture

Tess Durbeyfield is a young and innocent country girl whose life takes a tumultuous turn when she discovers her noble lineage. Seduced and betrayed by the wealthy Alec d'Urberville, Tess's life is marked by hardship, tragedy, and unfulfilled dreams. As Tess grapples with the consequences of her past and struggles to find redemption, she faces the harsh realities of a society that judges her for her perceived sins and tarnished reputation. Through Tess's journey, Hardy explores themes of class, gender, and the cruelty of fate, painting a vivid and poignant portrait of a woman's struggle for agency and dignity in a world determined to oppress her. Tess of the D’Ubervilles was criticized for challenging sexual morals when it was first published in 1891, but has since then gone on to become an enduring classic and one of the major novels of the 19th century. THOMAS HARDY [1840-1928] was an English poet and author. His work is characterized by realism and criticism of the strict Victorian ideals which he believed limited people's lives and happiness. He achieved great success with the novel Under the Greenwood Tree [1872] and continued with successes such as Far from the Madding Crowd and Tess of the d’Urbervilles.

Number-one bestselling author Iris Johansen teams up with Edgar Award winner Roy Johansen and the result is an explosive, tour-de-force thriller. . . Silent Thunder. It was the assignment of a lifetime. . . . Brilliant marine architect Hannah Bryson has been given the job of a lifetime. A U.S. maritime museum has just acquired the decommissioned Soviet submarine Silent Thunder for public exhibition. It's Hannah's job to make sure that every single inch of the legendary nuclear attack sub is safe for the thousands of visitors anticipated. Enlisting the aid of her brother, Connor, they examine the enormous vessel and delve into its long---and lethal---history. But is it really a trap? In the course of their investigation, Connor discovers a mysterious message behind one of the ship's panels. But before he can figure out what it means, there's a deadly assault on Silent Thunder. . . . Though the U.S. government tries to warn Hannah away, she'll stop at nothing to find the ruthless mastermind behind her brother's death. Even if it means joining forces with a mysterious man who may be even more dangerous than the enemy she has sworn to bring down. As Hannah finds herself in the crossfire of an epic standoff, her only hope for survival is to unravel the sub's explosive secret. But someone's willing to kill to make sure Silent Thunder stays silent. . . . Brisk, exhilarating, and filled with authentic details, Silent Thunder is what you get when you team the biggest name in suspense with the stunning plot twists of an Edgar Award--winning author. Get ready for a page-turning thrill ride!